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Resonance

Their most intricate release to date: a breathtaking tapestry filled with more horns, string flourishes and beguiling melodies than a romantic heart can bear. [#26, p.50]

Almost Cool

This is by far their most polished and clean sounding album to date, as well as one that doesn't have the sort of immediately catchy tracks like on previous releases.

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Billboard

Repeated spins also find this wonderful, soul-influenced collection to be one of slow, flowering appeal that ultimately ranks among the Glasgow septet's most rewarding efforts.

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The Onion (A.V. Club)

It makes good on Belle And Sebastian's urge for diversity while sticking to the transcendent pop that made its name.

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Sonicnet

There's creepiness all over Fold Your Hands, from the deceptively sweet kiss-off "Don't Leave the Light on Baby" (RealAudio excerpt), and the raped narrator of "The Chalet Lines," to the self-conscious self-parody of "Nice Day for a Sulk"

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New York Magazine

In a larger sense, the shock is that Belle and Sebastian have grown out of their awkward adolescence. And they sound all the more interesting for having done so in full view of their fans.

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New Musical Express

Ultimately, despite all its self-defeating limitations and annoying, fey affectations, this remains a superb record.

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CDNow

Still, the faithful wonder if it's the same Belle and Sebastian that gave them such fey, storied gems as Tigermilk and If You're Feeling Sinister. They can breathe easy now.

Magnet

It glides along with the same humid grace that made 1997's If You're Feeling Sinister a bedsit classic.... wonderful, sweeping songs. [#46, p.68]

Checkout.com

Make no mistake, the vibe here is strange and quirky -- the band's affinity for the naïve sometimes makes for an odd listening experience. But once you've settled into it, Peasant reveals itself to be a thing of beauty -- its nakedness comes to seem like the most natural thing in the world.

Entertainment Weekly

Belle and Sebastian now find themselves in the strange position of being neither naive nor fresh, and it shows on their awkward fourth album

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Rolling Stone

Fold Your Hands Child, You Walk Like a Peasant embellishes on the coyly lavish arrangements of 1998's The Boy With the Arab Strap without forgetting to flex real heart muscles.

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Spin

The record's nuances are divulged in layers and folds, through a latticework of instrumentation and, shockingly, some uncommonly good songwriting by band members other than Stuart Murdoch.

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Pitchfork

There are some good songs on here, I guess, but they're not as good as anything from If You're Feeling Sinister, or even The Boy with the Arab Strap. It's weird, because the songs definitely sound better, but the album is still kind of disappointing.

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Salon.com

Slow of tempo and devoid of the irony and insouciance that made Belle & Sebastian semi-famous among record store employees and their friends.

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Spin Cycle

On its fourth full-length adventure, Glaswegian septet Belle & Sebastian wanders away from their painfully catchy melodies with symphonic '70s-esque feather rock.

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Village Voice

Hand-clappable tunes and delicious cover design aside, sharp narrative-driven writing has been what saves the band from being merely annoying or silly or cute; too bad Fold Your Hands Child entirely abandons the vivid narrative vignette model.

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L.A. Weekly

The group's lack of growth has begun to make their well-established talents wear thin.

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Select

If some of 'Fold Your Hands' is marred by the curse of songwriting democracy and the faint sound of water being trodden,... at their best, Belle & Sebastian are still utterly unique, still utterly beguiling.

Wall of Sound

Scottish pop whizzes Belle and Sebastian have finally found a way to rid themselves of their onerous rep as critics' darlings: They've made an album that isn't very good.

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All Music Guide

The problem is that the album is perhaps too subtle for its own good, and even after repeated listens, it fails to connect on any meaningful level

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Mojo

Given time, fans will warm to Peasant, but ultimately the inconsistency of it's songwriting is a tad disappointing.

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Nude As The News

Belle & Sebastian's formula is beginning to see some wear.

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Q Magazine

The album lacks the breathless show-stoppers that have long peppered their records.

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Trouser Press

Begins the band's slide into sonic monotony and lyrical malaise.

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What Our Users Said

The average user rating for this album is 8.5 (out of 10) based on 18 User Votes

Note: User votes are NOT included in the Metascore calculation.

Gianni gave it a10:
I really love this album, it is my favourite by B&S. For some reason I never liked The Boy With The Arab Strap, whilst I like Tigermilk and love If You're Feeling Sinister (and I hate the last two albums they put out). This one simply has fantastic songs, such as I fought in a war, The model, Waiting for the moon to rise. The only bad one on here is The wrong girl, whose chorus I can't stand. Really underrated album IMO.

Gilbert Mulroneycakes And The News gave it an 8:
I LIKE Fold Your Hands Child. The title could have been better by just leaving out "You Walk Like A Peasant", but other than that...okay, it's not B&S' best work in the whole wide world of sport - partly because it's so very subtle. Q Magazine have a point, it's got no gigantic, attention grabbing show tunes of the "Wandering Days Are Over" (or even the titular "Storytelling") kind. It prefers to come at the audience sideways, take them by surprise, and that's just terrific if they're already there, but it won't win them friends. What you get out of this album is equal to what you put in. I can only imagine this is deliberate - a little tweaking and Women's Realm or The Model could have done the job. Or they could have put in Legal Man as insurance. But evidently they didn't care about that, and fair play: some of their best work is on this record, from the haunting I Fought In A War to the exquisitely moving and disturbing "The Chalet Lines" - which happens to be one of my favourite songs, by the way, and I wish more people would talk about it, because it is to my ears so very great-yet-horrible that it really ought to live in history, or something - and the faux-cheery pop of Women's Realm. Though let's not forget the actually-cheery pop of Too Much Love or the startling recapitulation of seventies funk in Don't Leave The Light On Baby. Even if Stevie and Isobel's contributions aren't as good - not that that's something you can qualify in such a fashion - and The Wrong Girl and Nice Day For A Sulk come dangerously close to something B&S usually shy away from - filler material - it still works like gangbusters as a collection of songs, if not as a single work in its own right. B&S fans ought to start with Tigermilk though. Cos it's everything you want it to be.

Benjamin Bunny gave it an 8:
Yes it does lack the freshness and naivete of their earlier records, but even if B&S seem to be stretching a touch to come up with interesting lyrics they outdo themselves musically with their most intricate, varied and elegant set.

Kristian gave it an 8:
I liked Boy With The Arab Strap better, though I really enjoyed I Fought In A War and Waiting For the Moon To Rise.

Sabalom G. gave it a 9:
Inasmuch as my--or anyone's--taste in music equals quality, here goes: Fabulous, mighty, wonderful. The Chalet Lines will emotionally destroy you. Women's Realm is blackly hillarious. Beyond The Sunrise surreally haunting. But it pales next to the majestic Tigermilk.

Telmo C. gave it a 10:
Just Perfect! The best by B&S

Jon D. gave it a 10:
excellent

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Fold Your Hands Child, You Walk Like A Peasant

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