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Stars indicate the most critically-acclaimed albums.
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Asking For Flowers
by Kathleen Edwards
The fourth album for the singer from Canada was coproduced with Jim Scott.
| LABEL: |
Zoe |
| RELEASE DATE: |
04 March 2008 |
| DISCS: |
1 disc |
| GENRE(S): |
Rock, Country, Alternative |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
80
All Music Guide
Asking for Flowers leaves no doubt that Kathleen Edwards has arrived and made an album that's funny, startling, poignant, and (once again) worthy of repeated play.

80
Amazon.com
Her third album continues her clear-minded, open-hearted lyricism, though with a ripeness that comes from years on the road and years more to reflect.

80
Billboard
Asking for Flowers is filled with literate and provocative lyricism, vivid characters and cinematically engaging scenarios.

80
Boston Globe
Edwards brings on none of the filler that watered down her earlier albums as she moves steadily from scathing to soothing, from rocking country to Gothic sketches, from strength to strength.

80
Hartford Courant
Her third album, collects 11 new songs that document Edwards’ growth from singer who writes songs to bona fide songwriter who has embraced the art of subtlety.

80
NOW Magazine
Her fourth album comes as a pleasant surprise, arguably tough country at its finest. Her clear, pristine vocals convey longing, heartbreak and the sexiness of the working class with honesty and grace.

80
Rolling Stone
On her strongest album yet, she sets a poignant road tale between New York and Ontario ('Buffalo') and pens a fierce, Crazy Horse-ish squall about crack, murder and racism in her own back yard.

80
PopMatters
She’s managed to improve on her last record, the universally adored "Back to Me," thanks to progressively mature songwriting, a stellar backing band, and solid production

80
Paste Magazine
On this mesmerizing third album, she’s mostly outgrown the obvious Lucinda Williams and Neil Young comparisons (the Crazy Horse-channeling “Oh Canada” aside), using her lustrous folk-rock melodies to dull the sting of her unsentimental tales.

80
Drowned In Sound
The Hamilton, Canada-based songstress has creamed together her best set yet. In Asking For Flowers, Edwards is uncompromising, but sombre.

79
Pitchfork
On Asking for Flowers, she sounds better than her peers for being so much braver.

78
Lost At Sea
Asking For Flowers is the work of a musician freshly settled in to the rhythm of her creative seas, and from here it is the horizon where her true potential shines.

70
Slant Magazine
That Edwards has written a collection that includes both great individual lines and some spectacular songs makes Asking for Flowers by far her most accomplished work.

70
The New York Times
Song for song, the album falls short of “Back to Me.” It could use more of her old feistiness.

60
Blender
The title song is killer, but built of such familiar musical materials that when it comes around the third time, it’s plumb tuckered out. The track is one of three standouts that run over five minutes, and all three are too long.

60
Uncut
Her blowsy voice now seems happier in those quieter settings. [May 2008, p.104]
60
Q Magazine
Battered by love yet ever hopeful, and with a fetching drawl to match, her story songs might occupy familar alt-country terrain, but surrounding herself with some top LA session men helps give Asking For Flowers that extra bit of class. [May 2008, p.130]
40
Mojo
With her co-producers, they fashion some perfectly weighted, tastefully adorned grroves but her voice, an idiosyncratic mix of Lucinda Williams and Dolores O'Riordan inflections, sometimes jars. [Apr 2008, p.100]

The average user rating for this album is 9.3 (out of 10) based on 8 User Votes
Note: User votes are NOT included in the Metascore calculation.
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