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Slant Magazine

Punchy, ragged, and frenetic, Waterloo To Anywhere surges forward, not-so-subtly aping The Strokes, The Clash, and The Ramones as well as delivering that precise buzz that can only be felt by the young, drunk, and excited.

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Entertainment Weekly

Think of it as a spin through London's sordid nightlife, with Barat as your cynical, grumpy guide. [11 Aug 2006, p.69]

New Musical Express

Smart; savvy; insanely resilient: 'Waterloo To Anywhere' is just the ticket.

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Urb

While the album is a fun first listen, it's in taking that second and third spin of Waterloo to Anywhere that the band's infectious quality becomes a full-fledged epidemic. [Sep 2006, p.142]

All Music Guide

Barat's music doesn't have the baggage associated with Doherty's brooding, poetic aspirations, but it doesn't quite have the same impact, either.

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E! Online

Of course, it sounds ragged as all hell, but that was half of his old band's charm.

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Billboard

A good old-fashioned mod-punk'n'roll record--nothing more, certainly nothing less.

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Prefix Magazine

Although it's a top-heavy record, Waterloo to Anywhere gets stronger with each listen; the melodies come through and the energy that at first seems restrained starts to break free.

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Mojo

This is the far meaner, angrier and punkier [of the two post-Libertines albums] [Jun 2006, p.98]

The New York Times

Unfortunately his slurry vocals are often mixed too low, and his world-weary bons mots are undermined by jaunty melodies and tempos.... But Mr. Barât packs an electrifying amount of rage and misery into 33 minutes of music.

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Rolling Stone

An exceptionally well-crafted punk record: catchy, noisy, beat-y, quick.

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Observer Music Monthly

Barat does a great job of revitalising the ramshackle thrills that the Libertines did all too briefly so well.

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BBC collective

Waterloo To Anywhere is more pro and muscular than former endeavours, chiming more with labelmates Razorlight’s ambitious professionalism.

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Dot Music

The fear was always that Dirty Pretty Things would resemble The Libertines with a vital ingredient missing, and that's surely what's transpired.

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Pitchfork

For what it's worth, Waterloo goes round-for-round with Doherty's solo vehicle, but too much of its pop luster succumbs to could've/should've-been pathos, both lyrically and musically.

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Playlouder

This is an album of gin-fuelled laments, uprisings and battered beauty: such dignity and sharp proficiency shows he can only do better.

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PopMatters

In all its unfussy delights, it’s very nearly the great record that Babyshambles couldn’t quite get together.

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Stylus Magazine

With no foil to Barat’s grumpiness and bitterness, it’s therefore difficult to see anyone getting nearly excited enough to love Dirty Pretty Things as much as many loved The Libertines.

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The Onion (A.V. Club)

There are flashes of inspiration and personal expression all over Waterloo To Anywhere, but too much of the record feels unfinished—and worse, one-note.

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The Guardian

It doesn't sound like a masterpiece; then again, it does nothing to damage its maker's reputation, which is more than you can say for Doherty's post-Libertines efforts.

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Drowned In Sound

Waterloo To Anywhere might not redeploy any cultural guidelines, but take it at its own merits and you may be pleasantly surprised.

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Uncut

It has more garage-rock energy than the enervated Babyshambles. [Jun 2006, p.98]

Blender

Barat lacks Doherty's flash of unhinged genius, but his grasp of rock's basics is far firmer. [Sep 2006, p.139]

Q Magazine

A tough, focused, danceable album. [Jun 2006, p.113]

Under The Radar

Essentially, Dirty Pretty Things sound like a sober and well-rested version of The Libertines… which honestly takes somea little of the fun away. [#15]

What Our Users Said

The average user rating for this album is 7.9 (out of 10) based on 30 User Votes

Note: User votes are NOT included in the Metascore calculation.

Ori I. gave it a10:
I was so disappointed when the Libertines have broken up, but this album definitely makes it a bit easier for me. What can I say.. They "gave me something to die for" once again.

Jeff B. gave it a6:
An average album. Clean guitar playing when compared to babyshambles but lacks the excitement. Every song sounds the same and the album starts to become a tedious and boring listen. Barat is a better musician than Dohorty but he lacks the creativity and song writing ability. He needs Dohorty to add that spark that this album lacks. That intensity and knack for penning the perfect line.

Paul gave it a9:
Great, a very catchy collection of tunes on here. Not quite as good as the Libertines but miles ahead of Babyshambles.

James C gave it an8:
The Libertines with a bit more precision. It's got the Midas touch.

jyotirmaya d gave it a7:
A solid effort that expounds upon the oft sloppy work of the Libertines. I will still be listening to this album after 20 years.

Dan O gave it a9:
Whats wrong with the critics they missed something here. I cant stop listening to this CD it is (without too much thought) my #1 album of the year. Solid from beginning to end and I do believe will stand the test of time. Awesome! buy it NOW

Andrew A gave it a6:
Let's say the obvious thing, better than babyshambles, worse than libertines. This is a nice record, but not mind blowing. If you are a fan of the genre you will enjoy it, if you are not, keep listening to the libertines and just give this cd a couple spins.

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