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Hands
Generally favorable reviews
Based on 11 critic reviews
How did we calculate this?
Based on 10 votes
Read user comments
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Album Info
Label: 679/Atlantic
Release Date: 08 June 2009
Discs: 1 disc
Genre(s): Rock, Pop
Summary
The debut album for the singer-songwriter was produced with Greg Kurstin and Joe Goddard.
Also On The Web: Official Artist Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
musicOMH.com
Rather then shy away behind tricksy, overtly difficult melodies or instrumentation, Little Boots has created a pop record in the truest sense of the word; not only does it fizz by in no time at all, it also doesn't alienate or discriminate.
Read Full Review >New Musical Express
Perfect pop is not something you can design; it’s an alchemical accident resulting from a freakish alignment of melody, words and rhythm that unifies all who hear it, an H1N1 strain of music. That Little Boots so nearly achieves the ultimate chart-slaying, cerebral-cortex tickling, Bradford-hen-party-and-Shoreditch-rave-soundtracking album is, frankly, amazing.
Read Full Review >Dot Music
Hands is both exciting and inconsistent, an uncertain step in very much the right direction.
Read Full Review >Drowned In Sound
Hesketh can write a damn good pop song, and whether that’s what caused the initial buzz, it's something hard to deny when presented with the cold, hard proof of Hands.
Read Full Review >Mojo
Hands sees the 24-year-old blossom into a throughly modern chart contender, but at the expense of some of that quirkiness. [Jul 2009, p.95]
Uncut
Little Boots emerges with a debut album that is disappointingly similar to the sound of 2001 or 2005. [Jul 2009, p.91]
Slant Magazine
While her first full-length album, Hands, smacks of trying too hard (Hesketh skittishly rotated through several different producers, and the sound is all over the map), most of the songs are imminently playable on their own terms.
Read Full Review >Pitchfork
Despite radio-ready production and commercial hooks that tell us we're hearing pop, it can take some hours of intense listening before most of these tunes ever stick in the head, and there's little to no emotional investment.
Read Full Review >cokemachineglow
Utilitarian sensibilities typically create better, catchier results, but Little Boots’s producers can’t help flaunting their knob-twiddling abilities, justifying their paychecks while counterintuitively making Hesketh’s music sound all the more amateurish.
Read Full Review >No Ripcord
It’s too flabby to listen to as a whole, and unless the label decides to re-release 'Stuck On Repeat' (which isn’t a bad idea actually) there’s nothing here strong enough to force a mainstream breakthrough.
Read Full Review >Q Magazine
Her debut album, indeed, is something of a mess, the sense being of an artist trying to run before she can walk. [Jul 2009, p.123]
What Our Users Said
The average user rating for this album is 6.6 (out of 10) based on 10 User Votes
Note: User votes are NOT included in the Metascore calculation.
