|
New & Current Releases
Archives: A-Z Index
Advanced Search
Upcoming Release Calendar
All-Time High (And Low) Scores
Best Of 2007
Best Of 2006
Best Of 2005
Best Of 2004
Best Of 2003
Best Of 2002
Best Of 2001
Best Of 2000
How Metascores Are Calculated
Discuss Music In Our Forums
Stars indicate the most critically-acclaimed albums.
|
Third
by Portishead
The English rock band returns with its first studio album in 11 years.
| LABEL: |
Mercury |
| RELEASE DATE: |
29 April 2008 |
| DISCS: |
1 disc |
| GENRE(S): |
Rock, Electronic |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Uncut
Third is the most stunning, stark and superb Portishead album yet. [May 2008, p.84]
100
Paste Magazine
Third is far and away the best, most punk thing in the Portishead catalog: a deeply transgressive album that bears a passing similarity to its predecessors but leaves most of the baggage behind in favor of a full-blown reset.
100
The Guardian
Portishead's third album is initially more a record to admire than to love, its muscular synthesisers, drum breaks and abrupt endings keeping the tension high. But after several listens, Third's majesty unfurls.
91
The Onion (A.V. Club)
This is the late-night, beat-driven, torpid-languid music of a zillion coffee shops, sure, but with the blood drained out of it, a creepy-crawly, black-and-white-sounding thing that gets under the skin and stays there from the first play
90
PopMatters
Third is a complete work of art to fully immerse yourself in, listened to start to finish.
90
All Music Guide
Here, the sad sounds aren't quite so soothing, but that human element of Portishead gives them a sense of comfort, just as it intensifies their sense of mystery, for it is the flaws--often quite intentional--that give this an unknowable soul and make Third utterly riveting and endlessly absorbing.
90
New Musical Express
That it’s Portishead’s best album yet is little short of miraculous.
90
Urb
It's hard to leave your comfort zone, especially with unrealistically high expectations, but the band successfully redefines itself without alienating their core audience. Welcome back, guys.
90
Under The Radar
Third concludes with a string of stunners that feature sawing cello, improvisatory bursts of horns, and the most cathartic vocal performance Gibbons has ever set to tape, respectively. [Spring 2008, p.79]
90
Slant Magazine
There's enough on Third (spaghetti-western guitars, organs, barking effects) to sate those who pine for the late '90s, but gone is the turntable scratching, ostensibly deemed too much of a relic from that decade; in its place are more electronic flourishes, like the cyclic synth-bass loop that softens the second half of "The Rip," a song which is proof positive that Goldfrapp would never exist without Portishead.
90
Spin
As punk's dumbing down has proven, anyone can make abrasive music, but few can do something new and compelling with apocalyptic heaviness. That Portishead manage to do both 14 years into their recorded career is an unexpected triumph over the darkest clouds that have shaped their art and soul. [May 2008, p.93]
90
Delusions of Adequacy
The album is consistently strong from start to finish with enough outstanding material to vault it into classic status right next to "Dummy."
88
Pitchfork
Released today, it instead feels like a staggering transformation and a return to form that was never lost, an ideal adaptation by a group that many people didn't know they needed to hear again.
88
Los Angeles Times
Though several doses of this languid, tension-filled music get a tad draining, taken altogether it is a suitable sound for our troubling times, and there's an invigorating mysteriousness.
88
Almost Cool
It's one of the most vital releases I've heard this year, and while I can hear fans of their past work being a bit puzzled, I simply can't imagine anyone not being at least a bit thrilled by it.
83
Entertainment Weekly
Third is indeed a less immediately accessible effort than Portishead's more groove-oriented earlier work, but it's no less gorgeous.
80
Observer Music Monthly
Never has a pit of despair sounded so inviting.
80
Village Voice
The good news for people who love bad news is that Portishead have gotten better, too.
80
Dusted Magazine
Third is about the potential for being, not being itself. It’s the base chemistry of the Portishead sound, a compound awaiting reaction. Which is up to the listener to produce, like the lightning that brings the Monster to life.
80
Drowned In Sound
Both ancient and futuristic, a mildewed signal from a more advanced culture that failed to survive the ice age, Third doesn’t make you pay attention to its desolate contours, but rather stare out of the window, creeping panic causing your mind to dart in a million dark directions at once.
80
Hot Press
Long awaited comeback from Bristol trip-hop outfit proves worth the wait.
80
Sputnikmusic
Brilliant.
80
Boston Globe
Portishead's methods are hardly frozen in time. And that evolution is what makes these elaborately layered tracks such a knotty, mesmerizing listen.
80
Alternative Press
Listening to Portishead has always been like floating through a waking dream, but now the sleek edges have atrophied into a dusty chaos, and it's all the more beautiful and perfect for the change. [June 2008, p.136]
80
Mojo
Third shows Portishead in the tradition of, say, Fairpoint Convention as much as Massive Attack, and though it might not convert sceptics it is convincing, and occasionally thrilling, demonstration that the wilderness can be a great place to cook up new ideas. [May 2008, p.103]
80
Vibe
It's been a long wait, but like reborn armies in the night, Third has the blare of revolution. [June 2008, p.70]
80
Prefix Magazine
Behind these minor tones and detached themes, Third emits a knowing and quiet confidence that communicates the band’s strongly held ideas, especially that of existential ennui.
80
Billboard
Pitch-shifting strings punctuate the background like reminders of the cinema of the past, but this Portishead doesn't wink at anything, eschewing style altogether. In our self-referential culture, an album like this is an aberration. Again.
80
musicOMH.com
Yet far from being miserable, this is a record substantially more alive than its eponymous predecessor.
80
Dot Music
Exquisitely detailed, you can well believe that this is an album many years in the making and one with twice those years of pain inscribed in its emotionally wracked songs.
78
Austin Chronicle
Ten years later, they've managed to capture our paranoid times and sound transcendent as well.
76
cokemachineglow
Portishead seem to be playing against intuition at every corner.
75
The Phoenix
Anyone expecting a return to the slick cinemafunk of ’90s Portishead will be taken aback by Third, but though the album never reaches the eureka moments of old, it’s a welcome step into new territory and a more than satisfying downer dose to set against the onset of sunny days and ice cream.
70
Tiny Mix Tapes
Third is a carefully rewarding record with enough inspired turns to entertain throughout.
70
Rolling Stone
Third is an unexpected yet totally impressive return.
60
NOW Magazine
Even though not every twisted move they make on Third pays dividends, considering the stakes, consciously fucking with their formula is a bold gamble for which they should be saluted.
60
Q Magazine
Third will probably be more admired than listened to and, you suspect, this suits Barrow, just fine. [May 2008, p.131]
30
Blender
It's groove-deprived and difficult, and not in a particularly inventive way. [May 2008, p.78]
The average user rating for this album is 8.0 (out of 10) based on 78 User Votes
Note: User votes are NOT included in the Metascore calculation.
Read more user comments...
Discuss this album in our forums |
|
GameSpot | GameFAQs | SportsGamer | Metacritic | MP3.com | TV.com
