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Penance Soiree
by The Icarus Line

The Icarus Line reviews
Critic Score
Metascore: 81 Metascore out of 100
User Score  
8.4 out of 10
based on 17 reviews
Read critic reviews
How did we calculate this?
based on 10 votes
Read user comments
Rate this album

Alan Moulder mixed this sophomore disc for the hard-rocking Los Angeles band, known for their black and red "uniforms" and strong live sets.

LABEL: V2
RELEASE DATE: 04 May 2004
DISCS: 1 disc
GENRE(S): Indie, Rock

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Drowned In Sound
The opening half of 'Penance...' alone blows every so-called rock act polluting our airwaves clean away, such is the savage malevolence that resonates within every single syllable that spouts from Joe Cardamone's mouthful of poison.
Read Full Review
91
Spin
The Jane's Addiction album Jane's Addiction should have made last year. [Jun 2004, p.108]
90
Mojo
Their debut, Mono, gave voice to little beyond their frustration, and the distance between that impressively venomous fit of black-hearted flailing and Penance Soiree's stereopathic, multiphonic attack is similar to that between Nirvana's Bleach and Nevermind. [May 2004, p.94]
90
All Music Guide
As serious as things get on Penance Soiree (and the choppy "Spit On" gets pretty serious), there's the happily nagging notion that Icarus Line just want to entertain, and that they're damn good at it.
Read Full Review
90
Tiny Mix Tapes
While everyone else tries to steal from the greats, The Icarus Line have done an impressive job at continuing the great traditions in rock music.
Read Full Review
83
Entertainment Weekly
Avant-rock fiends should rejoice. [7 May 2004, p.84]
80
Q Magazine
Someone still plays the Devil's music. [Jun 2004, p.98]
80
Filter
It hurts, but like another ferocious beast said, it hurts so good. [#10, p.94]
80
Alternative Press
Full of the most intense guitar rock to come out of L.A. since Jane's Addiction's Nothing's Shocking. [Jun 2004, p.104]
80
Village Voice
Searing white light and scrappy vocals are replaced by the druggy stomping and weighty grooves of '70s cosmic metal, yet the band's alluringly youthful braggadocio remains.
Read Full Review
78
Pitchfork
By simply playing by the rock 'n' roll rulebook-- whose article 17, section 4 strictly dictates that ego, excess and publicity stunts are to take complete precedence over, you know, songs-- Penance Soiree is one of the better straight-up records you're bound to hear from the genre all year.
Read Full Review
74
cokemachineglow
Penance Soiree is everything dirty and vile about rock music.
Read Full Review
70
Splendid
The band refuses to stick to simple, repetitive rhythms; the guitars regularly squeal with feedback, humming with distortion as they lay down thick 'n' meaty power chords.
Read Full Review
70
Under The Radar
Too boozy and nihilistic to be punk music in the community-building sense of the word. [#7]
60
PopMatters
The band is more than mere axe-bludgeoners. They've got original ideas that show a willingness to experiment with music beyond speaker-hiccuping thrash; some ideas pan out, others, not so much.
Read Full Review
60
Stylus Magazine
If the original and inspiring Icarus Line take on itself had been continued from the beginning or, better yet, the record had been shortened, we’d have a masterpiece on our hands. As it is, a much better outing than Mono and a brilliant song in “Getting Bright at Night”.
Read Full Review
50
Rolling Stone
Memorable tunes seldom emerge from the murk.
Read Full Review

What Our Users Said

Vote Now! The average user rating for this album is 8.4 (out of 10) based on 10 User Votes
Note: User votes are NOT included in the Metascore calculation.

Jebus Lizzurd gave it a10:
OK here's to the fuckin Icky Line, the ONLY real fucking rock n roll band left out there. this album is all kinds of nasty, and if youre not a pussy you'll enjoy every minute of it. it may make you want to do coke off of some hot bitches tits and slay a bunch of tang. this album is even respectable in the sense that its blatently obvious that they arent trying to appeal to anyone. it's not straightforward skull fucking like their first realease, Mono, but its equally if not more intense. they CHALLENGE everyone who listens, which is something thats hard to find in modern shitcock called "music" in conclusion the icarus line are the best band out there right now for the simple fact that they are REAL. end of story.

Gösta J gave it a9:
Indeed one of the best albums of 2004!

Robert A gave it an 8:
this is some great music open your ears and listen. rob

idunno gave it a 10:
the icarus line finally have got their act together, stopped fucking around and finally made the rock n roll masterpiece we all knew they could deliver. total rock pandemonium. this is the soundtrack to snorting coke off a strippers ass and fucking your friends mom or something.

Ben J gave it a 4:
Sure, these guys can make a record sound good...but their songs are rubbish! Very disappointing!

Aphex gave it a 9:
This CD is the greatest chunk of nasty, sleasy, p*ss in your face rock, that i've heard in a LONG time. But don't take my word for it, go to their website and listen. The first seven songs are amazing, by the time I got to the line"...who's gonna miss this flesh when i'm gone..." I had to pick my jaw up from the floor and buy this CD.

Josh. gave it a 6:
I wanted to give this cd a higher rating, but after repeated listens, it's just too frustrating to completely recommend. It's partly due to the production, which is too dry and unfocused by half, but the bigger problem is that for all their techinal virtuosity, the men of Icarus Line still have a thing or two to learn about crafting memorable tunes. Enough stunning moments (such as the incredible "Caviar") make this worth a purchase for the curious, but most will be satisfied after a cursory listen to know if they want to go further. The Icarus Line summon up a nasty majesty live, but have yet to translate that magnetism to an album. Maybe next time.

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