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A Camp Stars indicate the most critically-acclaimed albums.
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Saturdays=Youth
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The fifth album for the French electronic group led by Anthony Gonzalez was produced with Ken Thomas and Ewan Pearson.
| LABEL: | Mute |
| RELEASE DATE: | 15 April 2008 |
| DISCS: | 1 disc |
| GENRE(S): | Rock, Indie, Electronic |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
The average user rating for this album is 8.2 (out of 10) based on 28 User Votes
Note: User votes are NOT included in the Metascore calculation.
Adam P. gave it an8:
I dig the mixing and the sonic textures, but it seems like my fellow indie-music-philes overrate this album just a tad. Off the top of my head I can think of more than 30 albums released in 2008 that were better than this one.
Andre C. gave it a10:
Stellar album - a fantastic and beautiful journey.
Hector gave it a0:
This album sucks. There are maybe one to three good songs in it but it fully supports why I'm all about Limewire and downloading before buying an album. This is the most useless thing I've ever bought. This band supposedly had so much promise when I read some of the reviews. There is no nostalgia here, there is no artistry here, just a bunch of cliché, over sentimental lyrics that attempt at emotional blackmail so that one may warm up and not be so harsh towards this. There are musicians that have not been sign to the same scale as this band has that deserve far more attention. This albums as though Stacy Q, or Kylie Minogue or Madonna attempted to make a Shoegaze record in 1985. I want my money back. Or at least go into the record store and exchange it for something better. However, I’ve learned my lesson… download before buying. No matter what self-righteous, holier than thou people, who spout the theft propaganda might say.
Erok J gave it a7:
I'd have to say I like maybe 4 or 5 songs on the album. I liked alot of where before the dawn heals us, but this is getting a little too vocal and "regular". Not enough substance to be that big of an album.
Joen h. gave it a10:
Outstanding album. Takes a few listens to properly sink in.
Eric C. gave it a9:
I know a ton of people who look back on the 80s in shame and declare that there was no art or beauty to be found there. They hear the over-the-top emotion and massive sounds and shake their heads. And when they hear this album, they might gag at the sound of heavy synths and the bleak and youthful lyrics. When I listened to Saturdays=Youth, I heard some moments of heart-racing beauty that I haven't heard since the Arcade Fire's Funeral (I should probably stop comparing everything to the Arcade Fire). Maybe Gonzalez set out to make an album built on 80s nostalgia. But what he ended up making was a heart wrenching album of youth that should be relevant to not only those who grew up in the 80s, but those who grew up in the 90s and who are growing up now. I'm 18 and grew up in the new century, and this is one of the most emotionally relevant albums I've heard in a while. Shrug it off as cheesy nonsense that deserves to lie in the mass grave of 80s culture. Personally, I think everyone should atleast hear it once, so we can celebrate who we were, who we became, and who we are still becoming. And I don't care if that sounds cheesy.
Aristotle X gave it a9:
I am in total agreement with Damian. After Before the Dawn Heals Us, what new avenue could M83 possibly explore? It would be nearly impossible to produce an album with more emotional intensity than BTDHU. This new album certainly will divide, not only critics, but many fans as well. It contains some tracks that are instantly appealing and others that are gradually absorbed until you find yourself humming them throughout your workday (i.e. the last 2 minutes of "We Own the Sky"). Although Gonzalez uses many of the best elements of 80s music, the influences never feel forced or awkward. One reviewer aptly referred to the new M83, as the best 80s album never made. Fans who need M83 to sound like a Nascar PS3 soundtrack will probably be disappointed. But those who can appreciate the finesse required to cut a fantastic pop record will find much to appreciate.

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