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Merriweather Post Pavilion

EMAILPRINTby Animal Collective

Animal Collective reviews
89
8.2 User Score:

Album Info

Label: Domino

Release Date: 20 January 2009

Discs: 1 disc

Genre(s): Rock, Indie

Summary

The ninth album from the rock group was produceed by Ben Allen.

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Uncut

It feels like one of the landmark American albums of the century so far. [Jan 2008, p.86]

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100

No Ripcord

MPP had aura to burn long before most of us heard it, but now those of us who have heard it and do love it know that this music will not be content to stand idle on the margins of tuneless hype. Time may very well lend Merriweather Post Pavilion a legend extraordinary enough to faithfully capture its myriad treasures.

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100

Sputnikmusic

Merriweather Post Pavilion is heartbreaking and heartwarming, and you can either disregard what is one of the most pleasing, enjoyably rich and rewarding releases of the past decade or you can rally with the rest of us, and clap, and sing, and blare it through the earphones on your iPod because we are still all the things outside of us.

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100

Slant Magazine

Soulful and almost structurally flawless (it's the most minor of complaints that the middle run of songs are all about a half-minute too long), Merriweather finds one of the most talented, most creative pop bands finally and gloriously figuring it all out.

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100

Observer Music Monthly

Even by their own exuberant standards, though, AC's ninth album is a dizzying knees-up that makes most music, indie rock or otherwise, sound both bloodless and pathetically timid.

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100

Delusions of Adequacy

What’s more important is that Merriweather Post Pavilion is not just one of the finest things you’re going to hear in 2009 but that it should sit well next to albums like Kid A on lists of the best music made in our time.

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100

The Onion (A.V. Club)

Merriweather's sound plays like both a summation and an expansion of everything Animal Collective has done so far, with a sharper focus on melody and more emboldened vocals that drive the songs.

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96

Pitchfork

It's of the moment and feels new, but it's also striking in its immediacy and comes across as friendly and welcoming.

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95

Prefix Magazine

Has the album of 2009 been unleashed in January? I can’t see anything else coming near it.

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94

Lost At Sea

Throughout Merriweather Post Pavilion the band mixes instrumentation and samples and voices in a way that seems to be an advanced or accelerated development of past triumphs.

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91

Entertainment Weekly

Merriweather Post Pavilion won't land the band the opening slot on a Coldplay tour, it cleaves closer to "Pitch's" more listener-friendly aesthetic, abandoning the self-indulgent impulses that sometimes muddied last year's "Strawberry Jam" for an album full of effervescent, transportive oddity.

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91

Paste Magazine

Nine albums and eight years in, it’s time to stop trying to figure out what the hell Animal Collective--vocalist/guitarist Avey Tare, percussionist/vocalist Panda Bear and knob-twiddler Geologist--is, and just enjoy the orgasmic rush of danceable rock.

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90

Tiny Mix Tapes

On Merriweather, their art reminds us that immersion in Western tropes need not be met with scorn, that not all of its idioms have yet been exhausted, that embracing optimism and melody can still be so relevant--and it aches in the most soulful of ways.

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90

Drowned In Sound

Is Merriweather Post Pavilion the flawless album that it's been willed to be? Taken as a whole I'd say it's pretty damn close.

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90

PopMatters

Merriweather Post Pavilion finds Animal Collective tight and sharp, and it suits them. Animal Collective’s music is for everyone’s world.

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90

musicOMH.com

Oozing fun out of every pore, this record is the perfect tonic to the increasingly troubled times that 2009 brings with it and will most likely feature on many of those Best Of lists come December.

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90

Urb

With Merriweather Post Pavilion, Animal Collective have proven themselves to be at the forefront of progressive pop, as deadly with their textures as they are with their melodies.

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90

All Music Guide

Merriweather Post Pavilion is a perfectly organized record, not a note out of place, not a second wasted.

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90

Dot Music

Merriweather Post Pavilion's rare combination of great songs and vital invention make this one of the year's most important records, already.

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88

Los Angeles Times

Animal Collective still struggles with effective counterweights to its euphoric beauty--the attempt at romance on 'Bluish' is off-putting and some of the murkiness can exhaust and undermine--but it shifts so rapidly, with such conviction, that it's more fun to hunker down and surrender.

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85

cokemachineglow

Animal Collective keep getting better.

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80

Dusted Magazine

It's not a return to form so much as a complete reinvention, this is an album that highlights a particularly buoyant Animal Collective, one that’s managed to expand their sound in surprising ways while still retaining the same basic creative impulses that made them such a joy to watch develop over the past decade

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80

Village Voice

MPP is filled with enough new achievements that it's a waste of space to lament the past. It's a rhythm record with an atmosphere.

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80

Boston Globe

Some of the phrasing on "MPP" sticks; some of it soars; most of it slips and slides through puddles of rich sonic texture. Only at a distance does the magic of the whole major-key mess become clear.

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80

Billboard

Merriweather Post Pavilion is so gorgeously confident that it fulfills expectations and more.

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80

Q Magazine

With Merriweather Post Pavillion, Animal Collective have refined their distinctive vision, once again proving they are ahead of the pack. [Feb 2009, p.1114]

80

NOW Magazine

While they’ve obviously raised production values for Merriweather Post Pavillion--the sound of guitars has been eclipsed by a sampledelic woosh and gurgle--Animal Collective fans will be relieved to find the group keeping a safe distance from mainstream pap.

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80

New Musical Express (NME)

Merriweather..., their psych-pop pinnacle, shares the simultaneous relentless complexity and instant simplicity of the best Of Montreal albums, but where Kevin Barnes’ last effort got lost in its clever-clever weirdness, shifting rhythms and textures in a way that felt like standing onboard a bus going down a mountain, Animal Collective’s is an easy, good-natured beast.

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80

The Guardian

This is a joyful, transcendent record somehow reminiscent of kids let loose in a musical sandpit. As winter rages around us, it ushers in the warmth and sets a high musical benchmark for others to match this year.

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80

Mojo

By far the most streamlined and purposeful Animal Collective record. [Jan 2008, p.98]

80

Spin

In years past, Animal Collective have been cast as perpetual Peter Pans, forever stuck in childhood fantasias. But beneath the body-moving throbs and coruscating noises of Merriweather Post Pavilion, themes of domestic duty and devotion abound.

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70

Rolling Stone

The ninth disc from this Brooklyn/Baltimore crew tries balancing shameless beauty with ecstatic weirdness, and when they nail it, it's breathtaking.

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70

Under The Radar

In Merriweather Post Pavilion, Animal Collective become too fascinated with the way things sound (Animal Collective may be the only band for whom this sometimes becomes a problem) and loses the emotional resonance of their best work. [Winter 2009]

70

Blender

This is their sunniest, most likeable record, leavened by hints of light-footed dance music.

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63

The Phoenix

Merriweather Post Pavilion further smoothes out their sound, and though it's full of cool, orchestrated beauty, it lacks the playfulness and spontaneity that endeared so many to this group.

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50

Austin Chronicle

Animal Collective has backslid into a comfortable, but unfortunately unexciting, middle ground.

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What Our Users Said

The average user rating for this album is 8.2 (out of 10) based on 337 User Votes

Note: User votes are NOT included in the Metascore calculation.

Riccardinho gave it a4:
Meh. Noisy, over-produced, boring. Music for critics, not for listening to.

Troels S. gave it a10:
THE masterpiece of the decade. There's so much to be said about Animal Collective through their career but being commercial isn't one of them. If the World is fair this album should be the ultimate, essential, mainstream breaktrough for AC. With Merriweather Animal Collective has finally find the perfect pop-melodies without giving up on the oddness of their music. It's epic, it's simple in it's complexity. Siply perfect.

Victor O. gave it a7:
Unlike their transcendent, delightfully inaccessible treat Feels from 2005, this is either a commercial sell-out or an unabashed homage. The influences abound: A lot of The Beach Boys and The Mamas and the Papas, a smattering of the Flaming Lips and XTC, and a hint of Lindsey Buckingham/Fleetwood Mac. Where's my independently freakish genius band?

Matt L gave it a10:
I've owned this album for around 6 months now and it has slowly made it's way into my top 5 favourite albums of all time. Like all good albums, the more you listen the better it gets. Merriweather Post Pavillion really shines in the way it evokes a certain feeling (sometimes many feelings within the same song) and transports the listen deep into it's hypnotic sound scape. It is a rare thing when an album truly sounds like nothing else happening in music at the moment without alienating it's audience completely. Animal Collective continuously prove to be one of the most important bands in music today and this album along with Strawberry Jam is further proof of that.

Mike M. gave it a2:
I don't get it. I just don't get it. I enjoy all kinds of musical and agree with Metacritic most of the time. But after one listen to this, I had to force myself to listen a second time, and have no desire to do that again. Doesn't do anything for me.

John G gave it a0:
Boring, pretentious trash. It sounds like all the tracks were designed to be in car commercials.

Baxter gave it a9:
I went in expecting something terrible, as my previous experience with the band was not something I enjoyed. But what I found was one of the best albums of the year. Nice and enjoyable music that reminds me why pop is still a genre worth considering. Not the masterpiece that oh so many Pitchfork readers are calling it, but still an extremely solid and fun album.

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