• Record Label: Big Dada
  • Release Date: Oct 25, 2011

Generally favorable reviews - based on 19 Critics

Critic score distribution:
  1. Positive: 12 out of 19
  2. Negative: 0 out of 19
  1. Sep 23, 2011
    It's a pure, you're-only-as-old-as-you-feel joy to hear British hip hop's most original and inspiring voice hitting his peak as he approaches his 40th year.
  2. Magnet
    Nov 21, 2011
    Converts to the cause will find much to love here, and curious newcomers and Anglophiles, it's as good a place as any to start. [#82, p.58]
  3. Sep 28, 2011
    Intense, cutting and clever, this is an album that unfolds at a near blistering pace.
  4. Q Magazine
    Sep 28, 2011
    British rapper ups the stakes with boundary-stretching pop turn. [Oct 2011, p.94]
  5. Mojo
    Sep 27, 2011
    Brit rapper Rodney Smith takes a big step towards national treasure status on sobering fifth album. [Oct 2011, p.99]
  6. Sep 26, 2011
    4everevolution is an appropriately titled, subtle progression which proves that intelligent hip-hop and accessible urban pop don't have to be mutually exclusive, and in the process, Roots Manuva has produced his best record since his 2001 breakthrough, Run Come Save Me.
  7. Sep 26, 2011
    Not all of 4everevolution shines--tracks such as "First Growth" feel like Manuva by numbers--but there are some gems here, and it's good to hear the veteran south London rapper adapting his gruff tones to such a wide variety of material.
  8. Sep 23, 2011
    The production is crisp and varied; Roots' warm vocal typically hits with soul without being too forcefully firebrand and constant changes in style and tempo gives 4Everevolution the energy to see it through.
  9. Sep 23, 2011
    Nearing his 40th birthday, he has delivered an album that's contemplative, insightful and filled with a beleaguered sense of the hard-scrabble nature of contemporary life.
  10. 80
    It's a more considered and persuasive analysis than most of his younger, grimier peers can offer.
  11. Oct 3, 2011
    As seventeen-track records go, it's edible, and should qualify him for another wave of buzz when the Mercurys come round next year.
  12. 70
    With 4everevolution Smith continues to avoid the genre's default Americanisms and instead dabbles in proggy electronic wizardry ('In The Throes Of It'), warped R&B ('Takes Time To') and sleekly produced, astute socio-political commentary ('Who Goes There?').

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