GAMES: GameSpot | GameFAQs MUSIC: Last.fm | MP3.com MOVIES: Metacritic | Movietome TV: TV.com
Home | About Metacritic | About Metascores | What's New | Wireless Versions | Discussion Forums | Advertising Inquiries | Contact Us | RSS
Metacritic.com: We Deal With Criticism
     Help
> Switch to Advanced Search  
Film Video/DVD Music Games TV

Music

Upcoming Release Calendar
All-Time High (And Low) Scores
Best Of 2008
Best Of 2007
Best Of 2006
Best Of 2005
Best Of 2004
Best Of 2003
Best Of 2002
Best Of 2001
Best Of 2000
How Metascores Are Calculated
Discuss Music In Our Forums

 

Upcoming & Recent Releases

sort by name sort by score

64 A Camp
78 Akron/Family
73 Dave Alvin & the Guilty Women
74 Amazing Baby
62 Tori Amos
54 The Answer
74 Anti-Flag
74 Art Brut
71 Au Revoir Simone
65 Zee Avi
70 Bachelorette
77 Bat For Lashes
68 Big Business
76 Ryan Bingham & The Dead Horses
67 Black Dice
57 Black Eyed Peas
74 Black Moth Super Rainbow
71 Blank Dogs
65 Booker T.
54 The Boxmasters
65 The Boy Least Likely To
74 Brakes [aka brakesbrakesbrakes]
68 British Sea Power
66 Jeff Buckley
75 Busdriver
59 Busta Rhymes
64 Cage The Elephant
82 Bill Callahan
80 Camera Obscura
68 Cam'ron
79 Casiotone For The Painfully Alone
58 Chester French
82 The Church
61 Ciara
72 Clues
69 The Coathangers
74 Jarvis Cocker
90 Leonard Cohen
70 Elvis Costello
66 Graham Coxon
76 Crippled Black Phoenix
71 The Crocodiles
69 Cryptacize
71 Crystal Antlers
56 The Crystal Method
69 Dananananaykroyd
76 Danger Mouse And Sparklehorse
71 De La Soul
77 Death Cab For Cutie
68 Deer Tick
81 Deerhunter
70 Depeche Mode
78 Dinosaur Jr.
85 Dirty Projectors
86 DJ Quik & Kurupt
77 Doves
68 Dredg
76 Bob Dylan
82 Steve Earle
70 Eels
62 El Grupo Nuevo de Omar Rodriguez Lopez
58 Eminem
60 Empire Of The Sun
54 The Enemy
67 Jeremy Enigk
68 Nathan Fake
85 The Felice Brothers
79 The Field
65 Fink
60 Fischerspooner
77 Flatlanders
62 Flo Rida
64 Franz Ferdinand
77 Gallows
72 Melody Gardot
59 Ginuwine
71 Golden Silvers
61 Gomez
69 Grand Duchy
73 Great Lake Swimmers
59 Great Northern
72 Green Day
86 Grizzly Bear
75 The Handsome Family
69 Ben Harper And Relentless7
75 PJ Harvey & John Parish
66 Heaven & Hell
85 Levon Helm
74 The Hold Steady
79 Patterson Hood
75 Jon Hopkins
82 The Horrors
69 Hanne Hukkelberg
74 Ida Maria
65 Immaculate Machine
75 The Intelligence
76 Iron & Wine
79 Isis
68 It Hugs Back
88 J Dilla aka Jay Dee
61 Jadakiss
86 Japandroids
61 Joan Of Arc
84 Joe Lovano Us Five
72 John Doe & The Sadies
70 Joker's Daughter
62 Jonas Brothers
53 Mike Jones
71 The Juan Maclean
76 Junior Boys
68 Kasabian
74 Diana Krall
56 Lady Sovereign
43 Ben Lee
68 The Lemonheads
76 Jeffrey Lewis & The Junkyard
77 Lindstrom & Prins Thomas
65 Little Boots
79 The Low Anthem
67 Jason Lytle
75 The Maccabees
76 Magik Markers
80 Major Lazer
70 Malajube
71 Manchester Orchestra
85 Manic Street Preachers
57 Marilyn Manson
66 The Mars Volta
68 Dave Matthews Band
62 Maximo Park
70 Meat Puppets
80 Method Man & Redman
77 Metric
75 Micachu & The Shapes
69 Chrisette Michele
76 Miike Snow
67 Mika Miko
75 Rhett Miller
49 Mims
72 Mr. Lif
72 Moby
78 Moderat
70 Mandy Moore
80 Mos Def
70 Bob Mould
74 Nadja
72 New York Dolls
72 Nite Jewel
67 NOFX
76 Noisettes
60 Paolo Nutini
67 Conor Oberst And The Mystic Valley Band
74 Papercuts
76 Passion Pit
74 Peaches
71 Pet Shop Boys
68 Peter Bjorn And John
82 Phoenix
76 Pink Mountaintops
63 Placebo
66 Pomegranates
64 Iggy Pop
67 Prefuse 73
61 Prince
62 Prince
81 Ramblin' Jack Elliott
76 Rancid
54 Rascal Flatts
68 Lionel Richie
77 Alasdair Roberts
73 Rick Ross
55 Asher Roth
72 Savath & Savalas
61 Polly Scattergood
65 The Shortwave Set
60 Shout Out Out Out Out
66 Silversun Pickups
85 Todd Snider
78 Sonic Youth
72 The Soundcarriers
61 The Sounds
74 Regina Spektor
63 Spinal Tap
65 Spinnerette
81 St. Vincent
59 Still Flyin'
58 Street Sweeper Social Club
87 Sunn O)))
82 Sunset Rubdown
84 Super Furry Animals
74 Richard Swift
78 Taking Back Sunday
85 Tanya Morgan
81 Otis Taylor
71 Telekinesis
70 Telepathe
80 Thee Oh Sees
79 The Thermals
74 Rob Thomas
64 Thunderheist
74 Tiga
57 Tinted Windows
72 Tortoise
82 Allen Toussaint
71 Trembling Bells
69 Two Fingers
84 UGK
68 Keith Urban
49 Bria Valente
71 John Vanderslice
85 The Vaselines
74 The Veils
73 Viva Voce
63 Patrick Watson
79 White Denim
77 White Rabbits
57 The Whitest Boy Alive
74 Wilco
80 Wildbirds & Peacedrums
78 Wolves In The Throne Room
65 The Wooden Birds
67 Wooden Shjips
81 Yeah Yeah Yeahs
70 Pete Yorn
93 Neil Young
60 Neil Young
72 Yusuf

Stars indicate the most critically-acclaimed albums.

 



Printer-Friendly Version Email This Page Discuss In Our Forums

Jim
by Jamie Lidell

Jamie Lidell reviews
Critic Score
Metascore: 72 Metascore out of 100
User Score  
7.7 out of 10
based on 26 reviews
Read critic reviews
How did we calculate this?
based on 9 votes
Read user comments
Rate this album

This is the third studio album for the English artist now based in Germany.

LABEL: Warp
RELEASE DATE: 29 April 2008
DISCS: 1 disc
GENRE(S): Electronica, Soul

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

91
The Onion (A.V. Club)
On Jim, Lidell course-corrects by choosing a warmer, more organic palette. It's a retro-soul record minus the bleeps and whistles, and it exposes Lidell as the charming, confident vocalist he is.
Read Full Review
90
Slant Magazine
This is saying something, because every single song on Jim will battle for space in the part of your brain that gets hooked.
Read Full Review
90
Alternative Press
What elevates Jim from faux-soul Jamiroquai ghetto is the effortless exuberance and keen reverence that Lidell brings to the vocals and arrangements, hand-crafting dusty grooves as fresh as the first drop of the needle. [July 2008, p.162]
80
Vibe
Lidell reaches back further than he has before, appoximating Sam Cooke, Ben E. King, and even Jackie Wilson, elegantly nodding to his clarion-voiced heroes while never allowing the album to become mired in mere tribute. [May 2008, p.72]
80
PopMatters
The subtlety of these electronics and the discretion of their employment are what makes Jim an ultimately more accomplished record than "Multiply."
Read Full Review
80
Prefix Magazine
Featuring a crunching call-and-response bass line, 'Hurricane' not only makes for a hell of a good time, but, much like the album Jim, also makes for one of Lidell’s tightest and most enjoyable to date.
Read Full Review
80
Observer Music Monthly
Soul is about voice and music that connects the church and the bedroom, with elegance and earthiness. And, by that crucial measure, Jim is a great soul record.
Read Full Review
80
Urb
Ol'boy touches the listener deep on the inside with the polished shimmy of Motown and the greasy strut of Stax tipping his hats to the likes of Otis Redding, Sam Cooke and kJackie Wilson. [Mar/Apr 2008, p.107]
Read Full Review
80
NOW Magazine
Thankfully, this is more about Otis, Marvin and Stevie, which Lidell does amazingly well for a British experimental techno brat.
79
Pitchfork
This is an album by an artist getting comfortable with his softer side. It's another welcome surprise.
Read Full Review
75
Entertainment Weekly
It's hard not to wish, though, that Lidell would transcend what is essentially a Donny Hathaway tribute act and dig out something more intrinsically his own. [9 May 2008, p.65]
70
Boston Globe
Old is made new again in the best possible way on what could surely be the perfect soundtrack for a sultry, soulful summer.
Read Full Review
70
All Music Guide
Jim is most reminiscent of the Southern deep soul of the late '60s, although recorded so well (and so dry) that it betrays its lineage. Add to that an assortment of unobtrusive guests (including Nikka Costa, Gonzales, Peaches, and Alex Acuña) and the result is a record that reveals soul and sincerity.
Read Full Review
70
Dot Music
And so it goes for a tidy ten tracks, all topped by a voice of gently boiling caramel--a style that channels the best aural qualities of Terence Trent D'Arby and Ray LaMontagne while side-stepping their cloying overearnestness.
Read Full Review
70
Blender
Here, he seems more comfortable in his pasty skin. [May 2008, p.76]
Read Full Review
70
Spin
He refines his act. [May 2008, p.106]
70
Under The Radar
Lidell's Jim says that it's okay to have fun and not take yourself too seriously, and that's pretty cool in my book. [Spring 2008, p.78]
67
Austin Chronicle
It's tempting to knock Lidell for being too derivative of Wonder and Donny Hathaway or for simply being the latest in a never-ending line of Brits mimicking the sound of Soulsville, but why bust up a party that's this much fun?
Read Full Review
60
Paste Magazine
U.K. upstart Jamie Lidell’s latest is trapped squarely in this box, but the quality of his vocal performance generally keeps things from being stifling.
Read Full Review
60
Uncut
He's at his best here on the playful Beck-like 'Hurricane' and the sweetly mournful 'Rope of Sand,' but Jamiroquai-averse listeners would do well to avoid 'Figure Me Out.' [May 2008, p.102]
60
The Guardian
Jim remodels him into a standard bust-a-gut soul singer who purveys tunes so unrepentantly commercial that the album has been greeted with shock by the faithful. But it's not unappealing.
Read Full Review
60
musicOMH.com
So while a cautious welcome is given to this near-flawless interpretation of soul music, it is done with the observation that another record of such polish will be ultimately empty, and more than a little disappointing.
Read Full Review
50
Dusted Magazine
Jim is pleasant, polite, listenable, smooth (it’s like Yacht Rock for the nu-soul set), undemanding…and a bit of a bore.
Read Full Review
46
cokemachineglow
Ultimately, this is nothing more than workaday feel good bar music, technically well executed with the peaks and troughs in all the right places.
Read Full Review
40
Mojo
His near facsimile approach to fond memory demands a revitalising new element and he hasn't got it. [May 2008, p.112]
40
Q Magazine
Lidell's gospel hollars are impressive, but the music verges on pastiche. [May 2008, p.136]

What Our Users Said

Vote Now! The average user rating for this album is 7.7 (out of 10) based on 9 User Votes
Note: User votes are NOT included in the Metascore calculation.

Matt M. gave it a7:
I enjoy the album but Tosh F is right about it not being as good as Multiply. But that is usually the case with an artists breakout record. I usually have some kind of subconcious bias towards artists first breakout records, and this is the case with Jamie Lidell for me. But all in all, a fun record that came out at the right time as far as it being a summer album and also because of the popularity that Amy Winehouse, unfortunate to say, has brought to this genre of music. Jamie is also way better than her so hopefully this will make him a successful man. Like he isn't already.

derringer gave it a9:
People who are saying that Multiply is better than this album are SORELY mistaken. This is ten times better... it cuts away all the bells and whistles and showcases HIM full force up front. This album is pure bliss from start to finish and unlike the earlier reviewer, I hope he sings A TON of these tunes at his show here on June 4th. I enjoyed parts of MULTIPLY but the production quality was so-so despite the fun electro bits. With Jim, you get any fat is trimmed and you get raw, passionate soul music. His voice has never sounded better.

Tosh F gave it a3:
A BITTER disappointment, after the genius that was multiply. Asides from a couple of tracks all the energy and innovation is gone, it feels lackluster from the get go, multiply made the hair on the back of my neck stand up and a big grin spread across my face, Jim turns my smile to a frown and makes me want to sit down, not get up and dance around. Very bland production, and seemingly directionless. Just hope he doesnt play many of these tracks when I see him next week.

Matt A gave it a9:
I am pretty surprised by this rating. Q refers to the music as borderline pastiche? Lidell certainly wears his influences on his sleeve, but that does not mean it is pastiche. He doesn't try and hide what he's doing. Besides, there are enough eclectic productions touches to make this album feel completely contemporary. It is a very different album than Multiply, and while there aren't as many standout tracks here, I think Jim is a more consistent and cohesive statment than Multiply was. Q Magazine should be ashamed of themselves for giving the shitty new Guillemots CD a substantially better rating than this. Get this disc in spite of their tin ear.

Discuss this album in our forums

Return to top of page
Home | FILM | DVD/VIDEO | MUSIC | GAMES | TV | Forums | About Metacritic metacritic.com

Popular on CBS sites: iPhone 3G | Fantasy Football | Moneywatch | Antivirus Software | Recipes | E3 2009

About CBS Interactive | Jobs | Advertise

© 2009 CBS Interactive Inc. All rights reserved. | Privacy Policy | Terms of Use