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From Here We Go Sublime
by The Field

The Field reviews
Critic Score
Metascore: 90 Metascore out of 100
User Score  
6.5 out of 10
based on 14 reviews
Read critic reviews
How did we calculate this?
based on 342 votes
Read user comments
Rate this album

This is the full-length debut for Stockholm, Sweden trance producer Axel Willner.

LABEL: Kompakt
RELEASE DATE: 03 April 2007
DISCS: 1 disc
GENRE(S): Electronic

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
BBC collective
This is one of those rare albums that makes you wonder how you ever got by without it.
Read Full Review
100
Stylus Magazine
From Here We Go Sublime may not be an evolution for Willner, but it’s a singular distillation of his talents into one album. Mixing gauzy shoegaze, slippery ambient loops, and two-cheeks-on-the-floor bass drum bounce, the Field offers an idyllic work of startling novelty, and perhaps ‘techno’’s most widely appreciable offering in years.
Read Full Review
90
No Ripcord
It’s fair to say if you don’t find anything worthwhile somewhere in this record, you probably just don’t enjoy electronic music.
Read Full Review
90
Dusted Magazine
From Here We Go Sublime is fantastic all around, and it’s all the more effective for its restraint.
Read Full Review
90
Hot Press
It focuses on the epic qualities of Ride and MBV, combined with Wilner’s cosmic pop chops and his predilection for shuffly techno grooves.
Read Full Review
90
Pitchfork
If Willner doesn't hit at least some of your pleasure centers, well, forget your ears-- your nerve endings might actually be dead. Even three months in, it's a safe bet that From Here We Go Sublime will wind up 2007's most luxuriant record.
Read Full Review
88
The Phoenix
It feels endless — in a good way.
Read Full Review
85
Almost Cool
If you like minimal electronic music at all, you must seek it out.
Read Full Review
80
Tiny Mix Tapes
Wilner’s talent lies in revealing the abundance of music locked inside even the smallest fractions of extant recordings.
Read Full Review
80
Uncut
Mesmerising stuff. [Jun 2007, p.99]
80
PopMatters
An electronic album that is utterly original and not easily forgotten.
Read Full Review
80
New Musical Express
It may sound simple but it's devastatingly effective.
Read Full Review
74
cokemachineglow
This is an album you could easily hate -- especially if you like things like change and development.
Read Full Review
70
Delusions of Adequacy
Track for track, From Here We Go Sublime is mired in some of the simplest beats in modern electronic music.
Read Full Review

What Our Users Said

Vote Now! The average user rating for this album is 6.5 (out of 10) based on 342 User Votes
Note: User votes are NOT included in the Metascore calculation.

Eric C. gave it a10:
If you're in to ambient, this will be one of the most incredible albums you've heard in years. If you're not in to ambient, well... just read the low scores below.

Hereto S. gave it a10:
Instant classic, and one of very few albums I've started listening to that have hit so immediately. In all honesty, I know very little about deep/minimal techno, and even calling it deep/minimal techno would probably merit a flame, but this really has just hit in immediately. Personally, I'd say that If you can't get over the idea of it being repetitive, then it probably won't be much fun to listen to. Give it a chance, and the gradual shifts form some unlikely, eerie shapes. Best dance record I've heard in a long time.

[Anonymous] gave it a10:
I think this album is beautifully simple. You guys are just rating this album because it got high reviews, y'all bought it like sheep and then really couldn't appreciate what had been created (Do some RESEARCH before investing in something.) This album was one of the only refreshing albums of last year. It is one of the only ones that I still listen to today after a year, I Love it.

Ken C. gave it a5:
I can't give this an album anything less than a 5 due to I'm not the hugest fan of this genre. The brilliance of this album must be real subtle because I got through 2 listens without being blown away by anything. I would not recommend for anyone that is not a hardcore fan of electronic. I'm a big fan of Burial's Untrue, but this one just does not do it for me.

Tom P. gave it a4:
Every song has the same annoying chop-up sound that makes this album virtually unlistenable by itself. Entertaining to listen to for the first 15 seconds, then you realize it's only going to keep repeating the same unoriginal beat and melody with a few subtle changes for the rest of the song. There's pretty much no music, no meaning, nothing. Sure, it makes nice background music, while you go about doing something else, because if you were to sit down with headphones and concentrate on this cd from start to finish you would ultimately feel like you wasted about 50 minutes of your life. Not to mention you would be driven insane. I mean are you serious? Sun and ice was just about the most pointless song I've ever heard....Baaaaaaaaaahhh......Beeeeehhhhhhhhh.....baaaaaaahhhhh.....beeeeeehhhhhhh....and so on. So yeah, nice background music, that's definetly worth album of the year isn't it? Oh well, instead of discussing why it's there, just look at that nice 14 reviews...14 misguided reviews, that this album got. For anyone even remotely serious about music, In Rainbows was the real album of the year, and we all know it. Nuff said.

Hierophantus gave it a7:
The hype gets in the way. If people could just listen to this album with no preconceptions--especially if they were prepared to just zone out with their headphones on--most would probably enjoy it just fine. However, even though I like it, I confess I still don't get why it's absolutely praised to the skies. It's good. It puts you in a fine mood and its subtlety has its rewards. But #1? I feel like I still must be missing something that others get, but based on the reviews I don't know what that would be, since I see what they're talking about already.

Mark D. gave it a3:
Easily the most over-rated album of 2007. I listened to this album repeatedly trying to give it a chance. I guess I just don't get the house phenomenon. If you are not a fan of this style of music don't even attempt to appreciate this album.

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