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Zero 7
Stars indicate the most critically-acclaimed albums.
Jerusalem
Generally favorable reviews
Based on 15 critic reviews
How did we calculate this?
Based on 12 votes
Read user comments
Rate this album >
Album Info
Label: Artemis
Release Date: 24 September 2002
Discs: 1 disc
Genre(s): Blues, Country, Rock
Summary
The roots rocker tackles a variety of tough, contemporary issues on this latest release, perhaps his most political, issue-oriented album yet. Sheryl Crow and Emmylou Harris guest.
Also By This Artist: The Revolution Starts Now Townes Transcendental Blues Washington Square Serenade
Also On Metacritic
FILM: Just An American Boy
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
E! Online
In the tradition of Johnny Cash, Waylon Jennings, Woody Guthrie and even Bruce Springsteen, Earle has a knack for hard-nosed poetry.
Read Full Review >Entertainment Weekly
Jerusalem is consciously ugly and gnarled, its characters troubled and troubling. [4 Oct 2002, p.153]
All Music Guide
Jerusalem is the work of a thinking troublemaker with a loving heart, and while more than a few people will be angered by some of his views, Earle asks too many important questions to ignore, and the album is a brave and thought-provoking work of political art.
Read Full Review >CDNow
The eclectic, pan-genre disc opens -- as did 2000's Transcendental Blues -- as an unabashed rocker, but this time around Earle uses the heavy artillery to underscore weightier worldly themes.
Read Full Review >Blender
If you buried Bob Dylan's Blood On The Tracks in a graveyard for 200 years and then dug it up, it would sound like this corroded, bottom-heavy music. [#11, p.134]
Q Magazine
Most of the music here finds Earle in admirable form. [Oct 2002, p.106]
Uncut
He hasn't sounded this corrosive since Copperhead Road. [Nov 2002, p.115]
Mojo
While on occasion disappointingly heavy handed, the more wistful moments shine through the murk. [Nov 2002, p.105]
Austin Chronicle
Unfortunately, for every song that pulls at the heartstrings or prompts a minor political epiphany, Earle has included muddled-headed efforts that don't pass muster.
Read Full Review >What Our Users Said
The average user rating for this album is 8.6 (out of 10) based on 12 User Votes
Note: User votes are NOT included in the Metascore calculation.
Oregon l gave it a9:
Some really great songs that stand for something and in this day and age of idiot music it is refreshing!
Bob R gave it a10:
it sux
kevin w gave it a 10:
its great
Michael L. gave it a 9:
This man is a creative genius. Rarely do you find a singer who writes nearly all his songs,this album is another great. Steve makes you listen to the words in his songs.
Kellen B gave it a 9:
Awesome album, powerful singing and song writing, way better then Sidetracks. The only problam with the album was the Arabian babbeling at the end of John Walker's Blues, and the chick singer on Conspieracy Theory. Ultimately a classic album and far better then anything mainsteam.
Laurs S. gave it a 9:
Steve Earle is one of the most articulate songwriters of this generation ! Godlike! Never seen the Glasgow Barrowlands rock like the way he rocks it!
John B. gave it an 8:
The duet with Emmylou Harris is amazing.
