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Zero 7
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Yes, I'm A Witch
Generally favorable reviews
Based on 20 critic reviews
How did we calculate this?
Based on 21 votes
Read user comments
Rate this album >
Album Info
Label: Astralwerks
Release Date: 06 February 2007
Discs: 1 disc
Genre(s): Rock
Summary
'Witch' features an assortment of indie artists who have reimagined classic Yoko Ono tracks by mixing elements of the originals (mainly the vocals) with newly recorded music. The roster includes the Flaming Lips, Le Tigre, Spiritualized, Cat Power and the Polyphonic Spree.
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Entertainment Weekly
An excellent refresher course on Yoko Ono's endlessly underappreciated musical career. [9 Feb 2007, p.74]
Under The Radar
A surprisingly well-tracked and well-produced compilation. [#16, p.94]
Mojo
What Yes, I'm A Witch proves, above all else, is that the world is at last catching up with Ono. [Mar 2007, p.92]
Urb
None of the pairings are out of place. [Mar 2007, p.99]
The Guardian
Yes, I'm a Witch makes a startlingly effective case for Ono's songwriting skills.
Read Full Review >Paste Magazine
The highlights are very high indeed, demonstrating just how wrong received wisdom in pop music can be. [Mar 2007, p.64]
Playlouder
The only disappointment is it's all probably way too leftfield for generic consumption, meaning most people won't actually get to hear it.
Read Full Review >Uncut
Another sly masterstroke by the canniest widow in rock. [May 2007, p.103]
Pitchfork
And that's the odd thing about this collection: If it provides people with a bridge into appreciating Ono's work, it won't be by making it more accessible.
Read Full Review >PopMatters
In the end, Yes, I’m a Witch weaves a stronger spell than the typical tribute album that attempts to bring today’s generation into the Know.
Read Full Review >Village Voice
A good number of the cuts here take up the thread she's been working lately, adding factory-floor dance beats to old vocal tracks.
Read Full Review >Blender
If the students sound like masters, then Yoko’s generous legacy is secure.
Read Full Review >Rolling Stone
Her long-underrated talent for simple, direct melodies makes it easy for these disciples to rescore Ono's songwriting in their own lingo. [22 Feb 2007, p.74]
Prefix Magazine
Yes, I'm a Witch may be less than the sum of its parts, but [some] notable tracks... make it worthwhile.
Read Full Review >Filter
This witchcraft is far better in theory than it ever will be in practice. [#24, p.96]
Billboard
In each case, a brand-new track has been crafted, but some work better than others. [10 Feb 2007]
NOW Magazine
As with similar high-concept projects, most of it doesn't work, and the most successful pairings are often the ones you'd least expect.
Read Full Review >What Our Users Said
The average user rating for this album is 6.1 (out of 10) based on 21 User Votes
Note: User votes are NOT included in the Metascore calculation.
Matt W gave it a0:
by comparison, the exhumation of wind from my buttocks is more pleasant that this album
Brannon M gave it a0:
She broke up the Beatles. She's a slut.
Jodie L gave it a9:
This album is an early contender for album of the year, all of the songs here are crackers, most especially tracks with DJ Spooky, The Flaming Lips and The Sleepy Jackson. Ono well done on this great compilation. For those that don't understand this album, you DON'T understand music, Yoko was 20 years in front of the pack. Good call Jesse her Plastic Ono Band version and Fly are awesome, no grrll power rock without her.
RichE P gave it an8:
I used to hate Yoko because I was too young to understand her and her voice was like fingernails ala chalkbord but I was astonished at how delicate and sincere her voice has become,I love the asteralwerks ambiance touch!
llonglifee .. gave it a9:
rock viva
Dafydd W gave it a9:
This is great! Best Ono album since Rising. The track with Cat Power is lovely. Everyman Everywoman is stonking! Not a duff track as far as I can hear. Class.
David R gave it a0:
Like Nico, Ono was just in the right place at the right time and now we can't get rid of her. Forty years later and she is still shrieking and shrilling into a microphone over tape loops and artists that actually have talent like Antony are starting to realize if you can't end her, join her.
