• Record Label: EMI
  • Release Date: May 22, 2012
Metascore
62

Generally favorable reviews - based on 13 Critic Reviews

Critic score distribution:
  1. Positive: 5 out of 13
  2. Negative: 2 out of 13
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  1. May 24, 2012
    30
    Each of the album's thirteen tracks passes by without any fuss or fight; every song blending into one long blob of grey matter that leaves such little impression in spite of repeated listens.
  2. Q Magazine
    Oct 12, 2012
    20
    A load of rubbish. [Jul 2012, p.110]
User Score
7.5

Generally favorable reviews- based on 38 Ratings

User score distribution:
  1. Positive: 28 out of 38
  2. Negative: 5 out of 38
  1. May 28, 2012
    9
    A well composed plethora of great hard hitting songs, from the titular song to the added extras this album just keeps on giving. Each songA well composed plethora of great hard hitting songs, from the titular song to the added extras this album just keeps on giving. Each song with it's own personal touch of LA badass that is slash with blues driven hard rock at it's finest and the breathtaking voice of Miles Kennedy, this is one album that doesn't disappoint.

    Favourite song: We will roam, bad rain and No more heroes
    Full Review »
  2. May 23, 2012
    10
    Best Hard-Rock Record I've been listen in years. Great work for Slash and Myles again.
    The band has to grow even more. But has great songs and
    Best Hard-Rock Record I've been listen in years. Great work for Slash and Myles again.
    The band has to grow even more. But has great songs and compositions that will make people fall in love common to the genre of it.
    Full Review »
  3. Nov 5, 2013
    4
    This could've bee a great album, but I think the problem here is that Myles Kennedy's voice just isn't a right match for Slash's guitarThis could've bee a great album, but I think the problem here is that Myles Kennedy's voice just isn't a right match for Slash's guitar playing. Kennedy's voice is too clean and "wimpery" and doesn't have enough power or personality to blend with the vibe of Slash's guitar. Kennedy's voice can sound a little too whiny with not enough texture, like a balloon with the air being let out of it. I loved Rod Jackson's singing on the 2nd Slash's Snakepit album Rod Jackson had a booming, powerful voice with a soulful "growl" to it that really meshed with Slash's vibe. I wrote a review earlier in which i criticized the album for lacking in soul or personality, but at the time I couldn't quite put my finger on why. Having come back and listened to it again, it's clear that Kennedy's voice and vocal melodies are the culprit. Slash needed a bigger voice with more texture and SOUL to really bring out the best in his guitar playing. Full Review »