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A Hundred Things Keep Me Up At Night
Generally favorable reviews
Based on 18 critic reviews
How did we calculate this?
Based on 4 votes
Read user comments
Rate this album >
Album Info
Label: What's Your Rupture?
Release Date: 11 November 2008
Discs: 1 disc
Genre(s): Rock, Indie
Summary
The Swedish indie-rock band releases its sophomore album.
Also On The Web: Official Artist Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
MSN Consumer Guide (Robert Christgau)
Tune and tempo conquer all even if love doesn't, and soon, if you listen up, you'll hear her toss her head and move on, jubilant in her capacity for jubilation.
Read Full Review >Under The Radar
Olausson’s quirky observations are only as good as the band backing her. And as it herks and jerks, skanks, and generally rocks the fuck out across A Hundred Things, it constantly reminds that Love Is All is one of the tightest pop outfits on the planet. [Year End 2008]
Pitchfork
It may not deliver the same jolt as its predecessor, but its somewhat cleaner production highlights Love Is All's strengthened pop prowess.
Read Full Review >Dusted Magazine
The squalling sax that wends its way through most of these tracks and Josephine’s joyful, yet solidly unsettled yelps temporarily brings to mind a more professional and spacious Mika Miko, but that similarity mostly traces back to a common debt owed to Kleenex/LiLiPUT--all three bands make the ennui and alienation of second adolescence both incredibly vivid and, strangely, a lot of fun.
Read Full Review >Village Voice
Love Is All's boisterous clamor is the real draw here. The band skips over cerebral tricks and hep posturing, instead going straight for adrenalized kicks, and it's a rush that lasts long after the record ends.
Read Full Review >All Music Guide
Taken together, they position Love Is All as one of the best post-punk revivalist groups, and arguably the equal of their influences. Whether you stand behind that statement or not, A Hundred Things Keep Me Up at Night is as good as indie rock gets in the late 2000s.
Read Full Review >Blender
Credit four supportive guys rolling out unkempt riffs at tempos so punky they reveal the guitar line of Joy Division’s 'She Lost Control' for the pop hook it is (with saxophone icing).
Read Full Review >PopMatters
Well, though A Hundred Things Keep Me Up at Night may not hit as viscerally the melodic highs of Nine Times That Same Song, the Swedish group’s second album is surely comparably great.
Read Full Review >NOW Magazine
Listening to the fiercely adrenalized sophomore disc by Sweden’s Love Is All is like being at the fair for an entire weekend, stuffing your face with cotton candy and taking one too many spins on the Gravitron.
Read Full Review >cokemachineglow
Love is All has refined its basic ideas and yielded a follow-up much more playable than its predecessor.
Read Full Review >Prefix Magazine
It's a neat trick that Love Is All has pulled off on this record, making the mundane and common just as urgent and real as the enormous and intangible.
Read Full Review >Los Angeles Times
One song and two minutes longer than its 2005 debut, "Nine Times That Same Song," Love Is All continues to find beauty in haste.
Read Full Review >New Musical Express
It sounds like almost exactly the same record, just not as slap-in-the-face fresh. Still, if it’s more of the same, at least the same is pretty good.
Read Full Review >Drowned In Sound
All through this Olausson gives every impression of earnestness; it’s this ability to fashion a hook out of something nobody in their right mind would even think of that ensures a level of sparkle even when the sonic territory is well trodden.
Read Full Review >Spin
Josephine Olausson's Ono-esque delivery remains an acquired taste, but that's surely by design: If she sang any sweeter, Love Is All's songs might evaporate like cotton candy.
Read Full Review >Urb
A Hundred Things also contains quieter moments that work surprisingly well for such a loud record, providing a much-needed respite from the nervous scramble of the rest of the album.
Read Full Review >Slant Magazine
In the end, the album's real failing is not its individual flaws but a dry, rote feeling that descends halfway through the album, where you realize you're listening to little more than a reheated punk snarl that has been cleaned up and shipped back to the U.S. from overseas more than 30 years after the fact.
Read Full Review >What Our Users Said
The average user rating for this album is 9.2 (out of 10) based on 4 User Votes
Note: User votes are NOT included in the Metascore calculation.
