- Critic score
- Publication
- By date
-
Some may call that predictable, some may call it reliable, but there's little arguing that Afterglow is a solid effort -- it won't win new fans, but it will certainly satisfy the old ones.
-
BlenderIt's quite a feat: crushing, weighty themes conveyed via music that floats in a netherworld a few steps off the ground. [Dec 2003, p.144]
-
Her voice is still in fine shape, but tracks like "Fallen" and "Drifting" are so mild-mannered you have to wonder if anyone will even notice she's back.
-
Entertainment WeeklyComely but slight, Afterglow works hard to stay on a calm, unprepossessing middle middle course despite McLachlan's initimate soul-searching. [7 Nov 2003, p.68]
-
Eventually the piano-based songs grow repetitive, while retaining their lush romanticism.
-
Its gorgeous, moving and magnificent.
-
MojoA vapid yet relentlessly self-regarding solemnity prevails. [Feb 2004, p.95]
-
Q MagazineMcLachlan's gorgeous voice has always been her strength, and even Pierre Marchand's soft-rock production can't diminish its power. [Mar 2004, p.107]
-
Die-hard fans will be delighted. Others might yawn.
-
While there's nothing approaching the memorable hook of Solace's "Into the Fire" or the stalking menace underlying Fumbling Towards Ecstasy's "Possession," Afterglow stays true to McLachlan's impeccably designed songcraft and keen sense of melody.
-
If these songs have a certain melancholic charm, it has been obscured beneath an impenetrably bland sheen.
Awards & Rankings
User score distribution:
-
Positive: 29 out of 38
-
Mixed: 5 out of 38
-
Negative: 4 out of 38
-
Sep 23, 2019
-
ixataDec 22, 2006
-
CapnFooNov 23, 2006