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No, Virginia...
by Dresden Dolls

Dresden Dolls reviews
Critic Score
Metascore: 73 Metascore out of 100
User Score  
6.9 out of 10
based on 14 reviews
Read critic reviews
How did we calculate this?
based on 11 votes
Read user comments
Rate this album

The Boston duo's third album contains songs from recording sessions, b-sides, and songs left over from 2006's "Yes, Virginia..."

LABEL: Roadrunner
RELEASE DATE: 20 May 2008
DISCS: 1 disc
GENRE(S): Rock, Alternative

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

88
The Phoenix
No, Virginia ranks with Elvis Costello’s "Taking Liberties" as a B-sides/leftovers album that turns out to be more fun and more revealing than a thought-out official release.
Read Full Review
80
All Music Guide
Considering that it's an album of leftovers--one B-side from "Yes, Virginia...," four unreleased recordings, one old demo, a cover, and five new recordings, to be exact--the songs on No, Virginia... are unexpectedly strong.
Read Full Review
80
Alternative Press
Given the collection's remarkable cohesion, No Virginia works as a proper third album, instead of merely being a companion piece to the previous disc. [July 2008, p.170]
71
Pitchfork
In a way, they don't even try to [reconcile their spotlight-swallowing energy], and that makes No, Virginia... an album on par with the Dolls' two fully conceived LPs.
Read Full Review
70
Paste Magazine
Missteps aside, No, Virginia is a solid effort that proves there’s more depth to the Dolls then just pancake makeup and vampy lingerie.
Read Full Review
70
The New York Times
The turbulent choruses, allusive wordplay and pounding piano interludes faithfully hew to the self-defined subgenre Brechtian-punk cabaret.
Read Full Review
70
PopMatters
As it is, though, it’s a very respectable compilation by one of the more clever bands in indie rock today, good enough to keep the Dresden Dolls’ fans satisfied for another year.
Read Full Review
70
Billboard
Some cuts, like the cover of 'Pretty in Pink,' or the tensionless march of 'Mouse and the Model,' didn't need to be resurrected. But others, like the singalong rolling notes of 'Sorry Bunch' or 'Night Reconnaissance,' a multipart romp about middle-class vagrants, can stand with the Dolls' A-sides.
Read Full Review
70
Boston Globe
Considering the album's disparate origins, its slightly disjointed feel makes sense but doesn't keep it from being a solid must-have for fans.
Read Full Review
70
Spin
No, Virginia compiles a clutch of new tunes, old demos, B-sides, and cast-offs from the previous album, but it scores biggest with an obsessed fan's accordion-powered rendition of the Psychedelic Furs' 'Pretty in Pink.'
Read Full Review
60
Blender
Fervent and fierce, with a half-earned world-weariness that can recall Johnny Rotten himself, the Dresden Dolls mean to make goth theatrically smart. Quite often, they do. [July 2008, p.71]
Read Full Review
60
Uncut
This is a less than ideal introduction to the oeuvre of the usually intriguing 'Dolls. [July 2008, p.93]
60
NOW Magazine
Hopefully, the band will release new material soon, but No, Virginia is a good snack before the next meal.
Read Full Review
60
Q Magazine
Although it holds together better than out-takes album might, newcomers should start elsewhere. [July 2008, p.101]

What Our Users Said

Vote Now! The average user rating for this album is 6.9 (out of 10) based on 11 User Votes
Note: User votes are NOT included in the Metascore calculation.

Daniel C. gave it a9:
Although some of these are outakes and B-sides from the Yes, Virginia sessions I actually like this album more than I like Yes, Virginia. Most of the songs are really good and the couple of songs that aren't my favorites still have their moments. Good Stuff.

psychoman gave it a7:
To use a tried-and-true phrase: Lesser bands could make a career out of the B-sides of the Dresden Dolls. Some of the material sounds under-rehearsed and stays one step behind the tightly-knit performances of Yes, Virginia, but Amanda and Brian shine throughout with their unique take on things pop and not pop. Subversive without being tiresome, ironic without descending into sarcasm, catchy but never trite - and thank you for the nostalgic walk down pretty-in-pink lane, which never fails to make me smile. Time to count the weeks til Amanda's solo album comes out.

Clark C gave it a1:
WOW these guys are screwed up... wait they ARE guys right? p.s. it gets a 1 just because it isnt rap.

Eric D. gave it an8:
Amanda and Brian make leftovers a tasty treat! This is such a great body of work. I try to listen to it not thinking about b-side or cut tracks. I just hear what I fell in love with years ago - the best damn fresh sound since Nirvana! Cheers to The Dresden Dolls, may their road be long. Go get all the albums right now - you'll thank me! :)

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