|

New & Current Releases
Archives: A-Z Index
Advanced Search
Upcoming Release Calendar
All-Time High (And Low) Scores
Best Of 2008
Best Of 2007
Best Of 2006
Best Of 2005
Best Of 2004
Best Of 2003
Best Of 2002
Best Of 2001
Best Of 2000
How Metascores Are Calculated
Discuss Music In Our Forums

Stars indicate the most critically-acclaimed albums.
|
Righteous Love
by Joan Osborne
| LABEL: |
Interscope |
| RELEASE DATE: |
12 September 2000 |
| DISCS: |
1 disc |
| GENRE(S): |
Pop, Rock |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
80
CDNow
Her triumphant, long-awaited Righteous Love is no carbon copy of Relish, but that's because Osborne, who's always demonstrated open ears, has continued to develop as an artist and take on additional influences.

80
Sonicnet
Righteous Love turns out to have been worth the five-year wait, as it boasts a higher percentage of good songs than Relish, a more organic instrumental sound, and a singer whose vocal finesse now matches her raw power.

75
Entertainment Weekly
What's missing on Righteous Love is all out excitement: the sexy holy soul that made ''Relish'' a goosebump raiser.

70
Rolling Stone
Osborne impresses with the warmth and human embrace of her voice.

70
MTV.com
Very unique and very, very good....the songs on Righteous Love are brimming with the sorts of influences that you don't hear too much on the radio today: gender-bending atmospherics... Sly Stone/bar-rock amalgams... Dylan's recent haziness...

70
Wall of Sound
She's older, wiser, and more steadied in her approach across the 11 songs that make up the album, but had this disc come out in 1997 or 1998, it would've been seen as a somewhat less-impressive follow-up to Relish.

60
All Music Guide
Mitchell ropes in the loud blues and soul leanings that made her previous album so much fun, and the singer herself emotes in a much more restrained pop vein.

50
Checkout.com
Though the album finds Osborne a blues-belting, soul-sizzling, R&B vocalist... most of the songs just don't work in spite of the fact that all of Osborne's ducks (lyrics, music, arrangements and production) are lined up nicely.... Osborne's musical diversity and experimentation are brave actions in the face of the smothering homogeneity that continues to invade the art form, but even the most excellent elements will fall to certain ruination if miscombined.
40
Q Magazine
Osborne still sings well, but, apart from the late swamp-dirty sequence of Baby Love, Hurricane and Poison Apples, deadly rock orthodoxy prevails.

40
Spin
Despite some bold, funkdafied grunting, it never really gets up off the downstroke... the bar-band bluster only blunts her individualism, making for music that's less Take Back the Night than the Night Belongs to Michelob. [Oct 2000, p.184]
30
Billboard
To be sure, Osborne proves again she has a wonderfully rich, sensual, and powerful voice that commands respect. But besides a winning cover of Bob Dylan's "To Make You Feel My Love," she chooses to showcase it among mostly flat and/or generic arrangements.

30
Mojo
A fairly routine batch of middling-to-turgid funk numbers about lurrve performed with rather more duty than excitement.


The average user rating for this album is 9.6 (out of 10) based on 3 User Votes
Note: User votes are NOT included in the Metascore calculation.
Discuss this album in our forums |
|