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The second LP from the New York-based artist/musician/crazy hippie Devendra Banhart (who studied at the San Francisco Art Institute) includes 16 of the 32 lo-fi tracks recorded in the living room of veteran recording engineer Lynn Bridges. The remaining 16 will be released on a separate album later in 2004.
| LABEL: | Young God |
| RELEASE DATE: | 04 May 2004 |
| DISCS: | 1 disc |
| GENRE(S): | Indie, Rock, Singer-Songwriter |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
The average user rating for this album is 8.7 (out of 10) based on 15 User Votes
Note: User votes are NOT included in the Metascore calculation.
Kevin K gave it a9:
Combine Antony's (from Antony and the Johsnons) over-the-top vibrato with the subdued spoken-word delivery of Iron & Wine or Sufjan Stevens, and you'll get an idea of what Devendra Banhart sounds like. His songs display an irreverent narrative that make each "listen" enjoyable. I recommend this album to any fan of Iron & Wine, The Castanets, or Sufjan Stevens. "Indie-Folk" is back in vogue, and Devendra Banhart is one of the main reasons why. Listen for yourself and see.
Darrin S gave it a9:
I actually gave it a 8.5, but these things dont allow decimals and Ive always been taught to round up. A great album. Great music thats not distracting. If you want to just chill with it, youre more than welcome to. It makes good background music, and if you choose to hang on his every word and note, it never dissapoints.
Kurt F gave it a 10:
I get a lot of shit from friends for digging Devendra's stuff. "He looks like Jesus," they'd say, or "why are you listening to this sad bastard crap." But the point is Devendra is good, and you don't have to like his stuff to notice this. This is a 'solid' album, and I don't throw 'solid' around lightly. Although his finger picking riffs and chords are often very repeditive it's exactly what you want to hear.
JP Costa gave it a 10:
Amazing stuff. It's not really the Nick Draking picking patterns or the amazing Marc Bolanesque singing. It's all about music from outter space, a voice not aware of its genuine beauty and (that was missing in his previous record) a production that really uplifts the quality of the songs. Along with Wilco's «a ghost is born» and Stephin Merritts «i», the record of the year so far (but let's wait for AMC comeback...)
John W gave it a 5:
A few interesting moments, but overall, the guy who called this "twee" was right on the money. It's an insult to Jeff Buckley to say that Banhart sounds like him: he's got nowhere near JB's vocal prowess or edge. Banhart is a rockcrit bandwagon right now, but his sub-par evocation of early Marc Bolan doesn't produce much in the way of memorable songs: I expect the rockcrits will be on to the next flavor of the month by the time Banhart releases another album.
meg t gave it a 10:
Beautiful. His voice i soften reminiscent of Jeff Buckley, and his circles are hypnotic.
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