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Anywhere I Lay My Head
EMAILPRINTby Scarlett Johansson
Mixed or average reviews
Based on 35 critic reviews
How did we calculate this?
Based on 51 votes
Read user comments
Rate this album >
Album Info
Label: Atco
Release Date: 20 May 2008
Discs: 1 disc
Genre(s): Rock
Summary
The debut album by actress Scarlett Johansson was produced by TV on the Radio's Dave Sitek.
Also On The Web: Official Artist Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
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Anywhere I Lay My Head is a starling achievement not because Ms. Scarlett has simply managed to cleverly re-imagine some assemblage of Tom Wait songs, but rather, because she has seized upon precisely why they affected us so much the first time round. [Spring 2008, p.91]
New Musical Express
This is a brilliant album that will no doubt top some ‘best of 2008’ lists, but it’s hard to work out if it’s a one-off or not.
Read Full Review >The Guardian
You might wish there was more from Waits' 70s barfly period--what would Johansson have made of Christmas Card from a Hooker in Minneapolis?--but it's a measure of this album's surprising allure that you're left wanting more.
Read Full Review >Observer Music Monthly
It's a bravely eccentric selection and a captivating homage to a singular writer.
Read Full Review >Paste Magazine
Through it all, Johansson is just another instrument in the mix, and her willingness to allow the arrangements to transform Waits’ creaky intimacy into wide-eyed atmosphere ultimately results in the rare covers album that actually has its own identity.
Read Full Review >Hot Press
Nouveau synth-pop and shoegazer drones mightn’t seem like the wisest bedding for Tom Waits’s compositions, but Scarlett and Sitek know exactly what they’re doing.
Read Full Review >Dot Music
Scarlett Johansson has proved herself as much a rock queen as a roll queen.
Read Full Review >Lost At Sea
While Johansson's debut is not as pleasant as Zooey Deschanel's work with M.Ward, Anywhere I Lay My Head will surely surprise Johansson's doubters; having grown to appreciate Scarlett Johansson for being more than a pretty face and mediocre actor, I can speak from experience.
Read Full Review >Village Voice
Against all odds, Anywhere I Lay My Head doesn't feel like a vain stunt. Mostly.
Read Full Review >Billboard
The whole set is heavily dosed with reverb and electro-swirls, perhaps to cloak Johansson's vocal limitations as much as to add psychedelia.
Read Full Review >PopMatters
There’s no in between for this one; it will go down as one of those love it or hate it records.
Read Full Review >Hartford Courant
At its core, though, Anywhere I Lay My Head is a curious project that never seems to light on any raison d'etre beyond indulging Johansson's love of Tom Waits.
Read Full Review >Q Magazine
The album is fine enough, undeniably modish and much better than you might anticipate. [June 2008, p.136]
The New York Times
As workarounds go, Scarlett Johansson’s collection of Tom Waits songs, Anywhere I Lay My Head verges on the heroic.
Read Full Review >Drowned In Sound
Perversely given the record’s comprehensive musical overhaul it’s perhaps a surfeit of respect for the source material that proves Anywhere's undoing; for all its undoubted accomplishments there’s a lingering suspicion that this is too safe, too respectable a record to do justice to an artist who remains forever mid-topple from the bar stool in the popular consciousness.
Read Full Review >Uncut
Johansson’s bland, flat contralto leaves you admiring the Cocteau Twins-style sonic backdrops and wondering how another singer--Liz Fraser, perhaps?--might improve them.
Read Full Review >Blender
Sonically, it's a tour de force.... But the success of this record depends on Johansson and she's not up yo the task. [June 2008, p.73]
Read Full Review >cokemachineglow
Sitek’s technique is, successfully, fascinating and unexpected. But so many purposes and conceits, both avoided and embraced, collide over the course of the album’s eleven tracks that technique simply overwhelms melody and Johansson’s voice both, but mostly whatever it is about the song that Waits nailed to the wall in the first place.
Read Full Review >Pitchfork
On several songs, Johansson gets lost in Sitek's swelling production, which may suggest a weak interpreter or a dearth of vocal personality but adds to the album's pervading dreaminess.
Read Full Review >The Onion (A.V. Club)
She isn't a traditionally talented vocalist, which in itself can be fine. But she isn't much of an interpreter, either; she brings the flat, throaty tones of the heavily drugged to songs that beg for passion.
Read Full Review >Slant Magazine
The album itself is kind of an afterthought; what its creation says metatextually about the artists responsible for it is more interesting than any of the music it contains.
Read Full Review >Entertainment Weekly
In burying Johansson's vocals so deeply in the druggy ambiance, producer David Andrew Sitek (of TV on the Radio) means well but ends up obscuring Waits' great tunes.
Read Full Review >All Music Guide
Anywhere I Lay My Head doesn't quite work, but it can't quite be dismissed, either.
Read Full Review >Rolling Stone
Johansson's voice is unremarkable and her pitch sometimes unsteady; she's a faintly goth Marilyn Monroe lost in a sonic fog.
Read Full Review >Spin
Beyond the fact that her voice is deep enough for her to front Crash Test Dummies, there's nothing particularly compelling about Scarlett Johansson's singing.
Read Full Review >Delusions of Adequacy
This isn’t a horrible album by any means, but it also isn’t very good. Sitek has done an astounding job of creating misty atmospheres and it’s these small touches that aid the album in becoming an interesting listen.
Read Full Review >Prefix Magazine
Johansson simply lacks the intensity to stay afloat in Waits's whirlpools of ear-drummed madness.
Read Full Review >Magnet
This album isn’t a total disaster, but it’s difficult to imagine most people wanting to listen to Anywhere I Lay My Head more than once.
Read Full Review >Sputnikmusic
Anywhere I Lay My Head is a vanity project made by Scarlett Johansson, for Scarlett Johansson, and what's more, it sounds suspiciously like a desperate cry for credibility from a woman who doesn't actually need any.
Read Full Review >Mojo
Much of this album's re-booting of Waits' back pages in an ambient '80s style is fussy and forgettable. [June 2008, p.112]
Under The Radar
Anywhere I Lay My Head is neither laughable nor unlistenable, but what's the most disappointing about it is that producer David Sitek of Tv on the Radio is its most prominent contributor, not Johansson. [Spring 2008, p.77]
Boston Globe
The balance is tenuous, and the "Tinkerbell on cough syrup" effect that Sitek describes in the liner notes as his aesthetic brass ring sometimes comes off more like Scarlett out of her league.
Read Full Review >Paste Magazine
These songs were already so impeccably performed that Johansson didn’t have very many new places to take them, and although her effort and nerve are commendable, “not as terrible as you thought it would be” just isn’t the same thing as good.
Read Full Review >Dusted Magazine
Anywhere I Lay My Head falters on Johansson’s vocals, or lack of a distinctive voice.
Read Full Review >NOW Magazine
Sitek attempts to do Johansson (and us) a favour by burying her monotonous voice deep in the mix, but unfortunately, the musical support isn’t interesting enough to carry the album. Skip it.
Read Full Review >What Our Users Said
The average user rating for this album is 6.4 (out of 10) based on 51 User Votes
Note: User votes are NOT included in the Metascore calculation.
Dejan S. gave it an8:
Mix of Nico and Sonic Youth. Amazing! Perfect 4 lazy evening.
Eric S. gave it a9:
Scarlett's voice just fits. it's not the best album of the year, but it was worth the shot.
Alex H gave it an8:
I'm a Tom Waits fan and I checked out this album with the same cynical attitude a lot of people had, and I was very pleasantly surprised. Scarlett's voice is very nice and David Sitek gives further evidence that he's one of the best producers working today. The album alternately reminds me of Sinead O'Connor's version of 'Nothing Compares 2 U', and of a music box playing in blizzard, and I mean both of those things as compliments. I think most of the haters probably don't like this style of music in the first place, and/or refuse to take it seriously because of who she is.
[Anonymous] gave it a9:
Don't believe the nay-sayers.
Jérôme N. gave it an8:
Sure everything is not perfect, but the creativity of this album is impressive and deserves to be well rated. Furthermore, the overall atmosphere reminds me of productions like these of Mazzy Star, Cat Power, Cocteau Twins or This Mortal Coil, fact that I find rather refreshing, as really getting out of today's standards.
Emily C. gave it a1:
Just because someone is an actress does not mean they should (or can) sing songs written by a legend. People should do themselves a favor, and stay away.
Rich N. gave it a10:
I really didn't expect to like this at all, let alone this much. Something in it just works.
