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This is the first album for the San Francisco experimental rock outfit since the departure of guitarist Chris Cohen.
| LABEL: | Kill Rock Stars |
| RELEASE DATE: | 23 January 2007 |
| DISCS: | 1 disc |
| GENRE(S): | Indie, Rock |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
The average user rating for this album is 8.1 (out of 10) based on 27 User Votes
Note: User votes are NOT included in the Metascore calculation.
Justin S gave it a6:
Argh! What is this album? The overall album isn't bad, but it's frustratingly inconsistent and track 10 should have been left on the cutting room floor. I guess I'm just too logical to understand "art-rock".
Damian M gave it an8:
This is Deerhoof's tightest album yet, and is a great place to start for new fans. It does have a few glitches (Look Away is a bad closer) but the highs will grab you instantly and you'll be saying "Choochoochoobeepbeep" in a high pitched voice before you know it. Deerhoof don't hang around, and you shouldn't either. Get this!
Eric C gave it an8:
Hmm. I'm conflicted. On the one hand, Deerhoof delivers smooth toons with dreamlike vocals that are a blast to listen to. On the other hand, they sometimes seem to be trying too hard to be an abstract indie band. They seem like they are capable of just unleashing some amazing rock if they stopped trying so hard. But even with that, I enjoyed all of the album. They have their own sound (I know, it sounds like I'm contradicting myself, but trust me, I'm not) which is something that is just too hard to come by. Definately worth buying, though you should listen to some samples to see if their sound is something you can swallow (some people can't, unfortuanately for them).
Spee gave it an8:
Those who complain about Satomi's voice have to consider: what would this band sound like if it was someone else? How well could Emily Haines or Joanna Newsom fit into the music? Matsuzaki's voice is an essential part of Deerhoof's cute and explosive energy. They wouldn't the same without her. Conrad Keely and Bob Dylan aren't great singers either, but they fit their parts.
Uri S gave it a10:
This album is definately among Deerhoof's best. It fails to dissapoint. It is rapidly changing to include new ideas for thirty six and a half minutes, and never becomes repetitive or boring. Nobody should be afraid of this album because Deerhoof has been labeled "experimental." It is very accesable and interesting. This album is amazing, and I would definately reccomend it to anyone, whether or not they have previously listened to Deerhoof or any other "experimental" artists.
Yigit A gave it an8:
I think it is unfair to say that Deerhoof sounds like all the other indie bands and treat Deerhoof as just another member of the bunch because Deerhoof has been making this eerily beautiful music since 13 years.
Scott F gave it a9:
It is a more focused album than The Runners Four, and probably their best work yet.

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