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Stars indicate the most critically-acclaimed albums.
|
Scorpion
by Eve
| LABEL: |
Interscope |
| RELEASE DATE: |
06 March 2001 |
| DISCS: |
1 cd |
| GENRE(S): |
Rap |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Entertainment Weekly
From start to powerful finish 16 tracks later, Scorpion pumps up the volume, the rhythms, everything.

90
L.A. Weekly
Scorpion propels her into pop stardom’s embrace, smartly blending party anthems with thug themes.

80
CDNow
A sophomore album that actually lives up to its hype.

70
Revolver
Eve ultimately transcends dog-bait stereotypes with an evolving sense of style that finds her waxing rough and cool one minute and warmly grooving along to reggae the next... [May/June 2001, p.108]
70
Wall of Sound
Scorpion, her second solo album in three years, stands a good chance of blowing up the airwaves and charts, though it still battles with the hardcore elements that made her first album such a disappointment.

70
The Onion (A.V. Club)
While a step up from her promising debut, Scorpion is far from perfect: Eve is too smart for testosterone-heavy, shout-along nonsense like "Cowboy," "Scream Double R," and "Thug In The Streets."

70
Spin
Eve has moved her Ruff Ryders to the back half, scored some marquee-value collaborators, and found two guys who can mimic Swizz Beatz well enough to fill the spaces around Mr. Beatz's four tracks without too many seams showing. [5/2001, p.141]
60
Q Magazine
Like most blockbusters, the script is predictable - topics include no-good men, being hard and how great Eve is - but this is designed for booming out of car stereos rather than close listening.

60
Rolling Stone
On about half the cuts, Eve sits back and allows her featured guests to take over completely. This ploy might make for an interesting mix if either the huge roster of producers or Eve herself had managed to exploit the walk-ons' uniqueness - DMX, Mo'nique, Gwen Stefani, Drag-On and Styles of the Lox all make undistinguished cameos

60
Sonicnet
None of these songs are as ear-catching as the first album's "Gotta Man." And to play up Swizz Beatz's contributions is to point out how frequently Eve gets lots in the beats when they're slamming, and how she never enhances them when they're not.

50
PopMatters
Stick with the up-tempo tunes and this is solid enough fare.... But I don't think there is anything new lyrically, despite the various claims.

50
Dot Music
What it all adds up to is an effective commercial album, littered with potential singles, taking few risks and adding little to hip hop culture.


The average user rating for this album is 9.3 (out of 10) based on 20 User Votes
Note: User votes are NOT included in the Metascore calculation.
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