CNET Networks Entertainment GameSpot | GameFAQs | SportsGamer | Metacritic | MP3.com | TV.com
Home | About Metacritic | About Metascores | What's New | Wireless Versions | Discussion Forums | Advertising Inquiries | Contact Us | RSS
Metacritic.com: We Deal With Criticism
     Help
> Switch to Advanced Search  
Film Video/DVD Music Games TV

Music

Upcoming Release Calendar
All-Time High (And Low) Scores
Best Of 2008
Best Of 2007
Best Of 2006
Best Of 2005
Best Of 2004
Best Of 2003
Best Of 2002
Best Of 2001
Best Of 2000
How Metascores Are Calculated
Discuss Music In Our Forums

 

Upcoming & Recent Releases

sort by name sort by score

60 31Knots
71 The Academy Is...
53 The Airborne Toxic Event
79 Alias
66 All That Remains
77 Theresa Andersson
75 Annuals
76 Apollo Sunshine
47 The Automatic
79 Azeda Booth
75 Joan Baez
84 Bajofondo
56 David Banner
77 Black Affair
74 Black Kids
79 Blitzen Trapper
74 Bodies Of Water
71 Brazilian Girls
72 Brightblack Morning Light
66 The Broken West
50 Buckcherry
79 Lindsey Buckingham
90 The Bug
56 Caesars
78 Calexico
70 Glen Campbell
70 Brendan Canning
74 Castanets
63 Cats In Paris
74 The Chemical Brothers
59 Kenny Chesney
65 Cold War Kids
69 Alice Cooper
69 Nikka Costa
79 Rodney Crowell
63 CSS
67 Miley Cyrus
46 Dandy Warhols
65 Kimya Dawson
72 Dead Confederate
72 Death Vessel
82 Deerhoof
78 Delta Spirit
79 Damien Dempsey
79 Ani DiFranco
58 DJ Khaled
66 The Donkeys
72 Dr. Dog
80 DragonForce
78 The Duhks
77 Dungen
91 Bob Dylan
73 Brian Eno + David Byrne
66 Everlast
62 The Faint
67 The Fiery Furnaces
63 Ben Folds
64 iForward, Russia!
72 Friendly Fires
82 Fucked Up
71 Fujiya & Miyagi
65 The Game
74 Inara George With Van Dyke Parks
74 Giant Sand
79 Girl Talk
83 Glasvegas
61 Golden Animals
64 Mike Gordon
68 Gym Class Heroes
77 GZA
66 Neil Halstead
72 Juliana Hatfield
61 Hawthorne Heights
81 High Places
77 High Places
73 Zach Hill
85 The Hold Steady
78 Jolie Holland
83 David Holmes
81 Horse Feathers
68 Howling Hex
58 Jennifer Hudson
71 Human Highway
70 Ice Cube
66 Ida Maria
68 Jack's Mannequin
69 Jaguar Love
73 James
81 Jamey Johnson
70 Jonas Brothers
78 Damien Jurado
84 Kasai Allstars
62 Keane
89 B.B. King
65 Kings Of Leon
70 Ladyhawke
77 Lambchop
74 Ray LaMontagne
54 Levellers
74 Jenny Lewis
76 Lykke Li
82 Lindstrom
59 The Little Ones
57 LL Cool J
60 Lloyd
60 The Lord Dog Bird
81 Patty Loveless
75 John Mellencamp
69 Mercury Rev
78 Metallica
71 Metronomy
57 Ingrid Michaelson
74 Mirah
75 Mogwai
79 Juana Molina
68 Monkey
64 Motorhead
66 Mugison
78 Nico Muhly
75 Murs
84 The Music Tapes
71 Nas
65 Nelly
50 New Kids On The Block
77 The New Year
85 Randy Newman
80 Ne-Yo
57 Nightmares On Wax
65 The Nightwatchman
78 Nine Inch Nails
62 Noah And The Whale
67 Oasis
75 Conor Oberst
79 Okkervil River
77 Old Crow Medicine Show
80 One Day As A Lion
75 Oneida
73 Joan Osborne
75 Oxford Collapse
85 Paavoharju
78 Amanda Palmer
65 Parenthetical Girls
89 Aaron Parks
73 Lee "Scratch" Perry
51 Kellie Pickler
70 Pivot
58 Plain White T's
89 Plush
78 The Pretenders
64 Primal Scream
52 Pussycat Dolls
75 Ra Ra Riot
62 Re-Up Gang
62 Rex The Dog
69 Rise Against
77 Roots Manuva
71 Darius Rucker
72 The Rumble Strips
81 Raphael Saadiq
57 Sam Champion
73 Scars On Broadway
58 Secret Machines
81 Pete Seeger
68 The Shaky Hands
39 Shwayze
58 Jessica Simpson
69 Slipknot
73 Solange
59 Spinto Band
65 Rick Springfield
65 Staind
47 Stereo MC's
72 Stereolab
83 Marnie Stern
71 The Stills
61 The Streets
73 The Subways
83 Sugarland
70 Matthew Sweet
75 T.I.
72 Robin Thicke
71 Thievery Corporation
77 Irma Thomas
79 Tindersticks
71 Tittsworth
90 Shugo Tokumaru
74 Emiliana Torrini
67 James Jackson Toth
72 Randy Travis
70 Tricky
88 TV On The Radio
78 The Uglysuit
92 Underoath
56 UNKLE
61 David Vandervelde
77 Chad VanGaalen
71 The Verve
75 Vivian Girls
78 Volcano!
68 Loudon Wainwright III
81 The Walkmen
66 Ben Weaver
83 The Week That Was
77 Paul Weller
75 Lucinda Williams
75 Michelle Williams
70 Brian Wilson
76 Wire
63 XX Teens
59 Yo Majesty
72 Young Jeezy
55 Yung Berg

Stars indicate the most critically-acclaimed albums.

 



Printer-Friendly Version Email This Page Discuss In Our Forums

Sumday
by Grandaddy

Grandaddy reviews
Critic Score
Metascore: 78 Metascore out of 100
User Score  
9.4 out of 10
based on 26 reviews
Read critic reviews
How did we calculate this?
based on 19 votes
Read user comments
Rate this album

The best indie rock band to come out of Modesto, California in quite some time (well, ever, we'd think) returns with a long-awaited fourth LP, arriving a full three years after The Sophtware Slump thanks to worldwide tours and a lengthy recording process.

LABEL: V2
RELEASE DATE: 10 June 2003
DISCS: 1 disc
GENRE(S): Indie, Rock

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Spin
A warm and deeply engaging snapshot of fractured relationships and existential dread. [Aug 2003, p.116]
91
Entertainment Weekly
The band reaffirms a gift for creating melancholic melodies that are surprisingly sturdy and self-assured. [13 Jun 2003, p.96]
89
Austin Chronicle
Grandaddy's third full-length is the band's Dark Side of the Moon, a musical snapshot of postmodern existence in which things are often not what they seem.
Read Full Review
81
Pitchfork
Sumday is all glorious, throbbing heart.
Read Full Review
80
Ink 19
Grandaddy's mellowest, most cohesive material to date.
Read Full Review
80
Mojo
As the concerns that drive Lytle's lyrics lift out, the well-known tremulous quiver and fragile vocals become increasingly irreplaceable, the perfect medium for songs about articulating the intangible. [Jun 2003, p.94]
80
New Musical Express
While they still sound pretty much like Neil Young if he'd heard an Aphex Twin record, the anxieties that '...Slump' articulated have been replaced by frontman Jason Lytle's desire to address more simple matters.
Read Full Review
80
PopMatters
Sumday is yet another big step for Grandaddy, but like their previous effort, it's not quite perfect either.
Read Full Review
80
Blender
Heartbreakingly beautiful. [#17, p.140]
80
Splendid
One of the major differences between this and other Grandaddy releases is that Lytle finally seems comfortable in his role as production auteur.
Read Full Review
80
Uncut
It's a compelling psychological study set to lovely tunes. [Jul 2003, p.114]
73
Stylus Magazine
Musically there’s not enough variation to keep things interesting throughout.[Note: Score listed is an average of two separate reviews: a 61 and an 85]
Read Full Review
70
Playlouder
They're simply repainting comfortable territories with even subtler strokes than ever.
Read Full Review
70
Rolling Stone
While the melodies have grown catchier and the arrangements more focused, [Jason] Lytle has leapt into the lyrical big leagues with unassuming songs about entropy and epiphany.
Read Full Review
70
Billboard
This is a surprisingly homogenous set of tunes, and on the whole, the album can make for a rather repetitive listen.
Read Full Review
70
Village Voice
Scattered with belated dispatches from the wreckage of the dot-bom, Sumday is knowingly archaic and all-consumingly derivative.
Read Full Review
70
Neumu.net
Sumday's only real flaw is the creeping sense of professionalism that is starting to emerge in the band's songwriting and playing.
Read Full Review
70
Flak Magazine
For every robotic quip on Sumday, there's an exposed moment of sincerity that proves it's not all Penzoil oozing from the lilting Lytle.
Read Full Review
70
Dot Music
It's just not quite as great as some of us dared to hope.
Read Full Review
70
Dusted Magazine
This album's problem is a very, very shoddy sequence.
Read Full Review
70
The Onion (A.V. Club)
Is so dominated by mid-tempo story-songs that it rarely breaks through into the rapturous highs that Grandaddy is capable of producing.
Read Full Review
60
Junkmedia
Adherence to stock chord progressions, interminably chugging guitars and a dearth of new ideas since 2000's The Sophtware Slump gives the impression that Sumday is Grandaddy-by-rote.
Read Full Review
60
Q Magazine
Disappointingly straight-laced. [Jul 2003, p.104]
60
Launch.com
The album may not improve on 2001's Sophtware Slump, but its pleasures lie in accepting reasonable underachievement, and knowing that speed kills.
Read Full Review
60
ShakingThrough.net
Feels stuck in a holding pattern.... A misfire from a talented band.
Read Full Review
60
All Music Guide
Thought-provoking and a bit of a downer in ways Grandaddy probably didn't intend, Sumday isn't a totally empty experience, but its ambitions and results don't add up as well as might have been expected.
Read Full Review

What Our Users Said

Vote Now! The average user rating for this album is 9.4 (out of 10) based on 19 User Votes
Note: User votes are NOT included in the Metascore calculation.

R Brown gave it a10:
Three years later, the most frequently played album in the CD player. Patiently waiting for next full length release.

benjamin bunny gave it an 8:
No, it's not the mini-masterpiece that was '"The Sophtware Slump"--"Sumday" lacks the thematic cohesion and colorful analog palette that made that disc so memorable. However more homogenous the instrumentation is here, "Sumday" claims its beauty in simplicity and lyrical honesty. In songs like "I'm On Standby" and "The Final Push To The Sum," Jason Lytle's personal struggles are more straightforward or autobiographic than the more narrative-based tracks from "TSS." And frankly, despite some redundancy, "Sumday"'s warm melodies really are endlessly listenable, I've been playing this record for months now and have yet to get remotely tired of it. Recommended.

P. Jiguryo gave it a 9:
By far, one of the best albums of 2003. It ranks up there with the rest of the all-time favorites of the indie and alt-rock segment. Thanks, Lytle and the gang.

vilma gave it a 10:
year's best album... by far...

Albert Einstein gave it a 10:
I just recently discovered Grandaddy and their "Sophware Slump", so I really didn't have any particular expectations for "Sumday". Maybe that was a good thing, because I enjoyed it very much. In fact, I found it more consistent and focused than "Slump". If you're aware of Jason Lytle's influences, you shouldn't be surprised where Grandaddy's sound is heading. If you're expecting Radiohead, you will probably be disappointed. Not me. I found "Sumday" way more entertaining than Hail To The Thief. To me, the pleasures of Sumday came totally out of the blue. ;o) Guess some of the old fans will be scared away, but many new ones (like myself) will emerge. PS. John A...Actually ELO released a new record in 2001 called "Zoom". Great stuff! Now it's on! ;o)

Jeff D gave it a 10:
Unlike most great albums that take at least a couple listens to get into, this album jumps out and grabs you from the first to the last note. This is probably the only album I have ever heard that is playable for my grandparents, parents, and kids at the same time. The Sophtware Slump is a great album too, but how can anybody like that melancholic album more than a great, happy, summery album like this one.

hinko gave it a 10:
comments, comments... paint the words! paint... grandaddy is a painted landscape! sumday - what a bliss! brilliant!

Read more user comments...

Discuss this album in our forums

Return to top of page
Home | FILM | DVD/VIDEO | MUSIC | GAMES | TV | Forums | About Metacritic metacritic.com

Popular on CBS sites: Fantasy Football | Miley Cyrus | MLB | iPhone 3G | GPS | Recipes | Shwayze | NFL

About CNET Networks | Jobs | Advertise

© 2008 CNET Networks, Inc., a CBS Company. All rights reserved. | Privacy Policy | Terms of Use