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55
3 Doors Down Stars indicate the most critically-acclaimed albums.
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Although techno artist Moby had been on the scene for almost a decade and had released five albums, his fame had chiefly been limited to his club hit "Go" back in 1991. 'Play' changed all that, however, garnering a sea of critical and popular acclaim for the artist. A mix of styles (including deviations into blues and gospel), 'Play' also has the unique distinction of having all 18 of its tracks licensed for use in film, television and advertising.
| LABEL: | V2 / Mute |
| RELEASE DATE: | 01 June 1999 |
| DISCS: | 1 disc |
| GENRE(S): | Electronic, Alternative |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
The average user rating for this album is 7.8 (out of 10) based on 22 User Votes
Note: User votes are NOT included in the Metascore calculation.
A N gave it an8:
A strong CD, with some of the most unique, catchy songs I've ever heard. Still, even with all of the acclaim it's gotten, I doubt anyone would have complained if a couple of the ambient tracks had been replaced with some more of the clever gospel/techno seen at the start (which also contributes to the album's front-loaded issue). Still, the majority of the tracks are strong, as is much of the ambient, and it turns out to be a shining example of experimentation gone right.
Alex K gave it an8:
Any review that uses the word "advertising" to sum up this album (excluding this one, obviously) should be disregarded. To judge an album purely on a populist basis is unfair. While Moby brought his music to a much wider audience by licensing it to ad execs, much smaller bands and artists are doing the same using MySpace. Same intention, but simply different means and different scale, and Moby shouldn't be criticised for it. This is a seminal album, one that properly transcended genres and one which - rough edges and all - managed to prove that anyone with a sampler and a keyboard can't blame their equipment for making poor music.
C. S. gave it a10:
Undoubtedly Moby's best album. I still wonder how he hasn't managed to be as good on the follow-ups "18" and "Hotel" (18 is just a bit weaker than Play in my opinion; Hotel is worse)
T F gave it a10:
Easily a 10. Probably Moby's best album to date.
Wendy gave it a9:
Moby at his best!
Mike gave it an8:
This is probably Mobys best album. alot of really good tracks. Very good
tanya h gave it a9:
catchy, soulfull, moving
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