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Stars indicate the most critically-acclaimed albums.
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Miss E... So Addictive
by Missy Elliott
This is the third album for Missy "Misdemeanor" Elliott, and it again features the acclaimed production work of Timbaland. Guests include Busta Rhymes, Redman, Method Man, Ludacris, Eve, Jay-Z, and Ginuwine.
| LABEL: |
Elektra/Asylum |
| RELEASE DATE: |
15 May 2001 |
| DISCS: |
1 disc |
| GENRE(S): |
Rap |
NOTES: Available in clean and explicit versions. Also available on vinyl.
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
The Wire
A thousand times more exciting in every way than most everything in the air at the moment.... Timbaland's production is frontier staking stuff... [#208, p.58]
100
Ink Blot Magazine
She has conjured the dirty rawness of funk and the smooth, hyper-articulation and commanding, ass-shakin' beats of hip hop and coated them with her own strange, space-age gloss. It is brilliant.
90
Dot Music
It's hard to believe a better advertisement for music's capacity to be simultaneously adventurous and entertaining, funny and moving, leftfield and mainstream will be released all year.
90
New York Magazine
What's most exciting about Miss E is its sense of playfulness: It's the rare hip-hop album in which unabashed joy -- rather than acquisitiveness or grimacing gangsterism -- is the main ingredient.
90
Sonicnet
Miss E... So Addictive shows another side of Missy Elliott, yet unlike the calculations of other artists who morph themselves mainly as a marketing scheme, her dancing-sex-queen moves come through more like revelation than reinvention.
87
Wall of Sound
Miss E is a Top 40 radio breakthrough waiting to happen, while staying solid and true to its hip-hop roots.
83
Entertainment Weekly
Elliott spends too much time dissing detractors, but the hooks come as fast as the reefer references, and for the first time since her debut, she sounds as if she's having a blast... [25 May 2001, p. 80]
83
E! Online
Elliott keeps her sharp raps relatively slow-moving over the space-age production and allows room for the long list of guests like Ludacris, Busta Rhymes and Da Brat to shine.
82
Pitchfork
Opens with a six-track attack that's rare for any genre, especially contemporary R&B.
80
Rolling Stone
Miss E is a mess, of course, and not all the experiments work as brilliantly as the single. But if you prefer risky messes to tidy formula, tracks like "Scream a.k.a. Itchin' " and "Step Off" will freak you up something fierce.
80
Spin
A kind, weird club crunker, Ecstasy references included. [Jul 2001, p.128]
80
Blender
"Get Ur Freak On," the frenetic lead single, relies on boilerplate hip-hop braggadocio, but the beats are something else: head-snapping electro-funk spiced with tablas that herald Missy and [Timbaland's] return as the rulers of the hip-hop avant-garde. [Jun/Jul 2001, p.106]
80
Armchair DJ
Now if only the duo could deliver an LP that's consistently rather than merely frequently brilliant, we could stop fast-forwarding through the second-string tracks and soggy ballads that clutter up side B.
80
The Onion (A.V. Club)
Like its predecessors, the disc drags in spots but generally delivers, proving that emotionally and artistically, contentment suits Elliott just fine.
80
Playlouder
It's not so much her actual rapping skills but her keen ear for a devastatingly simple track structure that makes her stuff so satisfying.
80
New Musical Express
It's a blessing that the surrogate mum to the hip-hop youth of America is out there pushing for sounds as deranged, commercial, newly kinetic, and socially risque as those licking your ears in 'X-tasy' and 'Slap! Slap! Slap!'.
The average user rating for this album is 7.9 (out of 10) based on 51 User Votes
Note: User votes are NOT included in the Metascore calculation.
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