As the great Beethoven once said, "If you don't like afrobeat electronica, get the out!". It's fun album with a lot of good ideas. It's cut from the same cloth as Yorke's solo stuff and King of Limbs. A little heavier on the electronica side, with a hint of kuti's afrobeat. It's not for everyone, but what is? I find it to best the best of Yorke's experimental electronica.

Well I guess this is just sorta what we get now from Thom Yorke. Its not bad, by any means. Its certainly not as dull as the average guy from the 90's who's still releasing albums. But "Amok" makes no headway musically from Thom's last solo album, Eraser, which he released seven years ago. If anything, it sounds less focused. I keep calling this Thom's album because, even though the band he's put together is full of talented musicians in their own right, they obviously had little input into this. Either that, or their musical outlook exactly mirrors Thom's own, circa 2006. Anyway, "Amok" isn't bad by any means, but there's absolutely nothing new here.… Expand

AMOK treads into new terrirory and defies classification. While it is easy to make comparisons to Radiohead or Eraser, please don't.; I believe Yorke's idea was to draw upon his bandmate's talents to create an atmosphere that has never been experienced before. Based upon its own merits, this album is unique and, at its best moments, sublime. It is a masterclass on mixing retro digital with acoustic into a work that is thoroughly modern. Before Your Very Eyes is genius in its construction, and it alone is worth the price of the album. It is not without its flaws (a spot of lyrics that are a bit cliched and two tracks that as of yet to me don't seem to add anything), but it is a fine initial effort.… Expand

This review contains spoilers, click expand to view. I find this album a great one. I find people dislikes this album because it sounds like Thom Yorke and not like Radiohead, but, What's the problem? This album is great from the first song to the last song (the one i think is the best).… Expand

Upon on it's release questions and anxiety filled the air of whether will Yorke continue to walk on the same path that The Eraser dug and he has. Now it might seem to you that the album cover has the words Atoms for peace written on it, but don't let them mess with your head as this is Thom Yorke's solo album, at least it seems to be when music comes to light. AMOK is an electronically filled record that builds on the eraser. Every song has been produced wonderfully and it really is a pleasure listening to the plausible songs that awake your inner senses. From radiohead to this point and onward, Yorkes music has been evolving and building the foundation to the electronic and more avant garde direction but while flying in that direction it seems to me that he had been dropping, time to time, some of the elements that made his music one of the best. It came to this point, AMOK, where the sound in general just lacks that fusion of melodies and layers of non computer made elements with the intelligently produced electronic beats (I'll give the example of his previous experimental work: idioteque, like spinning plates, sit down stand up..) Don't get me wrong as this is a live band, but the end product sounds a bit too often like it's been done entirely on the mix table. The album delivers just enough to make you call it a success, but the bland and monotone sound sometimes just shatters the expectations of Thoms recognisable sound experimentation. The problem is that this album has too many good songs, but no further than good as they don't push the boundaries that would make them enter the world of brilliance and profoundness. There are some exceptions that go either way: one that leaves your brain damaged from the ear scorchingly beats that just don't stop in their intentions to repeat themselves and the other that makes you look up to the sky to thank the gods that they gave you the endowment to hear. Overall, this is an album that gives you what you need but in the end leaves you wondering if you could've gotten more.… Expand

I have got to say that this album surpassed my expectations. I never thought that after King of Limbs, happy bunny Thom Yorke could accept such style,... but it turns out he can. Amok radiates with raw and original genius. The melody and the rhythms are extraordinary and out of this world. Definitively recommended for all Radiohead lovers. Although this is not RHCP style I think you will like it since it's hard not to nod and in awe on Such genius artists.… Expand

Atoms for peace are a supergroup if so to call it that. Consisting of thom yorke and flea they have produced a decent album. A lot of people won't give it a chance cos of their love for Radiohead but i am open to new changes and found myself liking this album. Favourite song off the album is 'dropped'.

It's the natural progression Yorke's work seems to be taking, putting more distance between himself and the early work of Radiohead. As ever, though, the sound is original and there's enough in it to keep the listener entertained until Radiohead get back in the studio.

It sounds just like The Eraser part 3. Instead of continuing to learn more about the world and challenge the standards of music and mediocrity, Thom Yorke has become what he used to rail against: a kicking screaming gucci little piggy. I turned off after In Rainbows which, while it didn't break new ground for Radiohead, still had a heart. Amok doesn't even carry a pulse, only the bland and vague anxious Thom Yorke vocals/electronics that are technically good enough for critics to give it no lower than a 6, even if they'd prefer another OK Computer, or at least another Hail to the Thief.… Expand

It must first be established that this is not Radiohead and this is not Thom Yorke's solo project; this is a separate entity. That being said, this is a great start for Atoms for Peace. This doesn't feel like a superband mashed together with random members, no--this feels like an actual band that I can look forward to future releases from. On the downside, I love bassist Flea, but the bass feels way too high in the mix. Nonetheless, this is an intriguing beginning and a solid buy.… Expand

It always took time to really enjoy a Radiohead or Thom Yorke album recently, since the "Kid A" experimentations. All these album were finally great when you start to know it better.

With AMOK, it's the first time I really love one of Thom's albums without having to listen to it 5 or 10 times. It's really great and I can't find the words to describe it with my poor English (sorry).

Thom Yorke never stops amazing me. His solo effort "The Eraser" is a great record, and nearly all Radiohead albums are monumental, and now Atoms for Peace. Amok is (like Rolling Stone put it) the funkiest record Thom Yorke has ever been apart of, and a lot of the credit goes to Flea. They make a fantastic collaboration with this album. Every track holds it's own and the beats are subtle, yet groovy and so easy to listen too. It was a grower of an album but I eventually picked it up and now it's been on repeat for a few days already. All In All, Atoms for Peace is an awesome side-project for Thom Yorke and Flea, and I can't wait for their next record. B+… Expand

The important thing to me is that this album reflects a lot of the zeitgeist and puts music to the shape of the future of this planet. A Beyonce album or a White Stripes album can be equally well crafted, but this music comes from ruminations on issues that affect far more people and have far greater chance of being averted if we act realistically rather than escaping into 'bright fake sunshine'. It's well crafted and the message is (non-politically) forceful and deep felt (and thought)… Expand

After an early leak, 'Amok' has finally been officially released, and the reviews are flowing in. So what is there to say about this new side project from Radiohead frontman Thom Yorke? Well, quite a lot. First and foremost, I should mention that I'm a huge Radiohead fan (big surprise!), and that I've been carefully following this album since "Judge, Jury, Executioner" was preformed live. Naturally, I've been anticipating great things from this project, and I'm happy to say that it has nearly managed to fulfill my very high expectations. Notice that I said "nearly". In my personal opinion, the album has its share of mishaps. Nothing terrible, but they are there. But let's start with the good stuff first! Every track on this album is thoroughly enjoyable, and each song has highly memorable moments. Be it the sweeping, pulsating, glistening synths in "Ingenue", the blissful and prismatic guitar melody accompanied by a compulsive and addictive chorus from Yorke in "Stuck Together Pieces", or the glorious crescendo of swirling synths and soaring vocals in "Amok", this album manages to throw one beautiful moment after another at you. Each and every song has something memorable to offer, and typically the payoff is wonderful. This album is also perhaps the funkiest, most danceable collection of tunes Thom has ever released, with complex programmed beats, driving synths, and deep bass that permeate throughout the most of the songs. Flea and RHCP fans will be pleased to know that almost every track on here is packed full of his driving, kinetic basslines. Radiohead fans will be happy to hear that the album is overflowing with sonic complexities, and that each subsequent listen is likely to reveal a new sound or layer that you didn't catch before. Make no mistake; this album was made to be heard either on a high quality soundsystem, or on headphones! To sum up the positives, this album has been immensely enjoyable to listen to. Its funky and rhythmic nature is elating. These tunes just make me want to dance! Certain moments on this thing are so complex and epic that they nearly match Radiohead in intensity. Lastly, despite what you've heard, this is not "The Eraser: Part 2". This LP is its own beast. The songs are far more kinetic, uplifting, funky, and danceable than The Eraser. Okay, now for the bad. First off, some of the songs start off a little rough, with a rather cold, repetitive, sparse intro. The tracks "Dropped" and "Stuck Together Pieces" come to mind. "Dropped" uses an almost glitchy synth that is heavily reminiscent of dubstep, which wouldn't be a bad thing if the sound itself didn't feel so mechanical, and dare I say it, generic. It just doesn't stand out as anything noteworthy, and the song suffers because of it. Granted, the song evolves into something far more interesting, especially when Flea's bassline explodes alongside Thom's cut up, hovering vocals into a complex, kinetic, and memorable drop which is anything but generic. "Stuck Together Pieces" starts slightly better, with a minimalist drum pattern and bassline. Its funky and strangely hypnotic, but I would have preferred something slightly more melodic and layered here. The song builds into some beautiful guitar playing and singing from Yorke. Its eloquent, catchy, and uplifting, which only makes the slightly drab first half of the song feel all the more boring. Once again, nothing terrible, just a little lacking. Another issue this album runs into is its tendency to drag out certain songs for too long without any evolution outside of subtle changes in melody and adding in additional sounds. The melodies in certain songs tend to stay the same for most of their length, only changing in mild ways. It's almost like Thom's singing just goes on and on, without any real structure. This actually does work to the albums advantage at times, creating a sort of hypnotic effect, but ultimately I found myself yearning for some epic crescendo or chorus from Yorke to really flesh out the pieace. Songs where this is most apparent are "Before Your Very Eyes..." and "Ingenue". "Reverse Running" and "Unless" also suffer from this linearity, only to a lesser degree. Fortunately, each of these tracks are built around very strong melodies which usually manage to stay entertaining throughout the song's entirety. Upon further listens, I found myself noticing the subtle changes in each one more and more. They DO evolve, just not as much as we're used to from Yorke. As a consequence, they can sometimes drag on. However, in the right mood, they manage to be very calming and hypnotic, at least for me. So there's my opinion. My recommendation? If you like Yorke, Flea, Radiohead, or even just RHCP, definitely check it out. Favorite tracks: Amok, Ingenue, Default, Judge Jury Executioner, Least favorites (but hey, I still love em!): Before Your Very Eyes..., Dropped… Expand

I've always been torn between euphoria and confusion with anything Thom Yorke has been involved with. The lineup for this game is, however, nothing short of fantastic. I feel high everytime I listen to this. In fact, I feel as if I get higher and higher everytime I listen to it. It's just out of this world.

What AMOK isn’t (as the critics so obsessed with extra-musical baggage would have you believe) is some overwrought super-group experiment. What it is, though, is a collection of deftly arranged, pulsating, driving songs. Thom Yoke’s vocals songwriting are at their best here, marrying beautifully slow melodies to quick rhythmic patterns (“Before Your Very Eyes”); subtly altering the phrasin phrasing of a repeated lyric (creating a hypnotic, climatic effect on “Unless”); and is at its warmest and most affectionate (“Ingenue”). Beautiful, deep record that reveals itself more and more through each repeated listen.… Collapse