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Zero 7
Stars indicate the most critically-acclaimed albums.
Darkness At Noon
EMAILPRINTby A Hawk And A Hacksaw
Generally favorable reviews
Based on 12 critic reviews
How did we calculate this?
Based on 2 votes
Read user comments
Rate this album >
Album Info
Label: Leaf
Release Date: 05 April 2005
Discs: 1 disc
Genre(s): Indie, Rock
Summary
Jeremy Barnes is backed by additional musicians on this second eclectic AHAAH disc, which encompasses styles from folk to klezmer to mariachi.
Also By This Artist: The Way The Wind Blows
Also On The Web: AHAAH @ Post Everything
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Lost At Sea
Darkness at Noon is the most exciting record to be put out this semester.
Read Full Review >Stylus Magazine
What is remarkable is the way that they have made a recording that can remain entertaining and engaging, resist becoming background, even while leaving you with the nagging sense that it was about nothing but the act of musical reference itself.
Read Full Review >The Wire
Darkness At Noon works because it doggedly pursues its convictions through to a satisfying conclusion and in doing so creates its own kind of offbeat logic. [#254, p.53]
Dusted Magazine
Darkness at Noon thrives on pushing and pulling the listener from emotional peak to valley.
Read Full Review >Splendid
You'll feel lost and totally submerged in a sublime experience that's timeless, exciting and free from boundaries.
Read Full Review >Pitchfork
Though Barnes and company fail to bring this bewildering array of streams into confluence, the album contains enough flashes of such melodic invention and daredevil instrumentation that armchair travelers can't help but be drawn to the group's exotic scrapbook.
Read Full Review >Q Magazine
An absorbing, exuberant flourish of outwardly incompatible genres. [Apr 2005, p.122]
Uncut
Horrific it's not, but with its cover of protest song "Portlandtown" and Dubya-inspired lyrics on "Laughter In The Dark", neither is it an innocent pleasure. [Apr 2005, p.105]
Urb
Is similarly turn of the last century electronic, but in a darker and less slice and diced way. [May 2005, p.92]
Under The Radar
It's interesting, at times catchy, but should be avoided if klezmer and mariachi aren't your bag. [#9]
Junkmedia
It all recalls a traveling Klezmer troupe, unsure of its audience, warming up with tributes to "Schindler's List", "For Whom the Bell Tolls", and "The Godfather", while waiting to find out if they're playing a festival or a funeral.
Read Full Review >What Our Users Said
The average user rating for this album is 7.5 (out of 10) based on 2 User Votes
Note: User votes are NOT included in the Metascore calculation.
Tomas A gave it an8:
Great album with a certain mood
