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Street Horrrsing
by Fuck Buttons

Fuck Buttons reviews
Critic Score
Metascore: 80 Metascore out of 100
User Score  
6.2 out of 10
based on 19 reviews
Read critic reviews
How did we calculate this?
based on 59 votes
Read user comments
Rate this album

The debut album for the Bristol, England experimental music duo.

LABEL: ATP
RELEASE DATE: 18 March 2008
DISCS: 1 disc
GENRE(S): Rock, Experimental

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

86
Pitchfork
Sounds and ideas repeat constantly, yet Street Horrrsing never feels redundant.
Read Full Review
83
Almost Cool
It's not quite straight-up noise, and it's certainly not dance music, but if you like a bit of both, this debut from Fuck Buttons should make you a bit giddy.
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81
cokemachineglow
It’s just the fucking jam, like some pulsing late-night bliss-out in front of a detuned television set whereupon everyone just sits on the couch exhausted but loving it.
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80
The Wire
Despite the use of repetition and layering, Street Horrsing's sonic make-up is often unpredictable, which is where their strength stems from. [Apr 2008, p.57]
80
Village Voice
Street Horrrsing is, to your dad's ears (unless your dad is Lou Reed), a whole lot of noise. But what virtuosic, complicated noise it is.
Read Full Review
80
Sputnikmusic
Street Horrrsing is an intelligent, singular and original release with few flaws.
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80
PopMatters
Fuck Buttons have put together an entirely unpredictable journey of sound here, and it masterfully lends itself to the group’s intentions of mixing light and dark.
Read Full Review
80
Drowned In Sound
Though far from flawless, removed from any brouhaha Street Horrrsing sees Fuck Buttons carve their own niche and not only produce a debut record that will claw at any prejudices over its 40-minute span but show up their drone brethren as too often resiliently stuck in the mud.
Read Full Review
80
Mojo
Street Horrrsing is a six-track, 50-minute melange of iridescent synths, psychedelic drone, distorted vocals and tribal rhythm, peaking with the deftly layered counter-melodies and blissed -out propulsion of epic single 'Bright Tomorrow.' [Mar 2008, p.113]
80
musicOMH.com
While Street Horrrsing may never scratch the surface of the mainstream, it is going to make an indelible mark on all those interested in ground-breaking underground music
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80
Urb
Using familiarity to its advantage, this duo is smart to refine its palette, making even the most migraine-inducing compositions seem like comforting lullabies.
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80
Uncut
The key is a rhythmic edge--be it tribal drumming or waves of sound--that trip these rainbow drones into full-on euphoria. [Apr 2008, p.94]
70
Tiny Mix Tapes
Sure, Street Horrrsing doesn’t overtly delineate any new sonic set, but its execution and relative brevity reflect highly on these two venerable artists.
Read Full Review
70
Dusted Magazine
There are moments, however, when Hung and Power lock into something truly ecstatic, creating passages that more than account for the tremendous amount of pre-release hype that’s been softballed toward these two.
Read Full Review
70
Sputnikmusic
This is a great record but is very often hit or miss.
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70
Under The Radar
Fuck Buttons has widened its scope, both musically and emotionally. [Spring 2008, p.82]
67
The Onion (A.V. Club)
The album backs up its momentous tone, but builds too few moments.
Read Full Review
60
Delusions of Adequacy
Street Horrrsing is a solid if still flawed album full of enough cool moments to satisfy anyone who might be interested in checking it out.
Read Full Review
60
Spin
When they ease back on the overdriven electronic intensity, Street Horrsing works tribal, tracelike wonders. [Apr 2008, p.98]
Read Full Review

What Our Users Said

Vote Now! The average user rating for this album is 6.2 (out of 10) based on 59 User Votes
Note: User votes are NOT included in the Metascore calculation.

John F gave it an8:
Certainly feels like teh hatorz have come out en masse..."I like/ have respct for electronic music...dissonance" ... bet they have lots of gay friends too...*grin* Certainly it has its flaws. Sure, bits are a bit cliched. Overall, however, it envelops and immerses - what more could you ask for. I do get the feeling though that this will be a very ploarising release and middle ground will be more of a no-man's land sourced with mines.

Andrew R. gave it a9:
Spectacular. There are plenty of beautiful melodies here, and rather than disappearing behind the noise, they are augmented and amplified by the disorienting contrast. It's funny to see this described as "noise for the wannabe hip" as some of the finest albums in history have been marked by the experimental meeting the accessible halfway.

josh f gave it a9:
Most mind-melding release of 2008

Harry G gave it a5:
Where do we place this album? Noise for the wannabe hip, is about right I think. This will see you through a listening or two but if you want a bit of meat behind the beat, try Plaid or Amon Tobin.

Matt H gave it a10:
This album may take a few listens to sink in (and really should be consumed all in one sitting), but under these conditions is as stirring and gorgeous at turns as it is abrasive and harrowing at others. One of the most inventive records in years.

Eduardo D. gave it a9:
This is the perfect soundtrack for the end of the world.

Micky C. gave it a2:
This is just another example of indie music disappearing up it's own posterior. I agree with both Remington Steel and Kurt on this. They will be both quickly forgotten and a cause of embarrassment to those who briefly "claimed" to enjoy this.

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