Music
All-Time High (And Low) Scores
Best of 2009
Best of 2008
Best of 2007
Best of 2006
Best of 2005
Best of 2004
Best of 2003
Best of 2002
Best of 2001
Best of 2000
Best of the Decade
Upcoming &
Recent Releases
75
2562
54
30 Seconds to Mars
62
50 Cent
71
AC/DC
70
The Album Leaf
52
Kris Allen
68
Tori Amos
66
Animal Collective
84
Animal Collective![]()
77
Annie
57
Apse
63
Asobi Seksu
59
Bad Lieutenant
83
Julianna Barwick![]()
82
Beach House![]()
72
Beak>
72
Bibio
65
Justin Bieber
76
Biffy Clyro
74
Blakroc
75
Mary J. Blige
78
Blockhead
52
Bon Jovi
54
Susan Boyle
57
The Bravery
39
Chris Brown
64
V.V. Brown
70
Basia Bulat
79
Chew Lips
74
Citay
65
Clipse
66
Cold War Kids
75
The Cribs
58
Dashboard Confessional
81
Dave Rawlings Machine![]()
70
Delphic
78
The Doors
58
Echo & The Bunnymen
73
Edan
59
Editors
69
Eels
80
Felt
74
First Aid Kit
69
Flyleaf
83
Four Tet![]()
82
Ben Frost![]()
82
Fucked Up![]()
83
Charlotte Gainsbourg![]()
63
The Gilded Palace Of Sin
68
Githead
65
Joe Goddard
58
Good Shoes
72
Gucci Mane
75
Holopaw
82
Jesca Hoop![]()
79
Hot Chip
72
The Hot Rats
88
Ray Wylie Hubbard![]()
54
Hurricane Chris
66
Allison Iraheta
59
Jay Sean
82
Freedy Johnston![]()
57
Nick Jonas And The Administration
73
Norah Jones
49
Juvenile
58
Ke$ha
62
R. Kelly
66
Alicia Keys
68
Kid Sister
81
King Midas Sound![]()
63
Lady Antebellum
76
Lady GaGa
71
Adam Lambert
78
Lawrence Arabia
61
Leona Lewis
74
Lightspeed Champion
36
Lil Wayne
82
Lindstrom & Christabelle![]()
77
Lissie
78
Los Campesinos!
70
Lostprophets
73
Magnetic Fields
72
Massive Attack
64
John Mayer
71
Paul McCartney
58
Katherine McPhee
86
Memory Tapes![]()
72
Midlake
88
Motion City Soundtrack![]()
63
Mr. Hudson
53
Mudvayne
75
Oh No Ono
70
OK Go
72
Ola Podrida
61
OneRepublic
80
Owen Pallett
80
Pantha du Prince
90
Tom Petty & The Heartbreakers![]()
80
Phantogram
60
Pit Er Pat
63
Priestess
70
Radian
79
Corinne Bailey Rae
54
Rakim
79
Real Estate
77
Retribution Gospel Choir
76
Rihanna
64
Rjd2
65
Omar Rodriguez-Lopez
77
Sade
77
Gil Scott-Heron
72
Shakira
82
Shining![]()
61
Snoop Dogg
62
Snow Patrol
71
The Soft Pack
80
Spoon
64
Ringo Starr
59
Stereophonics
76
Angie Stone
79
Surfer Blood
74
Switchfoot
75
Them Crooked Vultures
74
Robin Thicke
50
Timbaland
79
tUnE-YaRDs
80
Vampire Weekend
79
Laura Veirs
79
Tom Waits
78
Wale
65
The Watson Twins
66
Kanye West
76
The Whitefield Brothers
64
Robbie Williams
80
Yeasayer
62
Young Money
75
Neil Young
61
Rob Zombie
Stars indicate the most critically-acclaimed albums.
No Wow

Generally favorable reviews
Based on 28 critic reviews
How did we calculate this?
Based on 18 votes
Read user comments
Rate this album >
Album Info
Label: RCA / Domino
Release Date: 08 March 2005
Discs: 1 disc
Genre(s): Indie, Rock
Summary
This is the second album for the garage-blues duo of VV and Hotel (known to their parents as Alison Mosshart and Jamie Hince).
Also By This Artist: Keep On Your Mean Side Midnight Boom
Also On The Web: Official Artist Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Los Angeles Times
The biggest advance is that the Kills now wrap their songs, from the enchanting "The Good Ones" to the especially anxious "I Hate the Way You Love," in melodies that are disarmingly sweet and seductive. [6 Mar 2005]
Junkmedia
No Wow is pure sex, pulsating blues-based rock and roll from start to finish.
Read Full Review >Lost At Sea
It's a brutal record that changes you the same way prison changes a man.
Read Full Review >Pitchfork
No Wow steps up to the promise of their EPs and debut LP, a boisterous reminder that kids can still hook up to songs that are little more than a guitar and attitude.
Read Full Review >Alternative Press
VV naturally still resembles PJ Harvey prepping for a catfight in spots, but her vocals on standout pop nugget "Rodeo Town" reveal vulnerability reminiscent of the original tough cookie, the Pretenders' Chrissie Hynde. [Apr 2005, p.126]
The New York Times
For all that the Kills owe to P. J. Harvey, they also have angles of their own. [13 Mar 2005]
Mojo
Its claustrophobia is total, unique, spellbinding. [Mar 2005, p.106]
Drowned In Sound
If 2003 debut ‘Keep On Your Mean Side’ was a barren sounding album, their new LP is positively spartan.
Read Full Review >PopMatters
Despite the pretentiousness and a bit of a drag in the middle, No Wow is a very smart, very engaging album.
Read Full Review >cokemachineglow
While No Wow certainly has its missteps, they largely come as a result of the band’s most basic concept: simplicity and repetition.
Read Full Review >Splendid
They've traded amped-up aggression for seething sexuality without losing any of their muscular bite.
Read Full Review >Magnet
No Wow is mechanical yet sexy, and a soulful, grinding groove is key. [#67, p.102]
Spin
Romantic defeatism can be charming if you infuse it with enough daydreaming, art-school blues. [Mar 2005, p.92]
Entertainment Weekly
[The Kills] use overdriven riffs and ticky-tacky drum-machine beats to create a steamy mood of sexual menace and druggy abandon. [11 Mar 2005, p.102]
Blender
The Kills have put some machine-generated flesh on their bare-bones style. [Apr 2005, p.123]
ShakingThrough.net
It’s one thing to strive for the primal truth of a particular sound; it’s another to vainly bludgeon a thoroughly pulverized style in search of unsullied beats.
Read Full Review >The Guardian
Somehow, though, the Kills' sludge-coloured, super-lo-fi sulkiness charms despite itself
Read Full Review >The Onion (A.V. Club)
No Wow doesn't make a huge stylistic leap from The Kills' 2003 debut, Keep On Your Mean Side.... Instead, they narrow the focus and amp up the intensity.
Read Full Review >Rolling Stone
No Wow is smaller, more focused, with less hip-shaking and more goth.
Read Full Review >Dot Music
Mosshart still sounds like PJ Harvey’s brattish American sister, Hince still retains the ability to craft tunes from nothing and blurred sepia images of the two of them abound. But somehow, despite all the achingly hip self-mythology, The Kills are still capable of mustering up convincingly great rock'n'roll.
Read Full Review >Tiny Mix Tapes
One criticism of The Kills is that their stance can feel like a bit of a pose; sometimes it feels like there's a hole where the soul should be. The tracks can also sound a tad too similar.
Read Full Review >Delusions of Adequacy
An above-average nouveau-garage punk record that blends the elements of disjointed noise, R&B-inflected punk and a post-modern pop sensibility into something interesting and enjoyable, but not quite groundbreaking.
Read Full Review >Under The Radar
Stripped down, barebones rock'n'roll that's low on innovation but high on raw, charged sexual energy. [#9]
Q Magazine
An even more spare-sounding album. [Mar 2005, p.100]
Uncut
To anyone over 16 it's Suicide/Velvets karaoke, a hacky homage to heroes rather than anything with fresh blood on its teeth. [Mar 2005, p.96]
No Ripcord
If you’ve enjoyed what you’ve heard before, you won’t be disappointed – all the darkness, grime and perversion is here or implied.... But if you’re looking for variation, innovation, or thematic depth, it’s unlikely you’ll find it here.
Read Full Review >Paste Magazine
Generally less intense and more coy, ponderous and forced [than Keep On Your Mean Side]. [Apr/May 2005, p.132]
What Our Users Said
The average user rating for this album is 7.9 (out of 10) based on 18 User Votes
Note: User votes are NOT included in the Metascore calculation.
James H gave it an8:
Very good album. High points include "At the Back of the Shell" and "Love is a Deserter". Stripped down and dirty rock.......dark...but quite a bit of fun. Somehow makes you feel cool while listening.
Christopher L gave it a7:
Rodeo Town the standout track for me.
Jeremy Bk gave it a7:
Maybe I should give the band a higher number. I like this album a lot, more than the first album, which I also liked a lot, though it was uneven. They are a very intelligent band, alternating very simple patterns, gradually and continuously. It's like minimalism in rock/punk/blues. I like this a lot more than White Stripes crap, which I worry they'll be compared to. The Stripes are so strident and aren't as subtle. But I quit listening to them after their second album, so maybe the comment's unfair. The lyrics on this new K's album are also funny --lots of small plays on patterns and cliches. Esp. Dead Rd. 7. They're playful and they have done a focused raw that's really good. The album isn't higher than a 7 bcs I don't know if it 'll last and don't think it's classic. But it's good.
Gianluca M gave it a9:
This duo, after Keep on your mean side, demonstrate that they do good music. for me one of the best indie/rock album of 2005.
Davis W gave it a7:
This band is more of a live act (highly, highly recommended if you haven't seen them) but the album is still a good listen. I find their debut "Keep On Your Mean Side" more sexy and more fun but this is still worthy of a purchase.
John R gave it a9:
Wanted to give it an 8.5....It's a good record, dark but not for show...Very effective.
Seamus S gave it a10:
Brilliant, Brutal, Beautiful The Three Bs of Rock Music This is an amazing cd TO agree with the review PURE SEX
