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Crystal Castles
by Crystal Castles

Crystal Castles reviews
Critic Score
Metascore: 74 Metascore out of 100
User Score  
8.0 out of 10
based on 17 reviews
Read critic reviews
How did we calculate this?
based on 11 votes
Read user comments
Rate this album

The debut full-length album for the Toronto duo of Ethan Kath and Alice Grass.

LABEL: Last Gang
RELEASE DATE: 18 March 2008
DISCS: 1 disc
GENRE(S): Electronic, Indie

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

90
Delusions of Adequacy
With Crystal Castles’ infectious, eclectic music, this is easily one of the highlights of the year and a great addition to the super-genre that is electronic music.
Read Full Review
80
New Musical Express
It is also, perhaps more importantly, an album absolutely overloaded with spine-tingling, pulse-quickening electro noises.
Read Full Review
80
Prefix Magazine
Crystal Castles leaves its mark as an electro record that challenges, succeeding and failing all at once, and perhaps most important, never forgetting the primary goal of dance music.
Read Full Review
80
Hot Press
Hotly tipped Canadian electro duo Crystal Castles deliver the goods on their debut album.
Read Full Review
80
Drowned In Sound
Glass’s voice, too, is the same that’s been luring lusty seamen onto the rocks for millennia, but the way it and the drums are textured--so that the machines they’re passed through sound like they’re melting away--brings Crystal Castles to the outer edges of greatness.
Read Full Review
80
All Music Guide
It's clear that Kath and Glass are already looking for more ways to expand on this familiar-sounding, edgy, innocent, menacing, bold, nuanced, and altogether striking debut.
Read Full Review
78
Pitchfork
They don't stay in one place for too long, but the body of the album can be distilled to an essence of the glassy, ten-lane stare of Last Exit with Ed Banger's egg-frying EQ.
Read Full Review
75
Entertainment Weekly
Such blipping and beeping stay true to the pair's beginnings as an eight-bit band, but Crystal really pushes all the right buttons when factoring wistful melodies into its playful computer glitches. [21 Mar 2008, p.57]
70
Spin
Kath's hooky charms ease the ferocity of singer Alice Glass' panting wails and loopy, sarcastic screams. [Apr 2008, p.94]
Read Full Review
70
Urb
Producer Ethan Fawn's dynamic overlays of crisp, factory-stomped melodic lines carry Glass's unintelligible lyrics straight to neon-lit nausea heaven.
Read Full Review
70
Tiny Mix Tapes
Every song is serrated with pixel edges, and Alice Glass’ sometimes morose, sometimes lilting like a Valley girl vocals vibrate with such catchy and violent gloom that it’d send any human/marmoset/sentient being into an epileptic dance session.
Read Full Review
70
Under The Radar
Lyrics? Hardly intelligible. But when the beats are this good, words barely matter anyway. [Spring 2008, p.88]
70
Dot Music
All told, it's pleasant to actually have a buzz album that lives up to expectations; long after people stop talking about them, this album will still be a surprising and compelling listen.
Read Full Review
60
Observer Music Monthly
From the full-on Nintendo Wii panic-attack of 'Alice Practice' to the breezy, off-kilter electro-pop of 'Crimewave' and 'Air War', this sumptuously squelchy 16-track debut already feels like a Greatest Hits.
Read Full Review
60
Uncut
What could be a kitschy nostalgia trip, however, becomes something more thanks to the songs themselves. [Apr 2008, p.94]
60
Slant Magazine
Crystal Castles' most rockist moments seem to wish to appear arty by being as annoying as possible. It's a tricky maneuver, and the fact that the group doesn't quite pull it off screws up the coherence of this otherwise strong record, but that doesn’t make them any less promising.
Read Full Review
60
Alternative Press
Crystal Castles is gloriously danceable and hopelessly chic. But really, it's... hearing only...judging is... you know? [Apr 2008, p.162]

What Our Users Said

Vote Now! The average user rating for this album is 8.0 (out of 10) based on 11 User Votes
Note: User votes are NOT included in the Metascore calculation.

Luka T. gave it a3:
Only a few new tracks, not surprised. They could have done much much better than this. The problem with Crystal Castle is that they tend to do both brilliant exciting songs and boring unbearable aborted experimentations. I was hoping they would concentrate on new fresh material for the album, including only a few "hits" from what they had made available on myspace previously. Instead, most of the tracks are stuff we've heard before, and sadly the few best tracks are the new ones. I say sadly because it shows that if they really had worked on the album, we would have had a mass killer album full of new unheard tracks, which is not the case here.

[Anonymous] gave it a10:
Wow! This will definitely be one of the best albums of the year. The consistency of awesomeness throughout the album is incredible. It's practically impossible not to want to get up and dance when you hear "Black Panther." And tracks like "Love and Caring," with it's angry shouting and loud noise perfectly complement more relaxed but equally incredible tracks like "Magic Spells"

Jeremy F. gave it an8:
This is a delightful little tight package of dancey, electro blips and bloops and grinds and whirs that accumulate to a victorious work. The vocals in "Untrust Us" aren't even complete words, just scraps of what were once [presumably] words. However, despite the wordlessness, this song contains the best melody of the record, and is one of the best songs of the year thus far. "Crimewave" is pure fun electro-dance, and "Good Time" is a lighthearted bopping number. "Alice Practice" is filled with Glass' otherworldly screams and cries, while "Courtship Dating" is an even less accessible jumble of senselessness. "Magic Spells" is pretty, but too long, and aside from that, it's fine. This is a great cd with few missteps. Fun to last for years. (And it also makes me want to dust off my SNES...)

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