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Truly She Is None Other

EMAILPRINTby Holly Golightly

Holly Golightly reviews
83
9.5 User Score:

Album Info

Label: Damaged Goods

Release Date: 29 July 2003

Discs: 1 disc

Genre(s): Indie, Rock

Summary

A former member of Billy Childish's band Thee Headcoatees, Holly Golightly has gained a wider following in recent months due to her guest appearance on The White Stripes' 'Elephant.' New devotees will have a lot to discover: this is her ninth solo album since 1995.

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

90

PopMatters

A sexy record, of a kind that no one else seems to be making anymore.

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88

Junkmedia

It has an appealing gentle earnestness that most pop music lost somewhere in the past few decades.

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83

Entertainment Weekly

A set of appealing folk-rock ditties shot through with girl-group sweetness and a soupcon of punky attitude. [1 Aug 2003, p.79]

80

Splendid

It's Golightly's most genuine, dark-struttin' My Generation-type record to date.

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80

Q Magazine

Sound[s] authentically retro without ever veering into Lenny Kravitz territory. [Sep 2003, p.101]

80

Mojo

Her sultry rasp--think Nancy Sinatra meets Bettye Lavette--delivers disquieting, brooding self-penned originals over warped, folk-tinged, electric blues. [Sep 2003, p.110]

80

All Music Guide

Packed with great songs and performances, it re-establishes Golightly as a beacon of grace and restraint in a world sadly bereft of both.

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80

Magnet

Golightly brings out rock'n'roll's original transgressive spirit. [#60, p.98]

75

Pitchfork

The downside to this is that she sounds like she’s on her best behavior; the songs stay awfully polite and sprightly for someone who’s so good at sounding sinister. The upside is that underneath that dress, ready to impress strangers, Holly’s still pretty near top form.

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70

Under The Radar

A mellow, stripped-down effort. [#5, p.113]

70

Rolling Stone

Her torchy virtuosity on her medium-small vocal instrument, applied to country-bluesy-Stonesy ballads and driving midtempo rave-ups, transforms what could have been a dull exercise in rote revivalism into sweet soul music.

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What Our Users Said

The average user rating for this album is 9.5 (out of 10) based on 2 User Votes

Note: User votes are NOT included in the Metascore calculation.

Christopher P gave it a10:
This record is classy. Holly and co. exemplify the essence of rock n' roll, rhythm and blues, and vintage pop by crafting an album full of songs that are instantly catchy and simple, yet brimming with atmosphere. Holly's seductive, mature voice give the music a subdued quality that is increasingly rare today. She and her band prove that it's often what you don't hear that's important. Subtlety is Ms. Golightly's mantra, and it works perfectly. Truly she is none other. What else is there to say?

mark f gave it a 9:
I came to this pretty late, but since no one else here has commented on it, maybe I'm early. Holly Golightly (great name with respects to Truman Capote) doesn't have what you would call the greatest voice in the world, but after only a couple of spins, I was hooked by her honesty and wisdom. She is completely REAL. It's amazing what a rainbow of emotions and sounds she creates in the seemingly-limited genre of 60s-ish, stripped-down garage rock. I'll probably have to track down some of her earlier stuff, even though I'm known for not wanting anything "ancient" (more than a year old.) Well, even if I never do, these 13 songs will keep me coming back because they're timeless. And, oh yes, I LOVE her voice now.

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