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Love And Theft
by Bob Dylan

Bob Dylan reviews
Critic Score
Metascore: 93 Metascore out of 100
User Score  
8.8 out of 10
based on 20 reviews
Read critic reviews
How did we calculate this?
based on 121 votes
Read user comments
Rate this album

Picking up where 1997's resurgent 'Time Out of Mind' left off, 'Love And Theft' finds the 60-year-old Dylan self-producing the album's 12 tracks.

LABEL: Sony/Columbia
RELEASE DATE: 11 September 2001
DISCS: 1 disc
GENRE(S): Rock

NOTES: Limited edition CD also available, which contains bonus tracks on a separate disc.


What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
PopMatters
"Love and Theft" sees Dylan roaring back from Highway 61 at full bore, reminding us -- as he did on Blonde on Blonde, The Basement Tapes, and Blood on the Tracks -- that, like him or not, there isn't anybody else who can do his job.
Read Full Review
100
Rolling Stone
The remarkable achievement of Love and Theft is that Dylan makes the past sound as strange, haunted and alluring as the future...
Read Full Review
100
E! Online
[Dylan's] most cohesive work in over a decade...
Read Full Review
100
Blender
Not since 1966's Blonde on Blonde has Dylan sounded so happy and alert. [Oct/Nov 2001, p.102]
91
Entertainment Weekly
It may not be a better album than ''Time Out of Mind,'' but it glides from genre to genre with a sprightly glee, as if Dylan were traversing the American musical landscape in search of thrills, revenge, and reparation.
Read Full Review
90
New York Magazine
"Love and Theft" showcases the gloriously sloppy spontaneity he's displayed onstage but only rarely captured on record.
Read Full Review
90
Village Voice
The voice you hear on "Love and Theft" is not that of the cocky young rock star who wrecked folk by simply strapping on an electric guitar, nor is it the vengeful and crotchety man who dripped Blood on the Tracks. This Dylan is older, wiser, and grousier, but sweeter, more sanguine if still unsettled too.
Read Full Review
90
Neumu.net
A work of real substance, brimming with honesty, humor and beauty.
Read Full Review
90
All Music Guide
Not just his best album since Blood on the Tracks, but the loosest, funniest, warmest record he's made since The Basement Tapes.
Read Full Review
90
Mojo
An album virtually bereft of fluff and filler. [Album Of The Month] [Oct 2001, p.104]
90
Spin
Where [Time Out Of Mind] stared down heartbreak and mortality with somber melancholy, Love and Theft finds Dylan taking on those same themes loaded up with piss and vinegar. [Nov 2001, p.127]
90
The Onion (A.V. Club)
Love seems to come from a far more freewheeling Bob Dylan than the one on The Freewheelin' Bob Dylan, or virtually any other album he's recorded.
Read Full Review
88
Spin Cycle
It doesn't really break any new ground, but that's not the point. This record is about Dylan cutting loose and celebrating the richness of American music.
Read Full Review
80
Q Magazine
This is little short of a treat: a rambunctious dance through the more sepia-tinted corners of US musical history. [Oct 2001, p.122]
80
Launch.com
No one--and I mean, no one, not even people paid to say such things--is going to confuse this with Highway 61 Revisited or even Nashville Skyline, but when the official Bob Dylan bubblegum card is issued, Love And Theft will certainly rank ahead of Knocked Out Loaded and Saved.
Read Full Review
80
Dot Music
'Love And Theft' is a much tricksier, elusive and - important, this - entertaining beast, one that mingles reflections on ageing with a host of jokes, both good and bad, and some wickedly limber music.
Read Full Review
80
Sonicnet
It's been a good three decades since Dylan has sounded as footloose and, er, freewheeling as he does on much of Love and Theft. That it comes on the heels of '97's haunted, hellhound-on-my-trail-vibed Time Out of Mind makes it all the more remarkable.
Read Full Review
80
CDNow
Love and Theft is a strange trip through Dylan's personal relationship with the blues, whether it's the silly story-song "Tweedle Dee & Tweedle Dum," the mandolin lament "Mississippi," or the solid blues-rock of "Lonesome Days Blues" and "Summer Days."
Read Full Review
78
Austin Chronicle
He's a thief, a con, a 60-year-old with nothing to say. And he continues saying it.
Read Full Review
70
Shredding Paper
Doesn't come together as a cohesive effort, as a number of songs just don't fit in. [#11]

What Our Users Said

Vote Now! The average user rating for this album is 8.8 (out of 10) based on 121 User Votes
Note: User votes are NOT included in the Metascore calculation.

Alan B. gave it a10:
This album was released on September 11, 2001. Bod Dylan may not be a prophet but he is a poet and poetry and prophecy go hand in hand. Listen to each track several times and you will be rewarded with beauty, insight and truth.

Jack H. gave it a10:
A mosaic, a masterpiece. Album of the decade thus far.

Russell F gave it a10:
The critics are right on this one - a truly great CD.

Jack S gave it a6:
One song was enough for me. I have tried many, many times to like Bob Dylan, but I never understood the appeal of vocals that sound his testes are in vice grips. Maybe it is an acquired taste. Maybe I do not have good taste. It does not matter. Dylan to me sounds like crap.

James B gave it a9:
Yes, if you DON'T like Bob, you won't like this. But if you are a fan (and you SHOULD be), this is a GREAT album musically and lyrically. There are some very funny lines in a few songs that you really need to pay attention to.

wayne t gave it a10:
I have been a Dylan fan for over 25 years and 6 years after the release of the album, I still find myself having to play it. Every track is Dylan at is best. This is the best of his recent trilogy

Andrzej B gave it a1:
boring and unimportant

Read more user comments...

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