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The songs are ridiculously catchy, albeit predictable and overly comfortable in that 70s folk rock vibe he loves so much.
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Q MagazineA fearsomely efficient follow-up to Back To Bedlam. [Oct 2007, p.92]
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Too much of All the Lost Souls is just pleasant ether, with Blunt showing a gift for drabness on forgettable ballads that make Coldplay seem like the Arctic Monkeys.
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James Blunt returns with All the Lost Souls, a more piano-driven period piece that's about as edgy as an episode of "Desperate Housewives."
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As background music, it slays. In the foreground, however, not so much.
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Blunt appears to be following a successful formula a little too mechanically for his own good, as if he's ticking boxes.
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BlenderHe devotes himself largely to unremarkable romance chronicles and blandly competent hooks. [Oct 2007, p.107]
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The drawback, as ever, is Blunt’s warbly, whining, strangled voice, which sounds increasingly like a bad Weird Al Yankovic parody.
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MojoMuch of All The Lost Souls is far more icky-yucky than its predecessor. [Oct 2007, p.90]
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He's only gone and come back. And improved, actually: we counted two more hits than "Back To Bedlam." Be very afraid.
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While All the Lost Souls will very likely appeal to the exact same folks who made Blunt’s first album a success, I listen to this album and can’t help thinking that this has all been done before-and better!
Awards & Rankings
User score distribution:
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Positive: 64 out of 98
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Mixed: 6 out of 98
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Negative: 28 out of 98
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RobbieCSep 27, 2007It sucks.
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StefanVFeb 21, 2008
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Jul 27, 2017