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Chocolate Starfish and the Hot Dog Flavored Water
by Limp Bizkit

Limp Bizkit reviews
Critic Score
Metascore: 49 Metascore out of 100
User Score  
5.4 out of 10
based on 12 reviews
Read critic reviews
How did we calculate this?
based on 51 votes
Read user comments
Rate this album

LABEL: Interscope
RELEASE DATE: 17 October 2000
DISCS: 1 disc
GENRE(S): Rock, Alternative

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

70
Spin
The sound is now clearer than on either predecessor; the rapping likewise. And here come Jane's Addiction and the Smashing Pumpkins--this is a slicker, grander record than Significant Other. [Jan 2001, p.112]
70
Rolling Stone
It was only natural to suspect that Limp Bizkit would fall on their faces this time by getting serious. But Chocolate Starfish and the Hot Dog Flavored Water is looser and livelier and just plain better than anything they've ever tried before.
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60
Sonicnet
Fred Durst may grab the headlines, but Chocolate Starfish and the Hot Dog Flavored Water really shows that all the power Limp Bizkit are known for comes from their bandmembers who, you know, actually play instruments. Durst's lyrics are wack when he raps and bad high school poetry when he sings.... Of course, there aren't many people looking for deep thoughts from Durst and Co. -- just lots of big, dumb, angry fun. And on that count, Chocolate Starfish and the Hot Dog Flavored Water delivers.
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60
Q Magazine
You'd expect better from a band so on top of their game.
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54
Wall of Sound
Well, if nothing else, the search for the year's dumbest album title is over. And in some respects, the search for the year's dumbest album, too. True, Limp Bizkit's third release is filled with thrashworthy hooks, hardcore beats, and plenty of blind rage, but frontman Fred Durst is so inarticulate about exactly what is pissing him off that it's tough to take him seriously.
Read Full Review
50
Entertainment Weekly
As tiresome as Durst can be, Limp Bizkit are very good at what they do; the band is exceptionally tight, evidenced by its ability to switch time signatures and moods within songs (kudos to guitarist Wes Borland). Still, their stance and sound already reek of formula, and the album's attempts at mold breaking may be the band's way of acknowledging this fact.
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40
All Music Guide
If the band supported his sheets of noise, terrifying guitars, monstrous rhythms, or even a hook every now and then, Durst's narcissism may have been palatable, but the group pretty much churns out the same colorless heavy plod for each song.
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40
New York Magazine
Durst offers his piggish take-it-or-leave-it stance on relationships ("It's my way or the highway," he gleefully whines on "My Way"), his fantasies of the hip-hop high life ("Livin' It Up"), and his delight with obscenity ("If I say fuck two more times that's 46 fucks in this fucked-up rhyme"). Limp Bizkit's music is just as predictable, complete with scratches, guitar squalls, and mosh-pit crescendos.
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30
Checkout.com
They have a saying around recording studios: you can't polish a turd. Well, thanks to producer Terry Date, Starfish just might be one of the shiniest pieces of pooh in the world of waste.
30
CDNow
There's little in the way of cohesion or artistic forethought here, and some of the tracks are just bad, though nothing is as surpassingly awful as lead single "Rollin'," its shout-outs overly reminiscent of "Bawitdaba."
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20
Village Voice
On the whole, Chocolate Starfish and the Hot Dog Flavored Water feels like an interminable groan, a harried hustle toward obsolescence. Rather than creating a cathartic requiem for, say, the impending dotcom depression, this turgid non-effort doesn't even live up to the mookish reputation refuted with such salacious fervor on "Take a Look Around."
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20
HOB.com
The very concept of Chocolate Starfish and the Hot Dog Flavored Water might be brilliant if it was a work of absurdist art. But this album is just absurd.
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What Our Users Said

Vote Now! The average user rating for this album is 5.4 (out of 10) based on 51 User Votes
Note: User votes are NOT included in the Metascore calculation.

John gave it a6:
It sucks how most of the reviews (from critics or music fans) are based solely on their hatred for Fred Durst. I have to agree that Durst is an egotistical jerk but this album doesn't suck as bad as most people want you to believe. Not as good as their first two albums but it's still far from crap. However, I feel that Durst went overboard with swearing on this album. I.E. "Hot Dog". Can't imagine how the clean version will sound like.

Si gave it a7:
Better than Significant Other. Now that nu-metal is no longer mainstream there seems to be a lot of Limp appearing out of the cracks. Shows how many people jumped on the 'I Hate Fred Durst' bandwagon rather than the music.

James gave it an8:
I like how most of the people who review this album focus more on Fred Durst rather than the band. Shame really.

Anono-M gave it an8:
I think it's a competent record, with some downs, and some sky high ups. Maybe it's something to do with taste, that everyone who is in a position to write a review hates it and everyone on the ground who bought it love it, but has a near addictive sound that I guess people who consider themselves to have "good taste" can block out when they listen. It's not Red Hot Chilis and it isn't trying to be, it does what it wants well.

Chris H gave it a2:
I was actually wrote a music column at a paper when this record came out. I can't remember what I wrote then, but I'm sure it was something along the lines of "mindless" and "juvenile." I still have this album somehere; it may be the worst album I own.

C. R. gave it a0:
Holy fuck, this album sucks. To be honest, I only "like" (in the loosest possible sense) Limp Bizkit's first two albums. They're trashy, mindless fun. Their riffs are huge, and the lyrics are unintentionally hilarious. This is where they started sucking. Still, the "Boiler" video made me laugh.

Joe gave it a2:
I can't believe I liked this band when I was in middle school. Okay, musically I suppose they're tolerable, and the guest appearances from the likes of Xzibit, Method Man, DMX, Redman, STP's Scott Weiland, and even Ben Stiller provide bright spots. The cameos save this album from the dreaded goose egg, which is VERY bad news for the band. Especially Fred Durst, whose lyrics reach an all-time low here (and they were never that good to begin with). He doesn't like when people talk shit about him (several songs are centered around this concept), he really wants to live the rock-star lifestyle ("Livin' It Up"), women just don't seem to understand him ("It'll Be OK," "Boiler," possibly "The One"), and then there are some songs that don't seem to be about anything at all (both versions of "Rollin'," "My Generation"). I have this feeling that if Fred Durst were kicked out of the band and they just did a Santana-esque album of collaborations with actual competent MCs, they'd be much better. I'm so glad my copy of this record is a burned CD.

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