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Street Horrrsing
by Fuck Buttons

Fuck Buttons reviews
Critic Score
Metascore: 80 Metascore out of 100
User Score  
6.0 out of 10
based on 19 reviews
Read critic reviews
How did we calculate this?
based on 51 votes
Read user comments
Rate this album

The debut album for the Bristol, England experimental music duo.

LABEL: ATP
RELEASE DATE: 18 March 2008
DISCS: 1 disc
GENRE(S): Rock, Experimental

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

86
Pitchfork
Sounds and ideas repeat constantly, yet Street Horrrsing never feels redundant.
Read Full Review
83
Almost Cool
It's not quite straight-up noise, and it's certainly not dance music, but if you like a bit of both, this debut from Fuck Buttons should make you a bit giddy.
Read Full Review
81
cokemachineglow
It’s just the fucking jam, like some pulsing late-night bliss-out in front of a detuned television set whereupon everyone just sits on the couch exhausted but loving it.
Read Full Review
80
The Wire
Despite the use of repetition and layering, Street Horrsing's sonic make-up is often unpredictable, which is where their strength stems from. [Apr 2008, p.57]
80
Village Voice
Street Horrrsing is, to your dad's ears (unless your dad is Lou Reed), a whole lot of noise. But what virtuosic, complicated noise it is.
Read Full Review
80
Sputnikmusic
Street Horrrsing is an intelligent, singular and original release with few flaws.
Read Full Review
80
PopMatters
Fuck Buttons have put together an entirely unpredictable journey of sound here, and it masterfully lends itself to the group’s intentions of mixing light and dark.
Read Full Review
80
Drowned In Sound
Though far from flawless, removed from any brouhaha Street Horrrsing sees Fuck Buttons carve their own niche and not only produce a debut record that will claw at any prejudices over its 40-minute span but show up their drone brethren as too often resiliently stuck in the mud.
Read Full Review
80
Mojo
Street Horrrsing is a six-track, 50-minute melange of iridescent synths, psychedelic drone, distorted vocals and tribal rhythm, peaking with the deftly layered counter-melodies and blissed -out propulsion of epic single 'Bright Tomorrow.' [Mar 2008, p.113]
80
musicOMH.com
While Street Horrrsing may never scratch the surface of the mainstream, it is going to make an indelible mark on all those interested in ground-breaking underground music
Read Full Review
80
Urb
Using familiarity to its advantage, this duo is smart to refine its palette, making even the most migraine-inducing compositions seem like comforting lullabies.
Read Full Review
80
Uncut
The key is a rhythmic edge--be it tribal drumming or waves of sound--that trip these rainbow drones into full-on euphoria. [Apr 2008, p.94]
70
Tiny Mix Tapes
Sure, Street Horrrsing doesn’t overtly delineate any new sonic set, but its execution and relative brevity reflect highly on these two venerable artists.
Read Full Review
70
Dusted Magazine
There are moments, however, when Hung and Power lock into something truly ecstatic, creating passages that more than account for the tremendous amount of pre-release hype that’s been softballed toward these two.
Read Full Review
70
Sputnikmusic
This is a great record but is very often hit or miss.
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70
Under The Radar
Fuck Buttons has widened its scope, both musically and emotionally. [Spring 2008, p.82]
67
The Onion (A.V. Club)
The album backs up its momentous tone, but builds too few moments.
Read Full Review
60
Delusions of Adequacy
Street Horrrsing is a solid if still flawed album full of enough cool moments to satisfy anyone who might be interested in checking it out.
Read Full Review
60
Spin
When they ease back on the overdriven electronic intensity, Street Horrsing works tribal, tracelike wonders. [Apr 2008, p.98]
Read Full Review

What Our Users Said

Vote Now! The average user rating for this album is 6.0 (out of 10) based on 51 User Votes
Note: User votes are NOT included in the Metascore calculation.

James T. gave it a0:
Lol u know getting a good critic score is worthless when this shit gets a 8/10 and rap gets like uber popularity lmao sad times we live in.

Zac C. gave it a10:
As of June, this tops all the 2008 albums I've heard. Drones to rival Steve Reich and Brian Eno. Hypnotic minimalism that never gets boring, but rather adds and builds at the exact right moment to keep it from becoming dull and tedious. The vocals, screams subdued by static, are almost inaudible and incomprehensible, and are just that much more magical for it. Each songs flows into the next perfectly, keeping the beautiful glitchy rhythm constant. (I really love this album, but DAMN do I feel like a pretentious hipster for liking it this much.)

Anthony O. gave it a9:
This album is neither straight up noise (it is not as exploratory or varied as anything "noise" these days) but uses techno's approach of actual rhythm and tempo to convey its sense of immediacy. The album as a piece varies enough among its 6 tracks to provide a great listening experience. If you're not expecting Set Fire to Flames or Yellow Swans and take the album for what it is, it's quite a great disc.

Robert A. gave it an8:
Really good album. Some people might get turned off by how it is..but the ones that stick with it and listen and enjoy it..those are the ones that will like it. lol i'm totally wasting your time..stop reading my review..i like the album..Sweet Love For Planet Earth makes this album for me. It is just a brilliant piece of work..if you listen to just one song by Fuck Buttons it should be that one.

Remington Steel gave it a2:
This is just another collection of talentless hack-hipsters. this "band" will forgotten sooner than you can see fleet foxes.

Tom W. gave it a9:
Fantastic album. It's repetitive but gets stuck in your head and is a joy to listen to. Listen to Bright Tommorow from the album to see what I mean. Also the screaming makes it better. It sounds awesome especially at the end of bright tommorow.

t w gave it a10:
The term "simplistic" should not have such pejorative connotations. song writing has nothing to do with this kind of music: this stuff is pseudo-generative, focusing on the struggle and tension of sound and song craft rather than the clarity of the finished product. be patient, play it loud, play it frequently, maybe invest in some decent headphones. this record will not convert non-noise-nicks, (and will likely repel skeptics even further) but those sweet-toothin' for brash sonics might find this record as a revelation. its really daring, intense records like these that get the ire up on both sides of the dividing line. i, myself, fly the "fuck" flag high. if you're one of the many people saying you can make a record this good in your sleep (or whatever euphemism you favor when degrading music you refuse to approach, grapple, or challenge yourself with) then i say: go make it! someone might enjoy it!

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