Music
All-Time High (And Low) Scores
Best of 2009
Best of 2008
Best of 2007
Best of 2006
Best of 2005
Best of 2004
Best of 2003
Best of 2002
Best of 2001
Best of 2000
Best of the Decade
Upcoming &
Recent Releases
75
2562
54
30 Seconds to Mars
62
50 Cent
71
AC/DC
67
The Album Leaf
52
Kris Allen
68
Tori Amos
66
Animal Collective
84
Animal Collective
77
Annie
57
Apse
63
Asobi Seksu
59
Bad Lieutenant
83
Julianna Barwick
82
Beach House
72
Beak>
72
Bibio
65
Justin Bieber
76
Biffy Clyro
74
Blakroc
75
Mary J. Blige
78
Blockhead
52
Bon Jovi
54
Susan Boyle
57
The Bravery
39
Chris Brown
64
V.V. Brown
70
Basia Bulat
79
Chew Lips
74
Citay
65
Clipse
66
Cold War Kids
75
The Cribs
58
Dashboard Confessional
81
Dave Rawlings Machine
70
Delphic
78
The Doors
58
Echo & The Bunnymen
73
Edan
59
Editors
69
Eels
80
Felt
74
First Aid Kit
69
Flyleaf
83
Four Tet
82
Ben Frost
82
Fucked Up
83
Charlotte Gainsbourg
63
The Gilded Palace Of Sin
68
Githead
65
Joe Goddard
58
Good Shoes
72
Gucci Mane
75
Holopaw
82
Jesca Hoop
79
Hot Chip
72
The Hot Rats
88
Ray Wylie Hubbard
54
Hurricane Chris
66
Allison Iraheta
59
Jay Sean
82
Freedy Johnston
57
Nick Jonas And The Administration
73
Norah Jones
49
Juvenile
58
Ke$ha
62
R. Kelly
66
Alicia Keys
68
Kid Sister
81
King Midas Sound
63
Lady Antebellum
76
Lady GaGa
71
Adam Lambert
78
Lawrence Arabia
61
Leona Lewis
70
Lightspeed Champion
36
Lil Wayne
82
Lindstrom & Christabelle
77
Lissie
78
Los Campesinos!
70
Lostprophets
73
Magnetic Fields
71
Massive Attack
64
John Mayer
71
Paul McCartney
58
Katherine McPhee
86
Memory Tapes
72
Midlake
88
Motion City Soundtrack
63
Mr. Hudson
53
Mudvayne
75
Oh No Ono
70
OK Go
72
Ola Podrida
61
OneRepublic
80
Owen Pallett
90
Tom Petty & The Heartbreakers
60
Pit Er Pat
63
Priestess
70
Radian
79
Corinne Bailey Rae
54
Rakim
79
Real Estate
77
Retribution Gospel Choir
76
Rihanna
64
Rjd2
65
Omar Rodriguez-Lopez
76
Sade
77
Gil Scott-Heron
72
Shakira
82
Shining
61
Snoop Dogg
62
Snow Patrol
71
The Soft Pack
80
Spoon
64
Ringo Starr
59
Stereophonics
76
Angie Stone
79
Surfer Blood
74
Switchfoot
75
Them Crooked Vultures
74
Robin Thicke
50
Timbaland
79
tUnE-YaRDs
80
Vampire Weekend
79
Laura Veirs
79
Tom Waits
78
Wale
66
Kanye West
76
The Whitefield Brothers
64
Robbie Williams
80
Yeasayer
62
Young Money
75
Neil Young
61
Rob Zombie
Stars indicate the most critically-acclaimed albums.
In The Reins [EP]
EMAILPRINTby Iron & Wine + Calexico
Generally favorable reviews
Based on 22 critic reviews
How did we calculate this?
Based on 12 votes
Read user comments
Rate this album >
Album Info
Label: Overcoat
Release Date: 13 September 2005
Discs: 1 disc
Genre(s): Indie, Rock
Summary
This mini-album finds seven new originals written and sung by Sam Beam (Iron & Wine) with Calexico's Joey Burns and John Convertino performing as his backing band.
Also On Metacritic
MUSIC: Calexico: Feast Of Wire Calexico: Garden Ruin Iron & Wine: Our Endless Numbered Days Iron & Wine: The Creek Drank The Cradle
Also On The Web: Official Calexico Site Official Iron & Wine Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Pitchfork
Whether or not Iron & Wine and Calexico ever choose to follow this up with another collaboration (fingers crossed), it's clear that both acts are stronger for having worked with the other.
Read Full Review >Entertainment Weekly
Heartbreaking and haunting. [23 Sep 2005, p.90]
All Music Guide
Fans of both bands will want to get In the Reins because it rates favorably with their best work.
Read Full Review >Junkmedia
While In The Reins bears the unmistakable imprint of both Calexico and Iron and Wine, these collaborators donât seem to be interested in playing it all that safe.
Read Full Review >PopMatters
In the Reins is a marked leap forward in production--proving that [Beam's] songs, while gorgeous and perfectly functional as bare-bones four-track recordings, can support heavier instrumentation without losing their power and efficiency.
Read Full Review >Mojo
The combination... works just fine. [Oct 2005, p.114]
Dusted Magazine
If it was a foregone conclusion that the long-awaited Iron & Wine/Calexico team-up wouldn't result in anything revelatory (or incendiary, as it were), it was almost as inevitable that it would be rewarding all the same; safe, not sorry, sad and elegant as ever.
Read Full Review >Uncut
With Calexico's sensitive muting of colour, Beam is clearly thriving throughout. [Nov 2005, p.112]
Blender
This excellent collaboration plays to both halves' strengths. [Nov 2005, p.137]
Stylus Magazine
In The Reins is intelligent but natural, different but not queer.
Read Full Review >Spin
A little swing moves these songs along in otherwise unobscured directions. [Nov 2005, p.101]
ShakingThrough.net
In the Reins will please fans of both Beam and Calexico, and perhaps bring crossover business to each.
Read Full Review >Tiny Mix Tapes
The best parts of Iron & Wine songs are almost always the bridges between chorus and verse or the outros, the spaces void of singing where Beam adds subtle riffs on top of the normal progression... They are the sharpest hooks, and, unfortunately, Calexico pretty much cuts out the effect of these bridges on In the Reins, replacing them with dull saxophones, harmonicas, trumpets, and ill-defined electric guitar parts.
Read Full Review >Prefix Magazine
A solid set of tunes with some interesting musical elements not typically present in Beam's dynamic.
Read Full Review >Q Magazine
Clocks in at less than 30 minutes, but you still feel you've been somewhere when it finishes. [Oct 2005, p.115]
Rolling Stone
Sounds like an indie update of Bruce Springsteen's Nebraska moved 300 miles to the southwest. [6 Oct 2005, p.154]
Alternative Press
A bit too jammy at times, but this is another solid effort for both artists. [Oct 2005, p.158]
Lost At Sea
Most of these tracks can be found on the Internet in their original Iron & Wine incarnations, and all but one sounds 100% better that way.
Read Full Review >Under The Radar
A pleasant curiosity. [#11, p.117]
New Musical Express
These country-blues laments are seriously sleepy-eyed. [10 Sep 2005, p.66]
What Our Users Said
The average user rating for this album is 8.4 (out of 10) based on 12 User Votes
Note: User votes are NOT included in the Metascore calculation.
roman mc gave it an8:
It's pleasant listening. The first track, the last track, and the middle of the EP is the strength, especially "Red Dust." The way Iron and Wine's acoustic blues riff accelerates in tempo and Calexico steps in with its rhythm section is a credit to how well these two acts meshed. "Prison on Route 41" and "Sixteen, Maybe Less" are both a little too much on the 'precious' side and should be avoided for those who quickly fall asleep to Iron and Wine.
Cheryl P gave it a9:
I've always liked Calexico and I've enjoyed some of Iron & Wine, but Iron & Wine can sometimes be too sleepy for me. This collaboration is truly beautiful.
radar gave it a10:
Why don't all artists only release EP's? This is how it's supposed to be done. Only 7 tracks - only quality!
Steven L gave it a9:
I'd never heard of Calexico prior to this release, but I must say that the two bands certainly compliment eachother (unless Calexico is AMAZING by themselves, which they very well could be). It's short, but hell, it's an EP. Very satisfying.
Andy P gave it a9:
Really great move for both bands. The added flavor and tempo of Calexico makes Iron and Wine even more amazing.
Gary E gave it a9:
Just as "you've got chocolate in my peanut butter" now we have "you've got Calexico in my Iron & Wine" acheiving mutually delicious heights seemingly made for each other.
