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Zero 7
Stars indicate the most critically-acclaimed albums.
Third

Universal acclaim
Based on 38 critic reviews
How did we calculate this?
Based on 114 votes
Read user comments
Rate this album >
Album Info
Label: Mercury
Release Date: 29 April 2008
Discs: 1 disc
Genre(s): Rock, Electronic
Summary
The English rock band returns with its first studio album in 11 years.
Also On The Web: Official Artist Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Uncut
Third is the most stunning, stark and superb Portishead album yet. [May 2008, p.84]
Read Full Review >Paste Magazine
Third is far and away the best, most punk thing in the Portishead catalog: a deeply transgressive album that bears a passing similarity to its predecessors but leaves most of the baggage behind in favor of a full-blown reset.
Read Full Review >The Guardian
Portishead's third album is initially more a record to admire than to love, its muscular synthesisers, drum breaks and abrupt endings keeping the tension high. But after several listens, Third's majesty unfurls.
Read Full Review >The Onion (A.V. Club)
This is the late-night, beat-driven, torpid-languid music of a zillion coffee shops, sure, but with the blood drained out of it, a creepy-crawly, black-and-white-sounding thing that gets under the skin and stays there from the first play
Read Full Review >PopMatters
Third is a complete work of art to fully immerse yourself in, listened to start to finish.
Read Full Review >All Music Guide
Here, the sad sounds aren't quite so soothing, but that human element of Portishead gives them a sense of comfort, just as it intensifies their sense of mystery, for it is the flaws--often quite intentional--that give this an unknowable soul and make Third utterly riveting and endlessly absorbing.
Read Full Review >New Musical Express
That it’s Portishead’s best album yet is little short of miraculous.
Read Full Review >Urb
It's hard to leave your comfort zone, especially with unrealistically high expectations, but the band successfully redefines itself without alienating their core audience. Welcome back, guys.
Read Full Review >Under The Radar
Third concludes with a string of stunners that feature sawing cello, improvisatory bursts of horns, and the most cathartic vocal performance Gibbons has ever set to tape, respectively. [Spring 2008, p.79]
Slant Magazine
There's enough on Third (spaghetti-western guitars, organs, barking effects) to sate those who pine for the late '90s, but gone is the turntable scratching, ostensibly deemed too much of a relic from that decade; in its place are more electronic flourishes, like the cyclic synth-bass loop that softens the second half of "The Rip," a song which is proof positive that Goldfrapp would never exist without Portishead.
Read Full Review >Spin
As punk's dumbing down has proven, anyone can make abrasive music, but few can do something new and compelling with apocalyptic heaviness. That Portishead manage to do both 14 years into their recorded career is an unexpected triumph over the darkest clouds that have shaped their art and soul. [May 2008, p.93]
Delusions of Adequacy
The album is consistently strong from start to finish with enough outstanding material to vault it into classic status right next to "Dummy."
Read Full Review >Pitchfork
Released today, it instead feels like a staggering transformation and a return to form that was never lost, an ideal adaptation by a group that many people didn't know they needed to hear again.
Read Full Review >Los Angeles Times
Though several doses of this languid, tension-filled music get a tad draining, taken altogether it is a suitable sound for our troubling times, and there's an invigorating mysteriousness.
Read Full Review >Almost Cool
It's one of the most vital releases I've heard this year, and while I can hear fans of their past work being a bit puzzled, I simply can't imagine anyone not being at least a bit thrilled by it.
Read Full Review >Entertainment Weekly
Third is indeed a less immediately accessible effort than Portishead's more groove-oriented earlier work, but it's no less gorgeous.
Read Full Review >Village Voice
The good news for people who love bad news is that Portishead have gotten better, too.
Read Full Review >Dusted Magazine
Third is about the potential for being, not being itself. It’s the base chemistry of the Portishead sound, a compound awaiting reaction. Which is up to the listener to produce, like the lightning that brings the Monster to life.
Read Full Review >Drowned In Sound
Both ancient and futuristic, a mildewed signal from a more advanced culture that failed to survive the ice age, Third doesn’t make you pay attention to its desolate contours, but rather stare out of the window, creeping panic causing your mind to dart in a million dark directions at once.
Read Full Review >Hot Press
Long awaited comeback from Bristol trip-hop outfit proves worth the wait.
Read Full Review >Boston Globe
Portishead's methods are hardly frozen in time. And that evolution is what makes these elaborately layered tracks such a knotty, mesmerizing listen.
Read Full Review >Alternative Press
Listening to Portishead has always been like floating through a waking dream, but now the sleek edges have atrophied into a dusty chaos, and it's all the more beautiful and perfect for the change. [June 2008, p.136]
Mojo
Third shows Portishead in the tradition of, say, Fairpoint Convention as much as Massive Attack, and though it might not convert sceptics it is convincing, and occasionally thrilling, demonstration that the wilderness can be a great place to cook up new ideas. [May 2008, p.103]
Vibe
It's been a long wait, but like reborn armies in the night, Third has the blare of revolution. [June 2008, p.70]
Prefix Magazine
Behind these minor tones and detached themes, Third emits a knowing and quiet confidence that communicates the band’s strongly held ideas, especially that of existential ennui.
Read Full Review >Billboard
Pitch-shifting strings punctuate the background like reminders of the cinema of the past, but this Portishead doesn't wink at anything, eschewing style altogether. In our self-referential culture, an album like this is an aberration. Again.
Read Full Review >musicOMH.com
Yet far from being miserable, this is a record substantially more alive than its eponymous predecessor.
Read Full Review >Dot Music
Exquisitely detailed, you can well believe that this is an album many years in the making and one with twice those years of pain inscribed in its emotionally wracked songs.
Read Full Review >Austin Chronicle
Ten years later, they've managed to capture our paranoid times and sound transcendent as well.
Read Full Review >The Phoenix
Anyone expecting a return to the slick cinemafunk of ’90s Portishead will be taken aback by Third, but though the album never reaches the eureka moments of old, it’s a welcome step into new territory and a more than satisfying downer dose to set against the onset of sunny days and ice cream.
Read Full Review >Tiny Mix Tapes
Third is a carefully rewarding record with enough inspired turns to entertain throughout.
Read Full Review >NOW Magazine
Even though not every twisted move they make on Third pays dividends, considering the stakes, consciously fucking with their formula is a bold gamble for which they should be saluted.
Read Full Review >Q Magazine
Third will probably be more admired than listened to and, you suspect, this suits Barrow, just fine. [May 2008, p.131]
Blender
It's groove-deprived and difficult, and not in a particularly inventive way. [May 2008, p.78]
Read Full Review >What Our Users Said
The average user rating for this album is 8.1 (out of 10) based on 114 User Votes
Note: User votes are NOT included in the Metascore calculation.
Ricardo C gave it a9:
I can't really understand how Blender found this album difficult, the album is amazing. If you listen to it carefully and loud, its even better. One of my favourite.
Tim C gave it a9:
Simply superb.
Jose Y. gave it a10:
What a masterpiece! So innovative, noisy, powerful, delicate, beautiful... Try to make a beautiful melody just kicking empty plastic bottles and throwing cans to the air. If you think that's impossible, well, that's easier than what Barrow did on this album. And what can we say about Gibbons' voice? Her singing is enormously sweet and complex over painfully dark lyrics. And who said it's an album to admire, not to listen to? I am listening this album at least once a week since it was released and never get tired of it. One of my top five albums (along to Franz Ferdinand, The downward spiral, OK computer and Trans-Europe Express). Now, if you excuse me, I have to leave you. I have to listen to Machine Gun. Again.
Joe gave it a9:
A nice album. I have never heard any of their earlier work but this is a very nice album.
Aniruddha B gave it a10:
The best thing by portishead... and one of my favourite albums of all time.
Chris C. gave it a9:
Portishead proves once again that they are true artists. They are still a haunting band of depth that goes against the grain without sounding pretentious.
Matt W. gave it a9:
Hands down, the best thing Portishead have ever done.
