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Upcoming Release Calendar
64
A Camp Stars indicate the most critically-acclaimed albums.
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The Forgotten Arm
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Produced by Joe Henry, Mann's first studio disc in three years is a concept album about the life of a boxer during the 1970s.
| LABEL: | Superego |
| RELEASE DATE: | 03 May 2005 |
| DISCS: | 1 disc |
| GENRE(S): | Singer-Songwriter, Rock, Adult Alternative |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
The average user rating for this album is 8.4 (out of 10) based on 29 User Votes
Note: User votes are NOT included in the Metascore calculation.
Tim H gave it an8:
This album is still growing on me. Very very nice effort by Aimmee. Congrats
Sam D gave it a7:
On this site, i continue to hear the same thing; Lost in Space was dull. One, people who say that didn't listen to the lyrics whatsoever; It's Not, Today's the Day, and Real Bad News are some of the best, and most tragically beautiful, lyrics i have ever heard. So when I popped The Forgotten Arm, I was shocked to hear that some of the songs slipped a bit in the lyrical department. They were all still beautiful, but it seemed that Aimee wasn't behind all of them 100%. Goodbye Caroline and Beautiful captured my heart from the first go 'round, but the others will take a few more test drives before they become memorable.
Austin A gave it a9:
In this story of agonizing love, Aimee Mann seems to lose focus on some songs yet the great ones make the album timeless.
Chad S gave it a9:
Ploughing through "Lost in Music" for the first time brought back memories of my disappointment towards Prince's "Graffiti Bridge"; the shock that creative fatigue happens to the great ones, too. It was the first time an Aimee Mann album made me yawn(even 'til tuesday's "Welcome Home") has more high points). With some trepidation, I pressed "play" on my cheap-ass cd player, and that trepidation was waylaid. Aimee Mann is back. There's no "Mr. Harris"(I think this is her finest moment), "Frankenstein", or "Ghost World", but Mann is once again melding intelligent lyrics to hummable melodies like no other female singer-songwriter in the past fifteen years. And this includes the third 'til tuesday album, which has "Rip in Heaven", where Mann deftly encapsulates romantic disappointment with unerring naked verve in its rousing chorus, and "Limits to Love", a character sketch every bit as stunning as "Mr. Harris". As for "The Forgotten Arm", my favorite songs are "Goodbye Caroline", "Video", and "I Can't Help you Anymore". She's coming to Hawaii and I hope she plays "Sign of Love"(from "Back to the Beach"), even though it's a cover. Somebody needs to give that neglected gem some props.
John B gave it a9:
Terrific. Benefits enormously from the new stripped-down sound (no fussy overdubs... a much leaner production) which gives it a real directness. A real relief to get away from complaint and confessional and move towards writing about third parties. Great stuff.
Pope John Paul gave it a9:
No, there are no major musical innovations here (honestly, there haven't been any since Bachelor No. 2 for Aimee), but this is still arguably the most consistent album she has released yet, and it's great to hear her sounding revitalized after the near-terminally dull Lost In Space. There is no way that wasn't a run-on sentence.
levvy gave it an8:
A great follow up to Lost in Space (admittedly, possibly even better than said album). Faves include King of the Jailhouse, Going Through the Motions, I Can't Get My Head Around It and Video
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