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Zero 7
Stars indicate the most critically-acclaimed albums.
I Am Shelby Lynne

Universal acclaim
Based on 12 critic reviews
How did we calculate this?
Based on 2 votes
Read user comments
Rate this album >
Album Info
Label: Mercury
Release Date: 25 January 2000
Discs: 1 disc
Genre(s): Country, Rock
Summary
Also By This Artist: Identity Crisis Just A Little Lovin' Love, Shelby Suit Yourself
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Village Voice (Consumer Guide)
Even more than, speak of the devil, Garth Brooks, she's a creature of the recording industry and the smorgasbord-of-the-air it's laid out everywhere. Are the emotions she displays so pithily as synthetic in the end as her harmonica-with-strings or steel/slide guitar? Does that make them less real?
Read Full Review >Checkout.com
Her latest, I Am Shelby Lynne, is not a country record, but rather a graceful hybrid of roots rock influences and Muscle Shoals soul that adds up to one of the most intimate, earthy and adult pop-rock records in recent memory.
CDNow
Rarely does a relative unknown come across with an album as fiercely confident and fully formed as this.
Read Full Review >All Music Guide
Luckily her sixth full release has some true charm, with some fine blue-eyed soul and slickly produced rock. But the production tries too hard to align her with Sheryl Crow's growling sound.
Read Full Review >The Onion (A.V. Club)
Fortunately, Lynne has the material to back up the declaration, and in erstwhile Sheryl Crow producer Bill Bottrell (who co-writes most of these tracks), she's found a partner in tune with her genre-blurring aspirations, liberally mixing elements of country, blues, R&B, and lounge-infused jazz, yet still accommodating the occasional drum machine and synthesizer.
Read Full Review >Q Magazine
Stylistically, Lynne steps out in several directions and gives the impression that she could succeed in any of them: the warm caress of her voice and the cool, cutting edge of her songs suggest great things.
Read Full Review >Village Voice
Don't misunderstand. I Am Shelby Lynne is a standout... Still, if the range of reference marks Lynne's hard-won liberation from cookie-cutter Nashville, there's a different sort of plasticity to this sound, which may explain why it broke not in the heartland or on VH1, but the U.K.
Read Full Review >Wall of Sound
There is much temptation in all of this, but little satisfaction. It all sounds like someone named Shelby Lynne, for her voice is impeccable throughout. But despite its title, the album comes no closer to suggesting who she might be than her previous outings have. And too few of the songs -- despite their technical virtuosity -- beg to be played over and again.
Read Full Review >Rolling Stone
Scattered about this engaging, enigmatic disc is a bit of Dusty in Memphis, a touch of Bobbie Gentry's swamp-country persona, a hint of Prince's instinct for making voices and rhythms sound positively libidinous, and a whole lot of Shelby Lynne.
Read Full Review >HOB.com
The weaknesses of this ten song collection come in the occasional over orchestration found on some tracks that would do well in succumbing to the subtlety that Lynne and her producer Bill Bottrell have mastered in other spots.
Read Full Review >Salon.com
So why doesn't "I Am" quite hit the mark? Blame it on producer Bill Bottrell, best-known for his work with Sheryl Crow. Simply put, he lays it on a little too thick.
Read Full Review >What Our Users Said
The average user rating for this album is 9.0 (out of 10) based on 2 User Votes
Note: User votes are NOT included in the Metascore calculation.
