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Devotion
by Beach House

Beach House reviews
Critic Score
Metascore: 73 Metascore out of 100
User Score  
8.6 out of 10
based on 29 reviews
Read critic reviews
How did we calculate this?
based on 10 votes
Read user comments
Rate this album

The sophomore album for the Baltimore-based indie-rock duo.

LABEL: Carpark
RELEASE DATE: 26 February 2008
DISCS: 1 disc
GENRE(S): Rock, Indie

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

90
Drowned In Sound
Beach House have created as profound an invocation of the sacred and the sentimental as you’re ever likely to hear.
Read Full Review
90
Slant Magazine
Devotion includes all of the same essential ingredients as its predecessor, but a ratcheting-up of intensity makes this album shine even brighter.
Read Full Review
85
Pitchfork
These are crisper, brighter, bolder songs, retaining Beach House's sense of elegant decay while sweeping up the debris.
Read Full Review
84
Filter
Slide guitars and steel drums seduce the listener into a world of gentle pain, making for a sophomore album that is, like its predecessor, a beautiful collection of songs and images seemingly constructed upon repulsion and ennui.
Read Full Review
83
The Onion (A.V. Club)
Devotion's half-submerged, half-weightless ambience feels like a shaky yet sure transition into something even more abstract and fragile.
Read Full Review
80
Magnet
The melodies and arrangements take center stage, and they're consistently stunning. [Winter 2008, p.97]
80
All Music Guide
Beach House's dark moods have more shades, and even a little bit of light, making them all the more compelling.
Read Full Review
80
Delusions of Adequacy
This tandem of dream pop has crafted a beautiful, spectral and memorable album with Devotion.
Read Full Review
80
The New York Times
As with many a lasting romance, the album’s secret is variety within the constancy.
Read Full Review
80
Boston Globe
It's transfixing in the moment and even more so once you've stopped listening.
Read Full Review
78
Austin Chronicle
The intoxicating arrangements of 'All the Years,' 'Heart of Chambers,' and closer 'Home Again' prove Devotion is haunted, a force hard to resist.
Read Full Review
75
Entertainment Weekly
Despite the gorgeous production, listening to 11 of these ragged dirges in a row requirea unconditional Devotion. [29 Feb 2008]
Read Full Review
70
Rolling Stone
As comfortable as the Beach House sound is, it's the uncomfortable moments that are most seductive.
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70
Spin
The effect is like a vaguely remembered, pleasantly low-key dream. [Mar 2008, p.97]
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70
Tiny Mix Tapes
Devotion has that same opiated warmth that left me lying in a bed of rose petals for long stretches last year, and though I would have preferred a bigger growth spurt from the Baltimore duo, they shot up at least enough to warrant a new pencil mark a half-inch/inch above where I placed them in ‘06.
Read Full Review
70
Under The Radar
In all, Devotion teems with as many moments of ethereal beauty as the debut. [Winter 2008, p.80]
70
Dusted Magazine
Devotion goes down a little easier is both its strength and a feature that proves a bit disappointing in the end.
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70
PopMatters
Beach House’s revamped sound may disappoint shoegazers upon first listen, but the band’s newfound command of melody, fuller instrumentation, and excellent pacing make Devotion a better record altogether.
Read Full Review
70
Urb
One almost has to listen closely to take notice of Devotion’s every last little benumbed intricacy but it’s as rewarding as it is tantalizing.
Read Full Review
70
New Musical Express
Legrand’s nebulous vocals may have the effect of casino music at times, but we’re reeled into a settling autumnal haze.
Read Full Review
65
cokemachineglow
Devotion is a delicate, often gorgeous listen that flows remarkably well, though I can’t help but attribute its coherence to the utter lack of variation among its eleven songs.
Read Full Review
64
Lost At Sea
When they hit even small strides, like the album's murky single 'Gila,' the relief is like a breath of ocean air. Otherwise, for the most part, the admittedly pretty songs simply fade away, like footprints in the sand.
Read Full Review
60
Q Magazine
Legrand and Scally have wisely not radically tinkered with their hypnotic formula. Everything is dreamily understated. [Mar 2008, p.100]
60
Mojo
Scally's armoury of drum boxes, Bontempi organs and electric guitars provides shape-shifting backgrounds--classic '60s pop arrangements filtered through the fuzzy prism of a dream. [Mar 2008, p.108]
60
musicOMH.com
The songs lack the emotional pull of the duo's debut. Seeds of greatness are still evident, but this direction just seems like a dead end.
Read Full Review
60
Sputnikmusic
The album truly is beautiful within its down tempo setting, and as a soundtrack for the morning after, there’s nothing quite like keeping the lights off and the volume low and simply letting Devotion get you through the day.
Read Full Review
60
Uncut
If you like Galaxie 500, Mazzy Star, Low, you'll adore them. If you don't, you won't. [Mar 2008, p.83]
60
The Guardian
To conjure this otherworldly sound is impressive, but the lack of variation in tempo and atmosphere makes sustaining interest for a full 45 minutes difficult.
Read Full Review
30
Village Voice
Rather than fading into you, they're content to simply fade away.
Read Full Review

What Our Users Said

Vote Now! The average user rating for this album is 8.6 (out of 10) based on 10 User Votes
Note: User votes are NOT included in the Metascore calculation.

O. Gawd gave it a7:
If you fancy music with which to down two shots of Jack Daniels, a bottle of red wine, and a Corona, just to set the proper mood, which one saw Victoria Legrand do before performing a set of this music to eat 'Ludes by, then by all means become hopelessly devoted to this album.

Matt M. gave it a10:
Amazing. 'Heart of chambers' is one of the best songs ever. Must have.

Jeremy F. gave it a9:
Beach House's debut was a nice little offering, but it failed to sound utterly complete. And now we have the follow up, Devotion, which does a good job of outdoing their debut in all ways. Lyrically, musically, and even the production is crisper. Whether it's soaring through the brilliant opener "Wedding Bell" or shining in the mist on the delicately beautiful "Turtle Island," Beach House are officially a force to be reckoned with. "Gila" stands out as the best track here, with brilliant "oh oh oh" refrains and hooky guitar lines. "You Came to Me" wallows in a dark cubicle, while "Heart Of Chambers" (one of the other highlights) bursts through with the best vocal line of the record. "All the Years" has a perfect melody and "Astronaut" is an airy, tender lullaby. The only misstep is "Holy Dances," which fails to impress me much, especially when wedged between two fantastic songs. Their version of "Some Things Last a Long Time" is brilliant in its smallness, making a short 6 lines feel so full and complete. And the ending note "Home Again" is a masterwork of a closer, leaving us with a soft bang. Devotion is a brilliant record, and it only makes me await the next advances in this wonderful dream pop duo's career.

Peter L. gave it a10:
Let me clear this up: there WILL be people who hate this album. It's not for everyone- impatient listeners on the first listen might find it boring or think that the songs all blend together. Still, though, I strongly recommend listening to any samples or MP3s you can find and judging for yourself. Even if you don't love it the first time, if the first listen makes you just a little curious, you should pick it up because in time it will be worth your while. These songs, like with their first album, grow on you and slip into your subconscious. An amazingly beautiful album.

Eduardo O. gave it a10:
What is wrong with these people ears? Devotion is undeniable beautiful from beginning to end. I am starting to like it even better than their debut.

Adam B. gave it an8:
I can see why some music critics would be hung up on the fact that the songs on Devotion can be lumped in with the 2006 self titled release. I've found the more you listen to this record the more you realize the growth of both members. Victoria Legrand's vocals appear to have gained range and confidence while Alex Scally's instrumentation adds so many key elements to the heart of the album. Plus, the cover of Daniel Johnston "Some Things Last a Long Time" is incredibly sincere and gives the song a new voice.

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