Summary:The latest release from the Canadian electronic producer features guest appearances from Cypress Hill, Wolfgang Gartner, Imogen Heap, Chris James, and Gerard Way of My Chemical Romance.
Armed with a collection of adrenaline-pumping beats and diverse vocal appearances, it's a musical force that continues to establish Zimmerman's place among the house music greats.
Flying in the face of his public persona, this is a sprawling (could be tighter) and humble (could be more persuasive) Deadmau5 album and one best suited for established fans.
At his best - "The Veldt," "Closer," and "Channel 42," which has a nice, Cameo-like wah-funk wiggle - Deadmau5 is a topflight roots-of-EDM mimic. At his worst, he's a troll.
I think this is an excellent album.
has excellent songs like Professional Griefer, The Veldt, Channel 42, maths and Supperliminal thinkI think this is an excellent album.
has excellent songs like Professional Griefer, The Veldt, Channel 42, maths and Supperliminal think Deadmau5 did a great job…Expand
Probably deadmau5's best album so far. With songs like the beautiful reimaging of The Veldt, the rebellious Professional Griefers, the videoProbably deadmau5's best album so far. With songs like the beautiful reimaging of The Veldt, the rebellious Professional Griefers, the video gamish Maths, and the easy to dance to There Might Be Coffee. A must listen to for EDM fans, or anyone in general.…Expand
Songs in this album are individually made. You don't dance them, idiots, you "dig" them with your "head" and that is how it's made. It's oneSongs in this album are individually made. You don't dance them, idiots, you "dig" them with your "head" and that is how it's made. It's one of the influent and concentration giving albums that I am able to hear by myself. And because of deadmau5 and his career of progressive house, there will still be no f***s given to the mainstream, todays trending, nor the world out there, just listen. The criticizers should start listening instead of making bias to the funny and obvious sounding title. It's deadmau5 and his idea of making the title that way, the same way he told everyone the truth in his album "For Lack of a Better Name". Stop whining. > album title goes here < isn't bad at all, it's just Failbait that is out of style. The album itself is different, people around the world are listening to the whole thing. I throughly enjoy all the songs from Superliminal to October. Sleepless and Telemiscommunications are just a bit from deadmau5's mind. Never ever mind the Failbait (while reviewing).…Expand
This album is a good album if you ask me.This album is better than 4x4=12 for me that is just my opinion.This album ads more harmony andThis album is a good album if you ask me.This album is better than 4x4=12 for me that is just my opinion.This album ads more harmony and happines into songs.Deadmau5 did a good job going on a big risk to go full progresive house on this album.Irespect the only hardcore fans who love hard songs from deadmau5 but its still a good album.It does not desever like a 55 it deserves a 80.Critics i think just listenen the songs like telemiscomunications or filbait and closer but they did not listen to the super songs named the veldet or professional girafigers or eaven there might be coffe.its an 8 for me and you shoud buy this album if you like house and that kind of music.…Expand
>Album Title Goes Here< is certainly does little to be the most standout offering from the now super-popular Deadmau5. Nokia has uses>Album Title Goes Here< is certainly does little to be the most standout offering from the now super-popular Deadmau5. Nokia has uses Deadmau5 in great amounts to showcase their products worldwide through 4D city-wide projects, and it's been cool. But all that stardom warrants greater expectations from the fan base and those who are interested in checking in with Deadmau5 for the first time. While >Album Title Goes Here< won't necessarily be regarded as his best work overall, there are some stellar movers & shakers to be found here. Easily one of the best cuts features My Chemical Romance's Gerard Way on "Professional Griefers", carrying a tightly woven, sick & infectious production with Way shout-chanting his way through some kind of post-apocalyptic surreality where the world is gone insane and digital fantasties run amuck. Outside of Griefers and the album opener "Superliminal", >Album Title Goes Here< finds most of its stride in restrained club-house tendencies. "The Veldt", "October", and "Closer" demonstrate this greatly with longer intros that blend into steady beats overlain with programmed synthesizers to carry the hooky melodies. No, this may not be his best work, but it certainly is fun and worth adding to the collection for already-fans. Newcomers may want to start with some of the predecessors to >Album Title Goes Here< before fully jumping in this late in the game.…Expand
For anyone who's familiar with EDM's favorite mau5, Album Title Goes Here is as expected more of the same, and whether that be a yay or nay,For anyone who's familiar with EDM's favorite mau5, Album Title Goes Here is as expected more of the same, and whether that be a yay or nay, is up to the listeners. For newer audiences that may not be familiar with the EDM cult, "Professional Griefers" featuring Gerard Way from My Chemical Romance is probably the most accessible track, featuring electronic guitar-esque stuttered beats along with Way's signature aggressive vocals. Its recommendable tracks are "There Will Be Coffee", a progressive house breakdown that's strong on melody, "The Veldt", another progressive house song strong on melodies which blend swimmingly with newcomer James' soothing voice, and "Telemiscommunications", which features synthpop songstress Imogen Heap in one of her most plausible vocal performances to date. However, its negativity derives from the negatives previous album faced: deadmau5's sheer lack of progression, with tedious opener "Superliminal" and headache inducing "Maths" being notable examples of that. So far fans, it depends on whether you're looking for the same ole, same ole. And for newer audiences, it just depends on what you expected from the hype.…Expand
This is the worst album I have ever heard from deadmau5. I am a huge fan since 2008. I saw him and had the opportunity to meet and talk toThis is the worst album I have ever heard from deadmau5. I am a huge fan since 2008. I saw him and had the opportunity to meet and talk to him in 2009. Cool guy. This album seems like it was rushed. None of the tracks flow together, each song sounds like 2 songs put together, yeah cool but it doesnt sound relevant, it just sounds like to completely different songs in one that have nothing to do with each-other. superliminal was cool but it doesnt even come close to what hes capable of. October, Veldt and profession greifers (only the intrumental) are great. The sound qaulity is really good but the rest of the songs sound cheesy (no pun). The tracks sound like amature work. deadmau5 used to blow me away with his music now I am only shocked at how horrible some of the songs are. I hope he was just rushed into making this album and I think he should take some time off and focus on making music instead of having some pretty lights. I mean thats cool n all but I seriously am not going to another show unless he comes out with a better album and or he just doesn't play majourty of the songs. I also liked failbait for what it is, and most of the collabs are great. but this album terrified me. Where did that deadmau5 funk go?…Expand
