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Viva La Vida
by Coldplay

Coldplay reviews
Critic Score
Metascore: 72 Metascore out of 100
User Score  
7.7 out of 10
based on 32 reviews
Read critic reviews
How did we calculate this?
based on 182 votes
Read user comments
Rate this album

The fourth album for the English band was produced by Brian Eno and Markus Dravs.

LABEL: Capitol
RELEASE DATE: 17 June 2008
DISCS: 1 disc
GENRE(S): Rock, Alternative

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

91
Entertainment Weekly
The confident majesty of the music, however, belies how he and his bandmates have invigorated their rock-lite reign. [20 June 2008, p.65]
90
Spin
For all of Coldplay’s experimentation, though, there’s no doubting that Viva La Vida, with its sturdy melodies and universal themes--think love, war, and peace--is an album meant to connect with the masses.
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83
The Onion (A.V. Club)
Whatever the case, Viva La Vida sounds as if it comes as close to the experimental edge as Coldplay dares. It isn't a bad place for the group to be.
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80
Q Magazine
So some bad habits die hard, but on every other level Viva la Vida... is an emphatic sucess--radical in it's own measured way but easy to embrace. [July 2008, p.95]
80
Paste Magazine
The sonic deviations may challenge fans who prefer that all of the band’s releases be a shade of “Yellow.” But more daring listeners will be relieved that Martin & Co. are exploring new territory.
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80
Under The Radar
Even when the singer is being vague or issuing plaints, his words and voice, when coupled with the music, hold considerable sway. [Summer 2008]
80
Lost At Sea
Viva La Vida does find Martin and his bandmates willing to extend their musical boundaries, making for an occasionally brilliant album that's exponentially more vibrant and engaging than 2005's generally stale "X&Y."
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80
Observer Music Monthly
That it lacks any obvious singles hardly seems to matter. Viva La Vida is an assured return that should go some way to restoring Coldplays wilted critical stock.
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80
All Music Guide
The greatest thing Coldplay may have learned from Eno is his work ethic, as they demonstrate a focused concentration throughout this tight album--it's only 47 minutes yet covers more ground than "X&Y" and arguably "A Rush of Blood to the Head"--that turns Viva la Vida into something quietly satisfying.
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80
Hot Press
Chris Martin and co. return with another album guaranteed to rock arenas across the world.
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80
New Musical Express
It’s in its latter stages that Viva... truly goes stratospheric: on the magnificent orchestral pop title track, where Martin imagines himself as a deposed French king reduced to sweeping the streets; on the bruised ‘Yes’, like Dandy Warhols and Depeche Mode lost in a desert duststorm; on the Satanic blues hymnal of single ‘Violet Hill’.
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80
Sputnikmusic
Viva La Vida or Death and All His Friends takes a band who should have been in decline and a sound that’s been tried and true and makes it all sound fantastically fresh.
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80
Dot Music
Well, reports of the death of the old Coldplay have been much exaggerated.
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70
musicOMH.com
While this doesn't quite hit the heady heights of "A Rush Of Blood To The Heads," it's a huge improvement on the beiger than beige "X&Y," and if their next album (apparently featuring a Kylie Minogue duet!) continues this trajectory, we could have something pretty special on our hands.
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70
Billboard
The rest is closer to the Coldplay we know: a competent blend of heavily orchestrated redemption songs ('Viva La Vida,' already the biggest hit of the band's career), swirly arena rock ('Lovers in Japan') and life-stinks-without-you ballads ('Strawberry Swing')likely to resonate despite the new bells and whistles.
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70
Blender
Viva La Vida still manages to seem downsized compared to the band's gradiose early work. [July 2008, p.69]
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70
Boston Globe
Viva La Vida is just such an escape, a dreamy place to visit. And if it's not quite perfect, at least you get the sense that the members of Coldplay gave it their best shot.
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70
Rolling Stone
Coldplay's desire to unite fans around the world with an entertainment they can all relate to is the band's strength, and a worthy goal. But on Viva la Vida, a record that wants to make strong statements, it's also a weakness.
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70
Slant Magazine
Coldplay have come up with the rare major-label pop record that stands to move a ton of copies even as it's at least a little bit challenging to its primary audience.
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70
PopMatters
Viva la Vida is not their masterpiece, but for now, it’s as close as they’re gonna get.
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67
Austin Chronicle
It isn't perfect, but Viva la Vida re-establishes Coldplay's relevance in this era where every new indie rock band really wants to be Coldplay.
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65
Pitchfork
The record's violent, revolution-themed artwork is misleading. Viva is more like a bloodless coup--shrewd and inconspicuous in its progressive impulses.
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60
Drowned In Sound
They try hard, Coldplay, but it just isn't enough; their fourth album might just be their best yet, but it's still a long way from being the epochal classic that Chris Martin is desperate to create.
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60
NOW Magazine
Viva La Vida starts off with promise for fans who felt that "X&Y" was a far cry from "A Rush Of Blood To The Head."... Unfortunately, the rest of the record fails to build on this.
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60
Uncut
When it's not straining for Significance, though, Viva La Vida is often rather lovely.
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60
Mojo
While they fight shy of radical "Kid A"-style reinvention, hats should be doffed to Coldplay for at least having artistic cojones to mess with a winning formula. [July 2008, p.101]
60
The Guardian
Lyrics aside, Viva la Vida fixes most of the glaring problems with 2005's "X&Y," simply by eschewing verse-chorus structures in favour of something more episodic.
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60
No Ripcord
What they’ve given us is an exquisitely polished blur, enjoyable at times, mildly challenging at others, but nothing that you couldn’t feel comfortable piping in as background for the Sunday barbeque with the Petersons.
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50
Village Voice
When the pastoral Eno flourishes that started Vida off so promisingly return for a quick coda, Martin reverts back to his suavely crooning self, but blows it with his first four words: "And in the end . . . . " Bam, you're thinking 'Abbey Road,' and while Vida is far from a dog, it's just another unflattering comparison that the record itself needlessly invites--an extremely overconfident way to handle a crisis of confidence.
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50
Tiny Mix Tapes
Coldplay’s all about elongation this time around, and if you couldn’t tolerate their dramatics before, Viva la Vida will do nothing for you. Don’t get me wrong; to my ears, this is the group’s strongest offering yet, but since this album is the same old naive romanticism theatrically propped on a pedestal, it’s not really saying a lot.
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50
Hartford Courant
It's an improvement on the band's impressively dull 2005 album, "X&Y," but Coldplay's latest doesn't recapture the promise of the band's first two albums.
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40
Paste Magazine
Given Eno’s quarter-century of Bono-fides, this isn’t surprising. Martin’s interests are frequently vague--on 'Lovers in Japan/Reign of Love' he sings about soldiers who must soldier on and runners who must run until the race is won. Seriously?
Read Full Review

What Our Users Said

Vote Now! The average user rating for this album is 7.7 (out of 10) based on 182 User Votes
Note: User votes are NOT included in the Metascore calculation.

DJC gave it a9:
I till don't get why everyone hates coldplay all of a sudden is it because it's unfashionable to like great music. I think that this record is one of the best of 2008 and anyone who disagrees is obviously not listening properly.

hasinur r gave it a5:
They are increasingly getting worse.

Zach B gave it a10:
This is, honestly, one of the best albums that I have ever listened to. The first track goes perfectly with the last track with the sort of synthy sound and coming back with that at the end of the album. It gave me goosebumps. Then, Viva la Vida is one of my favorite songs of all time. Violet Hill and Cemeteries of London also bring dimensions of Coldplay in which has not really been seen before in other albums, but is still fantastic. The Chinese Sleep Chant after Yes is a song that mesmorizes and is a wonderful addition. While this does sound U2'ish, that is not a bad thing. U2 is one of the most established bands of all time and to say that it sounds like U2 is a compliment more than anything else.

Chris C. gave it a9:
This is proof that Coldplay are worth the hype and the fame. The album is adventurous, experimental, and emotional. It's nice to hear an album of songs that take you on a journey. I think they are one album away from making an actual classic...

the hamster gave it a3:
I can't stand to read and hear how everyone is tripping over themselves to say how 'wonderful' this album is. Lets be real here folks....its not. I love Coldplay and I think A Rush of Blood to the Head is one of the best albums ever put together, but I just can't get into Viva La Vida. The title track is terrible! You can't get away from it! It's everywhere!!! And that right there is the problem. Are they making music because they like too, or are Coldplay making music to keep up with U2? They are definitely TRYING to be u2 and why? U2 have sucked balls ever since Pop! Coldplay's first two albums were very good, Xy & z wasn't bad.....but Viva is tired. They didn't change their sound, they just stopped playing drums and added some middle eastern synth pop loops and called it good. Its OK everyone......they made a shitty album. Lets hope they bring some drums and guitars next time and not use Brian Eno, the guy who produces all of U2's shit, ever again.

Vasha D gave it a10:
Now add Prospekt March to the whole album

Ian C gave it an8:
I usually listen to older music, but this honestly isn't bad. 4/5 for quality melodies, delicious production and instrumentation on most songs. Eno helps them take a more mature turn, and although they have always been good, this is perhaps their best. Not amazing. Not incredible. Not OMG TTLY AWSOME. But good. Which is rare in todays music realm.

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