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Black Holes & Revelations
by Muse

Muse reviews
Critic Score
Metascore: 75 Metascore out of 100
User Score  
8.6 out of 10
based on 32 reviews
Read critic reviews
How did we calculate this?
based on 191 votes
Read user comments
Rate this album

The stadium-sized English trio returns with a follow-up to its 2004 hit 'Absolution,' again produced by Rich Costey.

LABEL: Warner Bros
RELEASE DATE: 11 July 2006
DISCS: 1 disc
GENRE(S): Alternative, Rock

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Observer Music Monthly
Entertaining and rabble-rousing, daft and deadly serious, it's a fantastic record, with almost limitless appeal.
Read Full Review
100
E! Online
Head-smashing songs like "Supermassive Black Hole" and "Invincible" all point to an album that strives to be nothing less than epic. It succeeds.
Read Full Review
100
Q Magazine
A work of dazzling scope and grandeur... It is impossible to imagine any other band making music quite like this. [Aug 2006, p.106]
100
Alternative Press
Revelations is Muse's best work yet primarily because of the fluid balance it keeps between excess and restraint. [Aug 2006, p.220]
90
All Music Guide
Muse have really done it this time.
Read Full Review
90
musicOMH.com
A monstrously grandiose, ridiculously gargantuan and stunningly inventive work from start to end.
Read Full Review
90
New Musical Express
Muse have made a ridiculous, overblown, ambitious and utterly brilliant album, with more thrills than their previous three put together.
Read Full Review
90
Drowned In Sound
The work of three individuals arriving at the peak of their powers, it’s likely to be the band’s OK Computer, their Music For The Jilted Generation, their Dark Side Of The Moon – the record that everything they produce subsequently is immediately unfairly rated against, ‘til time’s own sands sit still.
Read Full Review
84
ShakingThrough.net
In terms of sheer Freddie Mercury bravado and guitar-shredding, genre-jumping prog-rock pomposity, this stirring record is indeed (forgive me) something of a revelation.
Read Full Review
83
Entertainment Weekly
Corny and bombastic, their latest is also ambitious, impeccably built, and apt to induce fits of uncontrolled fist pumping. [14 Jul 2006, p.81]
80
The Guardian
It shouldn't work, but Bellamy's mania is so convincingly realised that even the most avowed Muse refusenik may have to finally concede defeat.
Read Full Review
80
Paste Magazine
A career milestone and one of the year's strongest rock albums. [Sep 2006, p.73]
80
Tiny Mix Tapes
Black Holes and Revelations is probably the least restrained album of 2006, which for some is a blessing, for others a pretentious annoyance. It is, however, a focused album.
Read Full Review
80
Blender
Like a question 1970s double disc compacted into 45 brutally efficient minutes, it has the momentum of a meteor. [Aug 2006, p.108]
80
Uncut
Consolidates and amplifies everything they've done up to now. [Aug 2006, p.110]
75
Stylus Magazine
That’s not to say the album is a disappointment (it isn’t) or not great (it is, mostly), but after hitting their creative and commercial peak with Absolution and its subsequent breakthrough stateside, Black Holes and Revelations clearly reveals itself to be a transition record.
Read Full Review
75
Prefix Magazine
Muse is nothing if not distinctive, and Black Holes and Revelations is very much distinctively Muse: fantastic at points and ridiculous at others, without much in between.
Read Full Review
75
Los Angeles Times
Overall, "Black Holes and Revelations" offers a refreshing revamp, but the jarring contrast between its new and vintage sounds comes off as slightly half-baked. [9 Jul 2006]
70
Playlouder
Muse's magnificent powerhouse that is new album 'Black Holes And Revelations' rectifies - almost - everything that once was wrong.
Read Full Review
70
Under The Radar
Black Holes and Revelations isn’t a perfect record but it’s a worthy addition to an already stellar catalog. [#14]
70
PopMatters
Muse impresses, and continues to impress on Black Holes, not only because they have the Romantic classical harmony-fueled huge stadium sound down pat, but in the details that show a band mature and talented.
Read Full Review
70
Rolling Stone
If you manage to suspend your disbelief a little, Black Holes and Revelations will push your pleasure buttons.
Read Full Review
60
Mojo
What this record lacks is a couple of the screamalong anthems at which Muse have become renowned. [Aug 2006, p.88]
60
Slant Magazine
The album is a black hole of pomp and nothingness, a perfect document of the times. So, to fully enjoy it, it's best to turn your brain off and let yourself get sucked in.
Read Full Review
60
Dot Music
This is the first Muse album to sound - brace yourself, outrageous melodrama fans - ordinary.
Read Full Review
50
Billboard
Though the album grows stronger as it lurches on, the trio's pursuit of bombast leaves the killer melodies lost in outer space.
Read Full Review
42
Pitchfork
This is the band's most autopiloted effort yet, a hacked-up last-gen rehash of said space jams, only now with greater emphasis on glitz and glam. Somehow Muse, always loveably lame, have managed to take a turn for the lamer.
Read Full Review
40
cokemachineglow
Unfortunately, it seems the group is more interested in refining, rather than re-defining, their craft, whose torpid mechanics bear no mystery, no guts behind all that glamour.
Read Full Review
40
NOW Magazine
Impressive song construction ruined by heart-wrenching dramatics.
Read Full Review
40
Spin
Muse used to sound like a Radiohead tribute band; now they sound like a Muse knockoff. [Aug 2006, p.81]
40
Village Voice
Takes rock to Seussian levels of ridiculousness.
Read Full Review
33
The Onion (A.V. Club)
Give Muse credit for remaking itself over the years into a full-blown theatrical experience, and not just another echoing rock band. But that experience is, frankly, kind of shitty.
Read Full Review

What Our Users Said

Vote Now! The average user rating for this album is 8.6 (out of 10) based on 191 User Votes
Note: User votes are NOT included in the Metascore calculation.

Demetrio H. gave it a10:
This album is a truly majestic mix of harmony, soul and cutting edge rock n roll. Everything that Radiohead should have been.

Francois B. gave it a10:
MUSE is just the creators of masterpieces. Any retarded person that gives this album a bad rating is a sad case that should stick to its RAVE and DANCE music, boom-boom-boom-boom-boom. Muse has redefined the music industry with awesome, musical and captivating songs that is created by the musical master Matthew Bellamy and his mates

MP P. gave it a9:
Anyone who thinks MUSE sounds like RADIOHEAD in any way, you should go to an ear doctor asap because you obviously have lousy hearing. This album is phenomenal and ranks only behind their best album, "Origin Of Symmetry". It's not just over the top, bombastic prog rock like some people like to say. Explain tracks like "Hoo Doo" or "City of Delusion". If anything, those are flamenco inspired. Lets not forget that MUSE is the best live band on the planet.

Marc gave it a5:
Paraphrasing Matt Bellamy in 'Supermassive Black Hole': Muse are kings of the superficial.

Steve O gave it an8:
It's good, but come on guys... It's Radiohead back in 1995 with "The Bends".

Zap B. gave it a4:
An ok album, but someone remind me again how the lead singer doesn't sound exactly like Thom Yorke?

Justin K. gave it a9:
with Black Holes and Revelations, Muse have reinvented the meaning of the word "genre". Every song is different in its own respects, and almost every song is noteworthy. Only muse could make a song about a natural space phenomenon be so cool (supermassive blackhole).

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