> Switch to Advanced Search

New & Current Releases
Archives: A-Z Index
Advanced Search

Upcoming Release Calendar
All-Time High (And Low) Scores
Best Of 2007
Best Of 2006
Best Of 2005
Best Of 2004
Best Of 2003
Best Of 2002
Best Of 2001
Best Of 2000
How Metascores Are Calculated
Discuss Music In Our Forums

sort by name

sort by score

80 American Music Club
61 Anti-Flag
71 Apes
69 The Apples In Stereo
81 Atlas Sound
68 Atmosphere
71 Autechre
79 Kevin Ayers
62 B-52s
82 Erykah Badu
68 Bauhaus
70 Be Your Own Pet
73 Beach House
72 Bell X1
65 The Big Sleep
74 The Black Crowes
77 The Black Keys
87 Bon Iver
75 Boris
71 Born Ruffians
72 Billy Bragg
74 The Breeders
50 The Brian Jonestown Massacre
80 British Sea Power
73 Cadence Weapon
67 Mariah Carey
87 Nick Cave And The Bad Seeds
68 Clinic
78 Jason Collett
78 The Constantines
76 Elvis Costello & The Impostors
63 Counting Crows
75 Sheryl Crow
74 Crystal Castles
59 Danity Kane
53 Craig David
75 Ray Davies
69 Dead Meadow
61 Gavin DeGraw
69 Del The Funky Homosapien
78 Destroyer
79 DeVotchKa
79 Die! Die! Die!
77 diskJokke
81 The Dodos
59 Does It Offend You, Yeah?
57 Mike Doughty
67 Justin Townes Earle
74 Kathleen Edwards
82 Elbow
66 Elf Power
71 Estelle
70 Evangelista
66 The Feeling
77 Tim Fite
79 Flight Of The Conchords
54 Flo Rida
77 Flogging Molly
75 Foals
82 Frightened Rabbit
80 Fuck Buttons
61 Ghostland Observatory
76 Gnarls Barkley
78 Goldfrapp
66 The Gossip
70 Grand Archives
60 Adam Green
61 Guillemots
80 The Gutter Twins
77 Headlights
86 Hercules And Love Affair
78 Hot Chip
78 Howlin Rain
68 Alan Jackson
61 Janet Jackson
61 Jack Johnson
58 Junkie XL
74 The Kills
79 Kaki King
65 The Kooks
57 Lenny Kravitz
54 Kula Shaker
69 Lady Antebellum
66 Ladyhawk
76 k.d. lang
71 Daniel Lanois
76 The Last Shadow Puppets
63 Leona Lewis
71 Jamie Lidell
69 Lightspeed Champion
75 The Long Blondes
79 Los Campesinos!
64 Lyrics Born
71 M83
66 Madonna
76 Stephen Malkmus
75 Man Man
83 James McMurtry
70 Colin Meloy
72 Tift Merritt
83 Meshuggah
65 Kylie Minogue
63 Moby
67 Allison Moorer
63 Morcheeba
69 Van Morrison
76 Bob Mould
74 The Mountain Goats
75 Murder By Death
75 Mystery Jets
77 Nada Surf
79 Neon Neon
64 Nine Inch Nails
79 No Age
68 No Kids
80 Jim Noir
70 Panic At The Disco
73 Dolly Parton
74 Pete & The Pirates
75 Phantom Planet
74 Plants and Animals
85 Portishead
56 The Presidents Of The United States Of America
76 Pride Tiger
70 The Proclaimers
77 Prodigy [of Mobb Deep]
79 R.E.M.
75 The Raconteurs
72 The Raveonettes
87 Robyn
69 Pete Rock
80 The Roots
59 Rick Ross
77 The Ruby Suns
81 Santogold
76 She & Him
51 Simple Plan
65 Ashlee Simpson
71 Snoop Dogg
81 Sun Kil Moon
67 Supergrass
79 Switches
72 The Sword
70 Tall Firs
61 Tapes 'n Tapes
64 The Teenagers
76 These New Puritans
71 These United States
78 Thrice
69 Tokyo Police Club
78 Jim White
76 Why?
62 Widespread Panic
76 Young Knives

Stars indicate the most critically-acclaimed albums.

Let The Blind Lead Those Who Can See But Cannot Feel
by Atlas Sound


7.3

based on 23 reviews
Read critic reviews
How did we calculate this?

based on 25 votes
Read user comments
Rate this album

Official MySpace Site

The debut solo album from the lead singer of Deerhunter.

LABEL:	Kranky
RELEASE DATE:	19 February 2008
DISCS:	1 disc
GENRE(S):	Rock, Alternative, Indie

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Delusions of Adequacy

The music married to these wonderful lyrics is touching, gorgeous and stunning and there is no doubt in my mind that Atlas Sound has created, arguably, the best album of the year.

Urb

Cold and sweet all at once while perched atop a reef of moody Krautrock, Let the Blind Lead has a progression that melts more than it floats.

Pitchfork

As with each of Cox's projects, Let the Blind works best as a swirling, disorienting whole, organizing traditionally abstract styles like graphic-design elements within his unifying vision until they communicate like good pop.

Lost At Sea

While the record pleases on most all levels, the flavor of sound at times feels somewhat generic and a bit too lethargic, which keeps the disc from being great.

No Ripcord

Bradford Cox has created a work that musically and lyrically will attach itself to your consciousness, reflecting exterior experience and encouraging inner association with the former.

Mojo

His gentle mantric vocals and concise, evocative lyrics drift through layers of treated instrumentation and ambient electronica. [Apr 2008, p.112]

PopMatters

Let the Blind Lead‘s lovesickness and confessions, however, are as tenderly delivered as its hazy atmospherics are, and in their bare authenticity, are far more compelling in repeat indulgences than Deerhunter’s explorations.

Tiny Mix Tapes

Each song has a distinctive quality that stands on its own. However, when you back away from the album as a whole, you begin to see that all these individual elements unify to make a greater holistic product.

Alternative Press

Cox projects an otherwordly allure in his atmospheres and melodies that recall My Blood Valentine's recasting of rock as sound that prioritizes erotic texture and swoon-worthy levitation. [Mar 2008, p.140]

Billboard

Cox followed his muse and ran with it, and what resulted is a collection of music that's as intriguing as its creator.

Drowned In Sound

There are times on Let the Blind…, when the music around Cox veers subtly in the right direction, where you can hear the grub’s surprise as he wakes up with Great Admiral wings, ugly white noise turning psychedelic.

Dusted Magazine

He easily sidesteps the drama that dogged he and his band throughout 2007 (and ultimately led to their declaration of hiatus towards the end of the year), turning Let the Blind Lead Those Who Can See But Cannot Feel into a beautifully melancholic slice of shimmering, ambient pop.

Magnet

While Cox’s narratives make little sense (much of the time, he’s not even singing so much as wailing wordlessly), the music is surprisingly accessible.

Paste Magazine

Cox blends rock instruments with organs, harps and his haunting, languid voice, and the result is a gentle, richly textured wall of sound.

The Onion (A.V. Club)

As is often the case with that genre [Too Pure acts like Seefeel], certain songs feel aimless and in dire need of an editor. But when they coalesce (as on the tender lament "Recent Bedroom" or the gentle Jesus And Mary Chain pop of "Ativan") it creates a beautiful, truly immersive world tailor-made for hiding and healing.

Prefix Magazine

It's an uneven and at times painfully intimate record, but one that confirms the talent of a songwriter obsessed with illuminating his interior truth.

Spin

In flashing back, Cox smears just the right amount of Vaseline on the lens. [Mar 2008, p.96]

All Music Guide

The album's not faultless: as with Deerhunter, Cox has the tendency to try too hard to be profound, wanting so badly to say something important that he sounds trite and forced, and untrustworthy, but when he's able to forget about conveying some kind of meaning and instead focuses on the actual music, his message--one of pain and love and feeling lost, of trying desperately to understand--is undeniable.

Blender

On his solo debut, Bradford Cox sinks, phantomlike, into lush, highly processed arrangements of organ, drum machine and (evidently) whatever instrument is laying around. The disappearing act really can be magical.

Under The Radar

At times, it's as moody and transporting as great film music, but, fat too often, these songs never materialize into anything more substantial than vapor. [Winter 2008, p.80]

cokemachineglow

Let The Blind never pitches badly or throws up a truly terrible track to mack on and leaves me with the potentially duff argument that this record is really good at what it does, but what it does so exactingly reaches for breadthlessness that its under-ambition ends up under-cutting what made the songs pleasant and amenable in the first place.

Sputnikmusic

Atlas Sound meanders where it ponders, a purely ethereal trip without the oomph.

Slant Magazine

The psychiatric exercise of creating the album may have done him some good, but fans of Deerhunter's transcendent rock will have to wait for the band's next album if they want the kind of catharsis that is only hinted at here.

The average user rating for this album is 7.3 (out of 10) based on 25 User Votes
Note: User votes are NOT included in the Metascore calculation.

Christian P. gave it an8:
This is a really strong album. I enjoy it more than the Deerhunter album. The vocals are lovely and the music is hauntingly beautiful -- I suppose I had low expectations, but this is a solid album.

N Harpham gave it a9:
Cryptograms snuck up on me and beat me over the back of my head. I had no idea how powerful that album would be, in fact I didn't like it the first few times through. Most top tier albums are that way for me. So I can happily say that while I don't like this a lot on initial listen, I didn't like most of my all-time faves on initial listen. But there is just enough there to keep me coming back again. So many great albums aren't instantly likable. The albums that are instantly likable usually have a short shelf life. I'm really excited to unlock the secrets here.

Hügo T. gave it a10:
Step into the world of boundless imagination. As the Album plays, you can feel as it pours through the whole body. Slowly like a dope dream. Its a magical down tempo. All lies in its playfulness, which is the key how to get along with the sound full of psychedelia and experimentality.

Andy L. gave it a10:
It's ambience with a touch of playfullness, genius.

Anton S. gave it a9:
Wonderful and unusual!

Paul C. gave it a6:
Certain types of music tend to be overvalued on metacritic (see The Field, Burial, etc.). The new album from Atlas Sound falls into this category. Listening to this album is a forgettable experience. It's not that it's bad--there are moments that are quite pleasant--it's just that none of the music stands out in anyway. I kept waiting for a song on this album to really break out but it never did. I'm sure I'll listen to this album a few more times, but will I be listening to it in June? Not likely, and if an album has a shelf-life of a couple months in rotation, well frankly, that's not worth an 80+ rating in my book.

David R. gave it a5:
The best album of the year? Doesn't Delusions of Inadequacy know it's early February? If anybody deserves an 'album of the year' honor this early it's the sweater-wearing afropop punks Vampire Weekend.

Let The Blind Lead Those Who Can See But Cannot Feel by Atlas Sound

Let The Blind Lead Those Who Can See But Cannot Feel
by Atlas Sound