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Transparent Things

EMAILPRINTby Fujiya & Miyagi

Fujiya & Miyagi reviews
79
9.1 User Score:

Generally favorable reviews

Based on 16 critic reviews
How did we calculate this?

Based on 8 votes
Read user comments
Rate this album >

Album Info

Label: Deaf Dumb & Blind

Release Date: 23 January 2007

Discs: 1 disc

Genre(s): Indie, Rock, Electronic

Summary

As their name suggests, Fujiya & Miyagi are an English trio who make German electronic rock. (OK, so maybe it doesn't suggest that.) 'Things' compiles some of the Brighton band's previously-released singles.

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

83

Pitchfork

F&M's coy pose comes off as somehow original.

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83

Stylus Magazine

Transparent Things, then, sounds less the work of three programmers and more like a band that plays together and stays together—like Hot Chip holding it a little closer to the vest, maybe.

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80

Almost Cool

Downright awesome in places.

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80

Under The Radar

The difference between a wholly derivative artist and Fujiya & Miyagi is that they take their influences and condense them into one. [#17, p.91]

80

All Music Guide

When F&M stick to simple dance melodies and wound-up instrumental grooves, they're as good as anyone else out there.

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80

Observer Music Monthly

If you like the Hot Chip album, you'll love this.

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80

Prefix Magazine

It comes as no surprise that Fujiya & Miyagi's sound recalls other neo-futurists.... But Fujiya & Miyagi is undeniably its own band, with peppy melodicism and upfront sense of humor.

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80

Spin

This is dance music downsized for iPods but also indie rock expanded for the dance floor. [Jan 2007, p.89]

80

The Guardian

This is a multi-faceted delight from start to finish.

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80

Urb

The only complaint I have is that this disc clocked in just under 39 minutes, while it definitely wouldn't be bogged down by another 41 minutes of tracks like these. [Jan/Feb 2006, p.78]

78

cokemachineglow

It has its flaws, and it certainly isn’t some great reinvention of krautrock, but Transparent Things is an incredibly likeable album.

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70

Blender

They're fascinated with rhythm, repetition and duplication, like early-'70s German experimental bands Neu! and Can. [Mar 2007, p.136]

70

Mojo

Stereolab had similar starting blocks--there's no reason why Fujiya & Miyagi shouldn't become as notable. [Jan 2007, p.110]

70

PopMatters

It’s a little bit of a summer record, relaxed and unassuming, but for its patience and surprising originality, it rewards repeat listens.

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60

Dusted Magazine

The album's vocals exemplify the real problem here, which is that while the music is appealing and well-executed, everything feels perfectly coordinated and absolutely calculated.

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60

NOW Magazine

There are worse artists to jack than David Byrne and company, but after all the breathless hype, you'd expect something a little more innovative.

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What Our Users Said

The average user rating for this album is 9.1 (out of 10) based on 8 User Votes

Note: User votes are NOT included in the Metascore calculation.

kelly gave it a10:
Not Japanese; not German; not original; but somehow contagious as a virus.

Ryan C gave it a10:
For fans of Can and Kraftwerk.

Todd W gave it a7:
Oh, this trio of witty Brits making like the Vapors and turning Japanese. David Best, Stephen Lewis, and Lee Adams cop Can and Neu! with a healthy dose of Steroelab. It's a potent mix...if the lyrics weren't so inane. The beats and music on this album are both wondrous and fresh. The lyrics, on the other hand, read like something Genevieve could pen. (An inside aside.) I mean, who needs to be reminded ad nauseum that the ankle bone is connected to the shin bone, etc. Didn't we learn that in the first grade? Ankle Injuries pummels you with the name of the band, although to be kind it is set to an infectious beat. That pretty much sums up what you're going to hear on the rest of this offering. Ironically, the best songs are the instrumentals - Conductor 71 and Cassettesingle - which hints at the strength of the writing. For a first stab at a full-length, however, there's a lot here on which to hang one's hopes. Me, I want lyrics to match the intelligence of the music.

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