User Score
7.0

Generally favorable reviews- based on 59 Ratings

User score distribution:
  1. Positive: 46 out of 59
  2. Negative: 10 out of 59

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  1. Oct 12, 2012
    0
    This is the worst album I have ever heard from deadmau5. I am a huge fan since 2008. I saw him and had the opportunity to meet and talk to him in 2009. Cool guy. This album seems like it was rushed. None of the tracks flow together, each song sounds like 2 songs put together, yeah cool but it doesnt sound relevant, it just sounds like to completely different songs in one that have nothing to do with each-other. superliminal was cool but it doesnt even come close to what hes capable of. October, Veldt and profession greifers (only the intrumental) are great. The sound qaulity is really good but the rest of the songs sound cheesy (no pun). The tracks sound like amature work. deadmau5 used to blow me away with his music now I am only shocked at how horrible some of the songs are. I hope he was just rushed into making this album and I think he should take some time off and focus on making music instead of having some pretty lights. I mean thats cool n all but I seriously am not going to another show unless he comes out with a better album and or he just doesn't play majourty of the songs. I also liked failbait for what it is, and most of the collabs are great. but this album terrified me. Where did that deadmau5 funk go? Expand
  2. Nov 12, 2012
    3
    In his 2012 effort, Album Title Goes Here, deadmau5 sticks to his style that works for him and his fans, which is no problem in my book. However, some tracks never find their footing (
  3. Mar 27, 2013
    0
    I don't really understand all of the success behind dubstep, especially from artists like Deadmau5, which is probably one of the stupidest names I have ever heard in my life. This is all just electronic noise with an alarming amount of high pitched noises that hurt my ears. It's similar to my opinion on football. Why do people like the stupidest things? I'll never know.
  4. Dec 27, 2013
    3
    Don't get me wrong, I love Deadmau5, and this album has it's moments like "Superliminal", "The Veldt", and "Professional Griefers", but overall the album is sub-par for Deadmau5 standards. In particular, songs like "Fn Pig" and "Take Care of the Proper Paperwork" are just simply not that good and the rest of the tracks seem like they are half-baked at best. Though this album is forgivable since it is just a collection of past recordings, hopefully Deadmau5's next album is far better. Expand
Metascore
59

Mixed or average reviews - based on 13 Critics

Critic score distribution:
  1. Positive: 3 out of 13
  2. Negative: 1 out of 13
  1. Nov 1, 2012
    80
    Having always been a master at transcending genres, he makes sure his new album includes something for every musical taste.
  2. Oct 23, 2012
    60
    To a saucer-eyed teenager with a head full of pills stood amidst Deadmau5's immersive, impressive son-ET-lumiere experience, watching everything "going right off," it'll probably sound amazing. Maybe the rest of us should just wait outside in the car until the show's over. [Nov 2012, p.105]
  3. Oct 10, 2012
    50
    At his best - "The Veldt," "Closer," and "Channel 42," which has a nice, Cameo-like wah-funk wiggle - Deadmau5 is a topflight roots-of-EDM mimic. At his worst, he's a troll.