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Unfamiliar Faces
by Matt Costa

Matt Costa reviews
Critic Score
Metascore: 59 Metascore out of 100
User Score  
6.0 out of 10
based on 13 reviews
Read critic reviews
How did we calculate this?
based on 7 votes
Read user comments
Rate this album

The California-born singer's follow-up to his 2006 record was produced by No Doubt guitarist Tom Dumont.

LABEL: Brushfire
RELEASE DATE: 22 January 2008
DISCS: 1 disc
GENRE(S): Rock, Indie, Singer-Songwriter

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

83
Entertainment Weekly
With a plucky guitar, harmonica, piano, and sun-burnished vocals, Costa knows how to work gospel's euphoric uplift into secular music, though he follows the blueprints of his idol (a 'Hurdy Gurdy Man'-era Donovan) a tad too closely.
Read Full Review
80
Q Magazine
His second album is braver and more expansive and, in the case of 'Cigarette Eyes,' surprisingly angry. He's getting near to brilliant. [Feb 2008, p.95]
76
Filter
'Emergency Call,' with its Jerry Rafferty-esque hook, marks the highpoint of the album. But the ditties are offset by introspective ballads like 'Never Looking Back,' with its mournful melody, and 'Bound,' a song in which Matt gets his dander up and renounces a woman who’s wronged him.
Read Full Review
70
Hot Press
Many of the ditties on Unfamiliar Faces bring us right back to the golden age of singer-songwriters.
Read Full Review
70
All Music Guide
Matt Costa's sophomore effort, Unfamiliar Faces, finds the singer/songwriter delving into similar territory to his 2006 debut, "Songs We Sing," crafting hummable, somewhat intricate AM pop-influenced tracks.
Read Full Review
60
PopMatters
There’s no question Costa has progressed since his first EP. But as he ventures on his musical journey through the past, he might want to look at the albums of the 1960s icons he so admires and think about if their "progress" improved their music or diluted it.
Read Full Review
60
NOW Magazine
Still, despite his naive imitations, Costa has a gift for catchy hooks, and once he figures out who he is musically, the results could be remarkable.
Read Full Review
54
Pitchfork
Certainly there's more to Costa than a one-man acoustical jam, even if his pleasure zone isn't far from the AM Gold dial.
Read Full Review
50
Prefix Magazine
With such a young, singular talent, it’s a shame to hear him aping other styles when he clearly is full of a wealth of unexplored talent.
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40
Mojo
It makes poetic sense but, like many autobiographical songwriters, he knows the stories so well he fails to tell them. [Feb 2008, p.112]
40
Uncut
This is scant compensation for his lack of fire, lyrical inspiration, or indeed anything that might distinguish him from his legion of peers. [Mar 2008, p.85]
40
Paste Magazine
Costa’s jazz-tinged neo-folk songs are boyishly engaging for as long as they last, but they drift away without leaving a trace, as he too often settles for merely maintaining a feathery, bittersweet modality, so that the McCartney-esque tunefulness of the title track, the Mungo Jerry-like lilt of 'Miss Magnolia' and the ever-so-slight edginess of 'Cigarette Eyes' stand out by default.
Read Full Review
30
Observer Music Monthly
Costa's sophomore album is every bit as anaemic as the Johnson connection suggests.
Read Full Review

What Our Users Said

Vote Now! The average user rating for this album is 6.0 (out of 10) based on 7 User Votes
Note: User votes are NOT included in the Metascore calculation.

M M. gave it a5:
While I don't think it's quite as subpar as all the critics seem to feel, the album is missing something. Maybe it's Costa's inability to come across as anything but a copy cat songwriter: he's doing nothing original here whatsoever. That's not to say the album is completely devoid of any redeeming qualities: there are some decent pop tunes here. However, I don't feel I'll be coming back to this very often during the remainder of the year.

Kevin B. gave it an8:
This is an album that grew on me. After the first time i listened to it I didn't really like it that much but after seeing him preform live i haven't been able to put it down. It's the type of album that gets better eveytime you listen to it.

Allen M. gave it a6:
Just OK. It sounded a bit like Paul McCartney's newest. ("Memory Almost Full.")

Nick D gave it a7:
Not as eclectic or interesting as his debut, this is still a pleasant set of songs with some toe-tapping highlights ("Mr. Pitiful", "Miss Magnolia", "Vienna", and "Never Looking Back" - the last of which sounds a lot like The Decemberists). To me it's a slight step backward but not exactly a misstep.

Laurence S. gave it an8:
Definite growth from his first album to his second, although he may want to watch out for similarities to other bands...both Filter and Mungo Jerry are represented here quite openly.

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