GAMES: GameSpot | GameFAQs MUSIC: Last.fm | MP3.com MOVIES: Metacritic | Movietome TV: TV.com
Home | About Metacritic | About Metascores | What's New | Wireless Versions | Discussion Forums | Advertising Inquiries | Contact Us | RSS
Metacritic.com: We Deal With Criticism
     Help
> Switch to Advanced Search  
Film Video/DVD Music Games TV

Music

Upcoming Release Calendar
All-Time High (And Low) Scores
Best Of 2008
Best Of 2007
Best Of 2006
Best Of 2005
Best Of 2004
Best Of 2003
Best Of 2002
Best Of 2001
Best Of 2000
How Metascores Are Calculated
Discuss Music In Our Forums

 

Upcoming & Recent Releases

sort by name sort by score

69 AC/DC
73 Ryan Adams
67 Trace Adkins
59 Akon
66 The All-American Rejects
81 The Alps
92 Amadou & Mariam
66 Anastacia
73 Anathallo
66 Annuals
75 Antony And The Johnsons
58 David Archuleta
77 Aterciopelados
72 Attic Lights
81 Belle & Sebastian
61 Beyonce
83 Black Milk
69 Bloc Party
71 Bonnie "Prince" Billy
67 Brandy
66 The Bronx
67 Ane Brun
92 Buena Vista Social Club
72 Isobel Campbell & Mark Lanegan
64 Castanets
64 Cat Power
67 Catfish Haven
65 Tracy Chapman
60 Kenny Chesney
65 Tony Christie
81 The Clash
67 Coldplay
69 Keyshia Cole
52 Common
67 David Cook
70 Nikka Costa
61 Cradle Of Filth
68 Crooked Fingers
76 Crystal Stilts
72 Rivers Cuomo
69 The Cure
77 Danielson
74 The Dears
80 Deerhoof
81 Deerhunter
70 Brett Dennen
79 Department Of Eagles
68 Devin The Dude
73 Dido
75 Dillinger Four
81 DJ/rupture
61 Dragonette
85 Dub Colossus
86 Bob Dylan
77 Eagles Of Death Metal
79 El Guincho
57 Electric Six
75 Brian Eno + David Byrne
74 Fall Out Boy
86 Fennesz
75 The Fireman
83 The Foreign Exchange
61 Jamie Foxx
69 Free Blood
85 Fucked Up
77 Gang Gang Dance
62 Ghostface Killah
63 Girls Aloud
78 Glasvegas
76 Glasvegas
67 Gojira
78 Holly Golightly
83 Grails
72 Grampall Jookabox
66 Guns N' Roses
73 Anthony Hamilton
76 Hauschka
69 Headhunter
61 Kieran Hebden and Steve Reid
66 Her Space Holiday
49 Hinder
71 Jolie Holland
79 Hush Arbors
81 Frida Hyvonen
68 I'm From Barcelona
63 The (International) Noise Conspiracy
75 Jake One
53 Japanese Motors
81 Johann Johannsson
70 Grace Jones
63 Tom Jones
73 Justice
70 Kaiser Chiefs
64 Keane
76 Toby Keith
69 The Killers
77 The Knux
71 Mark Kozelek
73 Femi Kuti
73 Lady GaGa
76 Lambchop
73 Ray LaMontagne
74 Land Of Talk
68 John Legend
71 Little Joy
60 The Little Ones
64 Longwave
83 Los Campesinos!
78 Love Is All
68 Ludacris
78 Luomo
61 Jesse Malin
66 Margot & The Nuclear So And So's
69 Maroon 5
61 The Matthew Herbert Big Band
76 Max Tundra
61 Megapuss
74 Micah Blue Smaldone
57 Ingrid Michaelson
75 The Mighty Underdogs
77 Juana Molina
82 Mount Eerie
46 Mudvayne
75 Musiq Soulchild
49 Nickelback
66 Oasis
68 O'Death
71 Of Montreal
54 The Organ
70 Brad Paisley
82 Pale Young Gentlemen
78 Parts & Labor
92 Pavement
69 Pink
75 Benoît Pioulard
61 Plies
73 The Postmarks
74 The Pretenders
81 Q-Tip
42 Queen + Paul Rodgers
71 The Rapture
57 Razorlight
70 Lou Reed
71 Reefer
69 Jonas Reinhardt
76 Religious Knives
65 Rise Against
76 The Rosebuds
82 Arthur Russell
72 Nitin Sawhney
85 Scarface
69 School of Seven Bells
73 The Sea And Cake
59 Seal
64 Secret Machines
74 Blake Shelton
78 The Sight Below
72 Simon Bookish
89 The Smiths
70 Todd Snider
67 Snow Patrol
45 Soulja Boy
64 Britney Spears
62 Spinto Band
66 Squarepusher
82 Marnie Stern
63 The Streets
67 Sway
81 Taylor Swift
54 Those Dancing Days
85 Thursday/Envy
76 Tobacco
70 T-Pain
66 Travis
76 Vic Chesnutt, Elf Power, And The Amorphous Strums
82 Butch Walker
58 Scott Weiland
75 Kanye West
73 White Denim
79 Wild Beasts
77 Wilderness
71 Hank Williams III
72 Lucinda Williams
67 Michelle Williams
73 Lee Ann Womack
76 Women
72 Rachael Yamagata
61 Yo Majesty
86 Neil Young

Stars indicate the most critically-acclaimed albums.

 



Printer-Friendly Version Email This Page Discuss In Our Forums

Minutes To Midnight
by Linkin Park

Linkin Park reviews
Critic Score
Metascore: 56 Metascore out of 100
User Score  
6.1 out of 10
based on 15 reviews
Read critic reviews
How did we calculate this?
based on 372 votes
Read user comments
Rate this album

Rick Rubin co-produced the band's third album, which is the result of over a year spent in the studio and represents a move away from their established rap-rock sound.

LABEL: Warner Bros
RELEASE DATE: 15 May 2007
DISCS: 1 disc
GENRE(S): Alternative, Rock

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

80
Rolling Stone
Most of Minutes is honed, metallic pop with a hip-hop stride and a wake-up kick.
Read Full Review
70
Spin
The music privileges texture over catchiness. [Jun 2007, p.97]
70
Blender
There's no great leap into maturity... They've kept their salient feature--scorching, adolescent tantrums--unchanged. [Jun 2007, p.109]
70
Hartford Courant
Whatever else it is, Linkin Park's third studio record is a nu-metal record at heart.
Read Full Review
63
Los Angeles Times
This is the kind of music artists make to find out who they'll become next: It reaches toward many influences — notably U2 (some songs invoke the Irish rock group almost note-for-note), but also Tool, Evanescence, Nirvana and Coldplay — without committing to anything.
Read Full Review
60
The Guardian
The California rap-rockers are stymied by their decision to stay roughly within the shrieky boundaries of their genre (albeit with less emphasis on the rap).
Read Full Review
60
Boston Globe
We've heard a lot of this despair before.
Read Full Review
50
PopMatters
While more than half the album flounders and meanders uselessly to arrive at roughly four truly worthwhile numbers, parts of Minutes to Midnight set the foundations for a whole new array of sounds that the band can and hopefully will pursue in the future.
Read Full Review
50
Entertainment Weekly
Amid the stabs at growth, every new effect sounds borrowed.
Read Full Review
50
The New York Times
As you might imagine, the band’s emo makeover doesn’t always go smoothly.
Read Full Review
50
Billboard
Linkin Park's ambitions are nearly palpable, but songs likely conceived as homages end up sounding too close to their sources. [26 May 2007]
50
Dot Music
These half-arsed stabs at nu-AOR end up pleasing no one, least of all the band itself.
Read Full Review
30
Hot Press
The shift in subject matter cannot disguise Linkin Park’s acute lack of creativity.
Read Full Review
20
New Musical Express
What follows is the sound of a band trying and failing to forge a new identity - boy-band balladry, U2-style stadium rock and Metallica-esque melodic crunch are all attempted with predictably patchy results.
Read Full Review
20
NOW Magazine
Try as they might to sound different, or even to touch on issues bigger than their own narcissistic garbage, LP still sound like they're stuck back in 00, which is where they should have stayed.
Read Full Review

What Our Users Said

Vote Now! The average user rating for this album is 6.1 (out of 10) based on 372 User Votes
Note: User votes are NOT included in the Metascore calculation.

Simon B gave it a4:
No. Just no. I was looking for some hard-edge music the other day. So I got myself Minutes to Midnight. What I got was a serenade to ... well, Chester in general. How come in the last few years, pop culture has been able to make bands rise to fame, only to have said bands fuck everything over in a swift attempt to do a complete make-over? I'd like this album if it didn't have a few things I despise: Songs often including the word "Dark" for the sake of being dark. I'm giving it a four because of the main single, Bleed It Out and Given Up. Two points go to Given Up's salivating 17 seconds shriek which somehow makes my teeth grit in positive rage. I really feel his anger there. Bleed It Out was what I like Linkin Park to be, with its slightly more garage sound and rough lyrics. While What I've Done is a very good example of transition. Even though it sounds very pop, I admit that I love it thoroughly. If more songs had been like those I mentioned, I think I would have liked this album more. Instead, it's just Linkin Park flirting with Emo.

Steve M. gave it a0:
Terrible. A mature new sound? Only if their last albums were 3 months old. This political sophistry mixed with dull "boy band" music doesn't work. They've lost whatever "edginess" they had, and to make up for it they drop the f-bomb like they just learned the word. I'm not joking, they sound like those straight-edge kids you knew in high-school who, the first time they cursed, stuttered over the word. LP fans do yourself a favor and hold on to Hybrid Theory and Meteora, but forget M2M.

Joseph P. gave it a1:
I used to love linkin park, hybrid theory and meteora were epic as was Collision Course...but this just sucked, the only song i liked was Bleed It Out because it was catchy, they need to go back to their roots.

[Anonymous] gave it a0:
"Hybrid Theory" is one of the best albums ever, still like it today 8 years after I heard it first. "Meteora" was not as great but still good! "Minutes to Midnight" is something else for sure, it's gay boy band crap.

Mehrazi W. gave it a10:
It's the most fabulous album in the 21 century (with meteora of course!!), the perfect hard rock songs within all somethings that give to you the pleasure to song with him.

Chris D. gave it a3:
Very, very disappointing...who is this? There's nothing wrong with bands changing styles to fit with changing tastes in music, but you have to be careful not to suck when you do that. As a huge fan of both Hybrid Theory and Meteora, this album is a failure. I don't even recognize this band's sound anymore, they totally turned away from what made them what they are. Whether you ever liked nu-metal or not, you have to admit that this album is an enormous departure from their roots, and the sound suffers because the album is horribly disjointed with no unifying sound (I found the transition from Leave Out All The Rest to Bleed It Out to be most jarring).

[Anonymous] gave it a1:
This album is a shame for my former favourite band. The hard, metallic crashing sound mixed with great raplyrics is completely gone, M. to M. offers you a embarrassing mix of stolen riffs and melodies from bands like u2 and coldplay. They lost their style in every sense it's just disappointing, don't buy it and wait for the next maybe lp realizes that this album sucks.

Read more user comments...

Discuss this album in our forums

Return to top of page
Home | FILM | DVD/VIDEO | MUSIC | GAMES | TV | Forums | About Metacritic metacritic.com

Popular on CBS sites: MLB | Spore | iPhone 3G | Paris Hilton | Antivirus Software | GPS | Recipes | Shwayze | NFL

About CBS Interactive | Jobs | Advertise

© 2008 CBS Interactive Inc. All rights reserved. | Privacy Policy | Terms of Use