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Zero 7
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Black Cherry
Generally favorable reviews
Based on 22 critic reviews
How did we calculate this?
Based on 22 votes
Read user comments
Rate this album >
Album Info
Label: Mute
Release Date: 06 May 2003
Discs: 1 disc
Genre(s): Electronic, Trip-Hop
Summary
This sophomore LP from the UK duo of vocalist Allison Goldfrapp and multi-instrumentalist Will Gregory follows their acclaimed 2000 debut, 'Felt Mountain.'
Also By This Artist: Seventh Tree Supernature
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Uncut
I doubt there'll be many better albums released this year. [Jun 2003, p.98]
Mojo
Glazed soul music that's both lucid and ambiguous, that chimes simultaneously with Donna Summer, John Barry and Suicide, beautifully schizophrenic and poised on the edge of ruin. [May 2003, p.91]
Alternative Press
A menacingly sweet and sweetly menacing set of electro pop. [June 2003, p.109]
Blender
Although a few tracks retain Felt Mountain's eerie beauty, Black Cherry's natural habitat is less supper club than strip club, and Goldfrapp sound right at home. [May 2003, p.119]
Rolling Stone
Black Cherry is both retro and futuristic, like vintage synth pop heard through a wall of distortion. [15 May 2003, p.134]
Spin
Goldfrapp downplay the "cinematic" strings in favor of buzzing live-wire synths. [May 2003, p.116]
ShakingThrough.net
Ultimately, Black Cherry lacks the unified flow of Felt Mountain, primarily because the band hasn't divorced itself completely from its past sound.
Read Full Review >Dusted Magazine
While Goldfrapp's new sound calls to mind the likes of the Human League, Donna Summer, and Soft Cell, it's more than the sum of those parts and benefits from much heavier beats than many of its apparent influences.
Read Full Review >Splendid
If you can imagine Gary Numan, Prince and William Orbit teaming up to write and produce a record for Donna Summer, little on Black Cherry will surprise you.
Read Full Review >Q Magazine
A record of jerky, twilit, hard-edged electro.... But for all its experiment and inconsistency, Black Cherry is still a thoroughly likeable album. [May 2003, p.101]
Playlouder
'Black Cherry' is a record that, like Lemon Jelly's sophomore effort, 'Lost Horizons', consolidates rather than defines but, when Alison gets her honeyed tonsils into the warm duvet-textures of the title track, the world can happily stand still for 5 minutes and we'll gladly give them another bite.
Read Full Review >Trouser Press
Black Cherry strips away almost all of the film score drama of Felt Mountain. This would be a bigger disappointment than it is if the album's dance-oriented, neo-new wave were less successful than it is.
Read Full Review >Dot Music
The best songs on this cunning, efficient, frequently daft and fractionally disappointing album are the ones which sound most like the misty reveries of [their] debut.
Read Full Review >Magnet
The perfect soundtrack for winter 1996.... It's icy, robotic and just a little bit behind the Curve. [#58, p.88]
Neumu.net
It's spontaneous and weird and, while its initial thumping may turn off those liking their trip-hop controlled, those who are ready to sweat a little will be rewarded by this unique duo's evolving imagination.
Read Full Review >Urb
Far from forgettable, Black Cherry falls a bit short of the sum of its parts but is valuable for its more daring numbers. [#104, p.96]
All Music Guide
While their artistic risk-taking is commendable, unfortunately the same can't always be said for the results: Black Cherry sounds unbalanced, swinging between delicate, deceptively icy ballads and heavier, dance-inspired numbers without finding much of a happy medium between them.
Read Full Review >Almost Cool
If I didn't know better, I'd say that the duo was jumping on the electro (the trend that keeps on giving) bandwagon, but there are songs on the disc (like the album-titled "Black Cherry") that suggest more of a logical progression in sound, mixing the more breathy sounds of old with a touch of the more electronic-infected sounds of the new release.
Read Full Review >Pitchfork
From the title on down, the new CD tries hard to conjure an ambiance of languid sin-- opium, absinthe, vintage porn-- but that aesthetic is just a few steps from your average bachelor pad with a zebra throw and ceiling mirrors. In fact, that's where copies of this album will inevitably spin, a soundtrack to excruciatingly banal seduction.
Read Full Review >Entertainment Weekly
When backbeats disappear, though, boring dirges and space-age Muzak ooze out. [9 May 2003, p.76]
What Our Users Said
The average user rating for this album is 8.5 (out of 10) based on 22 User Votes
Note: User votes are NOT included in the Metascore calculation.
Clif C gave it an8:
I was astonished by this album from Goldfrapp. Their previous and first album, "Felt Mountain", was really spiritual and suddenly they release a Dance/IDM album. Kinda weird. But this is not a problem, really because the band managed to do a great record. Not as good as "Felt Mountain", but still great. Standout tracks: "Black Cherry", "Deep Honey", "Strict Machine" and "Slippage".
Alex U gave it a10:
Really the best of all 4 of their albums released so far, touches of Felt Mountain, mixed with some great dance tracks. Its a shame this is the lowest ranked album of theirs that is recorded on metacritic because it really deserves more praise then supernature and seventh tree at the very least.
Einar J. gave it a10:
"You give me this love". Many thought that with the abrupt switch from the trip-hop/chillout debut to this electronically fashioned sophomore album, that Goldfrapp as we knew it would fade away. It didn't. 'Crystalline Green' is exciting, luring you into Black Cherry, an amazing journey. 'Train' becomes the hit, with its bourgeoisie taste and style. 'Black Cherry' is the melancholy ballad of a love lost, an obvious favourite. 'Tiptoe' points out the sexuality of the album, sowing how sexy music can become. 'Deep Honey' and 'Hairy Trees' are the chillout songs of the album, both superb with their quirky hooks and sexual lyrics. 'Twist' is the infamous single about cunnilingus and 'Strict Machine' became the single of the year. 'Slippage' is the closing track, marking te end of one of my favourite albums of all time. Alas, the b-sides of the singles are just amazing. Beautiful, Stunning and Sexual are the beest ways to describe this electro-magic.
Peter C gave it a10:
A really good album with a diverse mix of songs.
Nathan gave it a7:
Really good album. the songs are so catchy.
Pete B gave it a10:
I got this after hearing Goldfrapp by accident on Jules Holland. Hated it the first time I heard it but now think it's the best album ever!
Mark C gave it a10:
Absolutely Brilliant Who's the twat who voted 0 You must have no sense or good taste for music i bet you listen to Boy and girl bands don't you
