Music
All-Time High (And Low) Scores
Best of 2009
Best of 2008
Best of 2007
Best of 2006
Best of 2005
Best of 2004
Best of 2003
Best of 2002
Best of 2001
Best of 2000
Best of the Decade
Upcoming &
Recent Releases
75
2562
54
30 Seconds to Mars
62
50 Cent
71
AC/DC
70
The Album Leaf
52
Kris Allen
68
Tori Amos
66
Animal Collective
84
Animal Collective![]()
77
Annie
57
Apse
63
Asobi Seksu
59
Bad Lieutenant
83
Julianna Barwick![]()
82
Beach House![]()
72
Beak>
72
Bibio
65
Justin Bieber
76
Biffy Clyro
74
Blakroc
75
Mary J. Blige
78
Blockhead
52
Bon Jovi
54
Susan Boyle
57
The Bravery
39
Chris Brown
64
V.V. Brown
70
Basia Bulat
79
Chew Lips
74
Citay
65
Clipse
66
Cold War Kids
75
The Cribs
58
Dashboard Confessional
81
Dave Rawlings Machine![]()
70
Delphic
78
The Doors
58
Echo & The Bunnymen
73
Edan
59
Editors
69
Eels
80
Felt
74
First Aid Kit
69
Flyleaf
83
Four Tet![]()
82
Ben Frost![]()
82
Fucked Up![]()
83
Charlotte Gainsbourg![]()
63
The Gilded Palace Of Sin
68
Githead
65
Joe Goddard
58
Good Shoes
72
Gucci Mane
75
Holopaw
82
Jesca Hoop![]()
79
Hot Chip
72
The Hot Rats
88
Ray Wylie Hubbard![]()
54
Hurricane Chris
66
Allison Iraheta
59
Jay Sean
82
Freedy Johnston![]()
57
Nick Jonas And The Administration
73
Norah Jones
49
Juvenile
58
Ke$ha
62
R. Kelly
66
Alicia Keys
68
Kid Sister
81
King Midas Sound![]()
63
Lady Antebellum
76
Lady GaGa
71
Adam Lambert
78
Lawrence Arabia
61
Leona Lewis
74
Lightspeed Champion
36
Lil Wayne
82
Lindstrom & Christabelle![]()
77
Lissie
78
Los Campesinos!
70
Lostprophets
73
Magnetic Fields
72
Massive Attack
64
John Mayer
71
Paul McCartney
58
Katherine McPhee
86
Memory Tapes![]()
72
Midlake
88
Motion City Soundtrack![]()
63
Mr. Hudson
53
Mudvayne
75
Oh No Ono
70
OK Go
72
Ola Podrida
61
OneRepublic
80
Owen Pallett
80
Pantha du Prince
90
Tom Petty & The Heartbreakers![]()
80
Phantogram
60
Pit Er Pat
63
Priestess
70
Radian
79
Corinne Bailey Rae
54
Rakim
79
Real Estate
77
Retribution Gospel Choir
76
Rihanna
64
Rjd2
65
Omar Rodriguez-Lopez
77
Sade
77
Gil Scott-Heron
72
Shakira
82
Shining![]()
61
Snoop Dogg
62
Snow Patrol
71
The Soft Pack
80
Spoon
64
Ringo Starr
59
Stereophonics
76
Angie Stone
79
Surfer Blood
74
Switchfoot
75
Them Crooked Vultures
74
Robin Thicke
50
Timbaland
79
tUnE-YaRDs
80
Vampire Weekend
79
Laura Veirs
79
Tom Waits
78
Wale
65
The Watson Twins
66
Kanye West
76
The Whitefield Brothers
64
Robbie Williams
80
Yeasayer
62
Young Money
75
Neil Young
61
Rob Zombie
Stars indicate the most critically-acclaimed albums.
Let Us Never Speak Of It Again

Generally favorable reviews
Based on 26 critic reviews
How did we calculate this?
Based on 13 votes
Read user comments
Rate this album >
Album Info
Label: Kranky
Release Date: 22 March 2005
Discs: 1 disc
Genre(s): Indie, Rock
Summary
The first album in two years for the New York band (which shares three members with !!!) introduces a few vocals (from group members Phyllis Forbes and Molly Schnick) and drum machines into the mix for the first time.
Also By This Artist: S.T.R.E.E.T. D.A.D.
Also On Metacritic
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Stylus Magazine
Out Hud’s shift to house-pop may not be the group ‘coming into its own,’ but it does throw aside the burden of influences that S.T.R.E.E.T. D.A.D. had attached to it.
Read Full Review >Spin
They're better at evoking turbulence than talking about it--efforts to cop '80s-pop vocals are overshadowed by the cascade and rumble of the instrumental long-players. [Apr 2005, p.102]
All Music Guide
Out Hud have, in a roundabout way, developed into the most original dance band on the planet.
Read Full Review >Lost At Sea
Different and perhaps more mature than S.T.R.E.E.T. D.A.D., this recent release from Out Hud measures out a liquid pulse, fervently paying homage to their antecedents and feverishly shaking their asses.
Read Full Review >The Onion (A.V. Club)
Boasts a wealth of dreamy atmospheres and earthy pleasure points.
Read Full Review >Under The Radar
Steps up the electronica angle and moves forward into territory both more danceable and sonically challenging. [#9]
Neumu.net
Let Us Never is the latest sophomore album to make its creator's (actually really good) debut sound kinda paltry.
Read Full Review >Delusions of Adequacy
It might take a couple of rotations, but upon spinning Let Us Never Speak of it Again, be prepared to suffer from involuntary dance fits from surfeits of jollity. Asinine lyrics be damned, I’m dancing here.
Read Full Review >Urb
Every song is a keeper. [Apr 2005, p.103]
New Musical Express
Recall[s] dance music's pre-superclub adventures in electronica and bleepy house. [19 Mar 2005, p.59]
Pitchfork
A huge success, a fresh-sounding record that doesn't feel too obviously indebted to anything that's come before it, much less like anything Out Hud have made before.
Read Full Review >Junkmedia
Songs walk a delicate tightrope between the brain and the hips, and the libidinal release of the beat is denied, suggested, suppressed, and finally let loose to sweat it out.
Read Full Review >Splendid
Let Us Never Speak of It Again is the sticky, panting, sexually deviant album Louden Up Now should have been.
Read Full Review >Uncut
Bright, luscious and languid. [Apr 2005, p.102]
The New York Times
The results are simultaneously crisp and disorienting, teasing with a familiarity that quickly recedes behind complex second thoughts. [21 Mar 2005]
Dusted Magazine
Out Hud’s new-found pop smarts leave you hoping that they’ll drop the instrumentals and devote a whole album to songs.
Read Full Review >Almost Cool
Let Us Never Speak Of It Again is at the same time better than Street Dad in several ways, but also much more indulgent (sometimes in bad ways) than its concise predecessor.
Read Full Review >Blender
Out Hud don't write songs, they whip up grooves: streamlined throbs and pulses, transmitted live from Saturday night at the coolest club in town. [May 2005, p.123]
Magnet
Without seeming pretentious or curated, Out Hud is making dance music that feels "important." [#67, p.110]
Rolling Stone
It's insular stuff, but because they think like hipster Stockhausens and always keep things moving, Out Hud's indie disco is exciting where Tortoise's indie jazz was merely annoying. [24 Mar 2005, p.79]
Mojo
It's unfortunate that the weedy vocals dilute some of its impact, otherwise this would be a triumph. [Apr 2005, p.89]
Q Magazine
Like LCD [Soundsystem], Out Hud spice up electronic grooves with lithe basslines and post-punk guitars, albeit with less finesse. [Apr 2005, p.123]
Alternative Press
Sounds anemic. [May 2005, p.138]
Tiny Mix Tapes
Unfortunately, Let Us Never Speak Of It Again barely registers any of the emotion or punch of the debut and, worst of all, goes ahead and adds positively dreadful lyrics to nearly all the songs.
Read Full Review >What Our Users Said
The average user rating for this album is 8.6 (out of 10) based on 13 User Votes
Note: User votes are NOT included in the Metascore calculation.
zingzing zingzing gave it a9:
One of the best synthpop albums of this decade. better than junior boys or whatever other serious contenders you can think of... seems that the boys(and girls) of the !!!/outhud collective are some of the most interesting at play these days...
ben m gave it a9:
lyrics take some getting used to but have grown on me. extremely danceable and catchy in a balls-out wacky kinda way. parts are rather forgettable but it's ok you will need a rest.
Asahi K. gave it a9:
Nice dancerock, better than !!! or the LCD Soundsystem, more melodious and glitchy at once.
Dooly oN gave it a10:
The vocals by Phyllis Forbes are great. Isn't she the pretty one? I love "Old Nude", I wonder where they got that title.
Eli L gave it a9:
Albums like this help form the much-needed bridge from dance music's ten year run to the more modern funked-up rock sound. Ravers are like an STD.
Billy Bob gave it a7:
Artful, funky pop and no-wave disco. An interesting change of direction, stripping out the post-rock progressiveness but none of the innovation. I like it!
Russell S gave it an8:
If new Order were 20 years younger and liked chicks more than ecstasy you might get something more akin to this punkateria dance pit. Throbbing, reveling, innocent, intentional, and almost necessary make repeated listening essential. It does pays dividends though.
