- Summary: The second full-length release from Arthur Ashin was influenced by the music of such artists as Laurie Anderson, David Byrne, Annie Lennox, Katy Perry, Lee "Scratch" Perry, and Rihanna.
- Record Label: Software
- Genre(s): R&B, Pop/Rock, Alternative/Indie Rock, Lo-Fi, Alternative R&B
- More Details and Credits »
Mar 5, 2013Throughout Anxiety, tracks fail to resolve--“Counting,” “Promises,” “Gonna Die”--and initially I thought it was a songwriting flaw, coming on so fantastically strong there was nowhere left to go. But .... On multiple listens none of this plays accidental--songs run aground as a means of setting the next episode in motion.
Feb 28, 2013Ashin, in giving so much of himself away, leaves little scope for the kind of mystery that might enable his musical settings to transcend their functional pop status. [Feb 2013, p.60]
Mar 4, 2013This album is arguably sonically complex. Layers of heavily (verging on over) produced melodies, effects and words collide together. Messy, striking waves crash, pulsate and breathe through every moment of this album. There is almost always something going on, something to take your attention. It shouldn't work. it should be an overproduced mess. It should be a pulpy, sticky primordial paste of an album with stretches of dull, bleak soundscapes punctuated by the odd crescendo that we have come to associate with modern pop music. But it does work. It works superbly. Because beneath the gloss and the layered production there is heart. This album is like a fine novel covered in a cellophane wrapper that at times bursts out and steals the stage, and with it; the listener's heart and soul. There are times in which all the craziness stops. All of the play-acting. All the masks are dropped and something rises from the ashes like a giant pheonix-cum-robot overlord straight from Transformers. Anxiety crafts a fortress of beats, melodies and synthetic emotion then burns it all down. From the remnants of modern perfection, something brilliant in the most old fashioned way arises. This album is the Beach Boys, The Jimi Hendrix Experience, Pink Floyd, The White Stripes, Arcade Fire and everything I have ever loved about music on one LP. It may just be smokes and mirrors, but for now I may just be in love.
However, I could write this pseudo intellectual twaddle for ages. I could do my best Pitchfork impression by telling you about my life and why this album is so important. I won't waste any of your time doing so. Just remember this: this album is a comfort blanket. It is your mum. It is where you go after a hard day. It's where you go after a good day. It's where you go when all hope is lost. It's where your battles have been fought. It's there, a warm, beautiful, orgasmic comfort blanket made from the best heroin anyone has ever mainlined. It's every joyous emotion you've ever experienced condensed into one. It's, for me, the best album ever made. DISCLAIMER: THIS IS MY OPINION, AND EXPRESSES MY TASTES. IT'S PROBABLY WRONG TO LOVE THIS ALBUM LIKE I DO, BUT THIS REVIEW IS BEREFT OF ANY IRONY AND IS SINCERE. IT WAS WRITTEN TO ENCOURAGE OTHERS TO LISTEN TO THIS MASTERPIECE.… Expand
Mar 1, 2013Since the first playthrough of this album a few days ago, I haven't been able to stop listening. What Arthur Ashin lacks in powerful open-throat vocals he makes up for with inventive bellowing riffs and the rare case of overproduction being a compliment. Almost every song has an element which makes it stand out and keeps you coming back for more. If anything, the fact Arthur isn't the best singer but can still approximate the notes he's going for only adds to the inspiring vulnerability he puts on display. He is opening his heart and daring you not to open yours in return. To be fair, I'd normally give this album a 9/10 but am trying to offset the completely unreasonable Zeros some folks have given this. I mean jeez, even if you can't stand the vocals, you give a Zero to stuff like Metallica and Lou Reed's 'Lulu,' not something that's got actual talent and intrigue involved like 'Anxiety.'… Expand
Dec 26, 2013I was a little conflicted about this album at first. The production is superb. Pretty amazing music. On the other hand, his singing style does get annoying, at least on some tracks. There are fantastic tracks, and there are forgettable ones.
But in the end, i believe the pros outweighed the cons. I'm definitely keeping an eye on this guy.… Expand
|Spiderland [Box Set] - Slint|
|Led Zeppelin III [Remastered] - Led Zeppelin|
|Led Zeppelin I [Remastered] - Led Zeppelin|
|Led Zeppelin II [Remastered] - Led Zeppelin|
|Definitely Maybe [Remastered] - Oasis|
|Nightclubbing [Deluxe Edition] - Grace Jones|
|Soul Mining (30th Anniversary Deluxe Edition) [Box Set] - The The|
|Miles at the Fillmore - Miles Davis 1970: The Bootleg Series, Vol. 3 - Miles Davis|
|From Parts Unknown - Every Time I Die|
|Goodbye Yellow Brick Road [40th Anniversary Edition] - Elton John|
|Illmatic XX [20th Anniversary Edition] - Nas|
|Rat Conspiracy [Box Set] - Unwound|
|Superunknown [Deluxe Edition] - Soundgarden|
|Anthology [Box Set] - The Clean|
|To Be Kind - Swans|
|Face the Music [Box Set] - Nils Lofgren|
|Foundations of Burden - Pallbearer|
|Rooms of the House - La Dispute|
|CSNY 1974 [Box Set] - Crosby, Stills, Nash & Young|
|Go Down in History [EP] - Four Year Strong|