8701 - Usher
8701 Image

Generally favorable reviews - based on 11 Critics What's this?

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Universal acclaim- based on 32 Ratings

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  • Summary: Atlanta's Usher Raymond returns with his third studio release. The Neptunes, Jimmy Jam and Terry Lewis are among the producers.
Score distribution:
  1. Positive: 6 out of 11
  2. Negative: 0 out of 11
  1. 80
    It does what it's supposed to, giving Usher a grown-up R&B sound without reducing his boyish charm. [Aug/Sep 2001, p.131]
  2. A strong, expressive singer, Usher is particularly adroit at seductive, late-night ballads.
  3. Versatility is the key here: staccato beats with mellifluous melody, rich slow-jams and edgy harmonies - but woven through with Usher's own perspective. A winner.
  4. But even a busload of heavyweight producers and guests (P. Diddy, Jermaine Dupri, Jimmy Jam and Terry Lewis, the Neptunes and more) can't help this Babyface prodigy from playing it too same-y here.
  5. Feb 4, 2011
    Usher's back at ya with a consistent third album that has a good chance of staying afloat in a marketplace overflowing with crooning R&B clones. [Sep 2001, p.235]
  6. Jan 7, 2011
    Acoustic guitar work, live drums by Stokley of Mint Condition (remember them?), and a cameo by the law-brushing P. Diddy ("If making hits is a crime, I plead guilty") also lend a surprising amount of variety to what could have been an otherwise homogenized set.
  7. Not quite the step forward he needed. [Sep 2001, p.122]

See all 11 Critic Reviews

Score distribution:
  1. Positive: 20 out of 20
  2. Mixed: 0 out of 20
  3. Negative: 0 out of 20
  1. May 12, 2013
    8701, Usher's third album, represents a step up from the more pop-oriented style of his previous albums, with a steadier, more consistent production, allowing Usher to express himself vocally more. However, his lack of deviation from remaining pop-friendly R&B with mid tempo filler songs like "Hottest Girl" let the album down, seductive enough to keep you listening, but not enough to captivate you towards the end of the album.

    That being said, the opening two thirds, with stand out singles U Remind Me, U Got It Bad and the Pharrell Williams-produced "U Don't Have to Call" and "I Don't Know (featuring a surprisingly low-key P. Diddy) show off Usher's vocal talents to their fullest. What the album does it does well; a solid piece of urban R&B.

See all 20 User Reviews